I Want You
I Want You
| 18 February 1998 (USA)
I Want You Trailers

A young boy and his sister are drawn into one man's obsessive pursuit of his former lover.

Reviews
Supelice

Dreadfully Boring

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Brennan Camacho

Mostly, the movie is committed to the value of a good time.

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Stephanie

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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Brooklynn

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

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MagicStarfire

This was an interesting film with some very quirky characters.Honda (Luka Petrusic) is a tall, thin 14-year-old boy who usually went everywhere at kind of a gallop, and is a mute. He lives in a house on the beach with his sister named Smokey(Labina Mitevska)--he also has a little hideaway in an old boat that has washed up on the beach.Honda has a rather strange hobby of listening constantly to other people's conversations and other activities, and recording them. Honda can even record people in a car not too distant from where he is, and he even has mobile equipment.One day Honda runs into a beautiful young woman named Helen(Rachel Weisz), quite literally. After making her acquaintance, Honda and her become friends.A young man named Martin,(Alessandro Nivola)out of prison and on parole, with whom Helen was previously involved, is stalking her. Smokey, a sultry nightclub singer, who has a very unusual hairstyle, upon meeting Martin, becomes very interested in him.All four of these people have some psychological issues. Helen - has some obvious sexual problems Martin- is a stalker Smokey- is going to bed with every man she encounters. And Honda with his muteness,eavesdropping and obsession with Helen is also in need of Dr. Freud.We discover as the film progresses, why Honda is mute and what transpired between Martin and Helen in the past.How this all concludes was quite surprising and unexpected to me.8 stars

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chrissage

i read all the imdb comments on this movie and looked forward to watching it, enjoying a cerebral flick as much, if not more than the next man. but what a disappointment... the mute 'hero' anywhere else would be just a perverted voyeur. his sister is talented but a tramp. the hairdresser is a prick-tease and her ex-boyfriend is a loser. but who cares? there is nothing here to endear the viewer to anybody. the flesh on display was quite prolific, but gratuitous and not particularly attractive either. i found myself wondering what Rachel Weisz was doing in this film, but the over-riding question was why i had continued watching till the end.

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sydneyk

This movie, first of all, is not for amateur moviefans. The only people who will probably enjoy this movie are the ones who have seen a great many and wide range of films. It is for the open minded and analytical. Why? Because, this movie is virtually left blank for the audience to fill in. The acting is superb, Rachel Weisz and Alessandro Nivola are very talented, and are justly fit for the role. About 70% of the dialogue was improvised, so that should tell you something. Although there are sometimes too many holes in the plot and not enough information given, the movie, i believe, is pulled off wonderfully. It is a very open movie, and there are no reassurances. The audience will probably find themselves playing psychologist to the deep, rich characters that develop as the short movie progresses. The characters and the whole openness of the movie is what appealed to me. I Want You is very underrated, and people should give this movie a second try. Yeah, there is some explicit sex and voyeurism going on, but that is one of the movie's great central themes. The focus is very apparent from the beginning, and the beautiful thing that sets it off is mood. The color tones used, in mellow bluish and yellowish color, the melancholy and often creepy music... and the locale add to it. The movie is almost like The Virgin Suicides in mood, except much, much darker, with a darker, creepier story as well. It seems throughout the entire movie that the characters are sort of lost in this sort of moody limbo that Michael Winterbottom creates... and you get lost as well.

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tgoszczynski

After all the comments I could only say that it's even better when You are seeing it second time next day. And that I'm looking for sound-track and for Rare and Elvis Costello CD. And that Honda's face is still in my mind.

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