I Shot My Love
I Shot My Love
| 01 January 2009 (USA)
I Shot My Love Trailers

Seventy years after his grandfather escapes from Nazi Germany to Palestine, Israeli documentary director Tomer Heymann returns to the country of his ancestors to present his film "Paper Dolls" at the Berlin International Film Festival, and there meets a man who will change his life. This 48-hour love affair, originating in Berghain Panorama Bar, develops into a significant relationship between Tomer and Andreas Merk, a German dancer.

Reviews
Bluebell Alcock

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

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Murphy Howard

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

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Abbigail Bush

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

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Isbel

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

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Brendan Cameron

I have just finished watching "I Shot My Love".Maybe I missed something but I was so thoroughly bored by this self indulgent sedative that I almost shot myself. Tomer says nothing of interest, and keeps himself well concealed behind his handy-cam in this one sided view of his life. And what a life! Dull, boring & uneventful gives way to something a bit more dull, boring & uneventful. And on and on it goes. It's so bloody uneventful I couldn't stop watching just in case something of some note could eventually be gleaned. It doesn't! Maybe Tomer's German lover did change his life but I couldn't pick it. His adoring mother puts up with the camera and strokes Tomer's ego throughout the film. The boyfriend attempts a little bit of homespun philosophy and strokes Tomer's ego throughout the film. That is it. The End. How does stuff like this make it's way out of Film School and a half decent film festival let alone be distributed anyone, anywhere? This is (hopefully) the last word in hand held auto-biographical home movies. Do not on any account waste time with this tedious drivel.

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