If I'm Lucky
If I'm Lucky
| 02 September 1946 (USA)
If I'm Lucky Trailers

Out of work swing band maneuvers a gig working for a political campaign, by drawing in and entertaining prospective voters at rallies. The candidate is really a stooge for a corrupt political machine, which discovers the band's handsome and appealing singer would make a better stooge. Meanwhile, romance blossoms between the band's singers. When election day approaches, the band's singer wants out of the campaign, but the machine threatens to smear him and his pals in the band if he quits.

Reviews
Ploydsge

just watch it!

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Dorathen

Better Late Then Never

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Solidrariol

Am I Missing Something?

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Cleveronix

A different way of telling a story

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SimonJack

The music and cast make this movie. "If I'm Lucky," is one of the lighter musicals of the 1940s with thin or silly plots. It's in the field of musical review, with a plot just to tie together the songs, music and dance numbers. And this film has some very enjoyable entertainment. Harry James and his orchestra make it a collector's film for those who like the big bands of the swing era. Perry Como has a minor speaking role that provides his stage for some good songs. And, Vivian Blaine is good with her numbers. Some of the best stuff comes from Carmen Miranda with the entertaining choreographed dance numbers built around her songs. Phil Silvers provides some light comedy as Wally Jones. The best lines are spoken by Michelle O'Toole (Miranda) and Wally. O'Toole, "Baby, don't forget my harp, Wally." Wally, "Oh, yes. Why didn't you play a piccolo?"

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edwagreen

With a cast of Perry Como, Carmen Miranda, Edgar Buchanan, Harry James and Vivian Blaine along with Phil Silvers, what could go possibly wrong?Imagine the premise that crooner Como runs for governor? That's what we have here in this highly entertaining films. Carmen Miranda belts out her songs in her usual Brazilian style. Silvers, as the leader of the troupe, is conniving and lovable as usual. Vivian Blaine, as Como's love interest looks old here but is entertaining nonetheless.Even back then, we see the corruption of politics and greedy government officials taking full advantage of a corrupt system.

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jjnxn-1

Silly but pleasant little Fox B trifle. A Carmen Miranda musical in B&W is an oddity but in B&W or color she is always Technicolor and is as full as sass as ever and her headgear is as truly astounding. Perry Como sings well and is certainly attractive but he is missing that big screen charisma needed for major stardom. It is easy to see why he was a big hit on TV, he possessed a very warm and friendly presence that makes you feel right at home. Vivian Blaine is lovely and Edgar Buchanan is always a welcome addition to any movie but Phil Silvers is an acquired taste, there's no in between either you like him or not. For me he's hard to take but if you're a fan than he can be amusing. One big plus this has is that Harry James and his band provide the music and that's always a good thing.

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timothymcclenaghan

Vivian Blaine, looking lovely at age 25, has the lead role in this musical, which also stars Perry Como, and both of them perform their musical numbers pleasantly and competently.Phil Silvers is, of course, Phil Silvers, playing exactly the same character he played in many other films.It should have been a crime not to film Carmen Miranda in Technicolor. Her production number cries out for color.Harry James has a speaking part, portraying the band leader (what a stretch). He also performs vocally in some of the songs.Edgar Buchanan (better known to us as Uncle Joe in the TV series "Petticoat Junction") is the quintessential politician blowhard.The musical score is done by veteran songsmiths Josef Myrow (You Make Me Feel So Young) and Edgar "Eddie" De Lange (Darn That Dream, Moon Glow). While none of the tunes seems to have survived to present day, nor made the status of "standard", the songs are pleasant and typical fare for that time.Forget that this film is a remake of another. So what else wasn't new in Hollywood. It's a bit of fluff in the same vein as all of the other 20th Century Fox musicals of the 1940s. So if you like those musicals, you'll enjoy this one too. The only big flaw is lack of Technicolor.

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