Truly Dreadful Film

not horrible nor great

This film is so real. It treats its characters with so much care and sensitivity.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Eighteen years later and it's still being shown? What an embarrassment for all. Did anyone read the script before agreeing to do this? This movie is jaw-droppingly bad and cringe-inducing. The story is insipid and that's being generous. The terrors of the Holocaust in this film could have been substituted for a disappointing shopping trip to Barney's. The characters are all extremely attractive but shallow and undeveloped, the settings and art direction are as beautiful and unrealistic as a Ralph Lauren magazine spread. That's the problem with the entire movie--everything is pretty, clean and sterile. The acting is direction-less, a waste of a fine cast. The only reason I could think of why this 90 minutes of wasted time came to light is the back story of a casting director calling in favors from agents and the studio because what he really wanted to do was direct.

Seriously, after I watched it, and all I could think of was how hurtful to Daisy it was having such a grandmother, who constantly absorbs her life and makes her unwilling to connect to anyone else, and creating such snowball effect. "Weirdness" aside it's not normal anyone would pick a park, with your acknowledged beau nearby, to just ignore him and read alone. Why go there at all? She seemed more anti-social than shy. You'd also think that someone who read so much would be more tolerant to the fact that others may not enjoy books, and be more eloquent.Also the holocaust themes were badly tied into the movie, more like "hammered in", and some things don't even make any sense, like how that piece of paper got glued in her locked locker. Who would want to keep their stuff in those if they are that easy to open? the logical way would have been to toss the paper inside through the locker openings. But somehow they managed to find the time to leave class, bust open the locker during Daisy's gym class, glue it in, close it and....return to classes without their teachers noticing their absence? Even if we assume that they did get busted and lied about their whereabouts, it still doesn't make any sense they'd risk it like that.I still don't get what was the point of the movie, all I know is that I had a lot more sympathy for the holocaust survivor speaker, who only appeared a few minutes, than Daisy.

I am so angry at this film that it will be very difficult for me to contain the harsh words that are ready to spew from my mouth. This will not be a review for young readers. I Love You, I Love You Not was an atrocity from beginning to end. From both the disgustingly poor editing, to the sloppy acting, all the way to the horrendous themes that seemed to plot two random events together this film screamed "After School Special". In fact, now that I think about it, "After School Special" would be too delicate of a summary, it instead felt like a eager undergraduate film student attempting to be smart by attempting to poorly summarize the Holocaust with the turmoil of being a high school student. Hopefully the professor of this assignment saw the project and properly gave it the "F" it deserved. Hollywood completely outdid itself on this doozy of a film. I am surprised that the Jewish community didn't find this film offensive in the way that it trivialized the events of the Holocaust and compared them to the social troubles of a High School girl. I was upset by this occurrence, and I am not even Jewish. After this short film viewing, I felt dirty, upset by the Hollywood community, and ready to shout obscenities at everyone involved with this project. I Love You, I Love You Not was just another Hollywood attempt to monopolize on Claire Danes' My So-Called Life popularity while trying to be overly symbolic by involving the Holocaust. Is anyone else as sick as I am about this disgraceful marriage? I do not understand at all what director Billy Hopkins was attempting to convey with this film. The themes were muddled in a slew of choppy editing and horrid flashbacks that left my mind in a confused knot. In one instance we had Danes unwilling to spend time with her grandmother, while in the next instance she was opening up everything in her life to her, while in the next she was making out with the mirror, and suddenly in the next she was asking Moreau to tell her a nightmarish bedtime story involving Robert Sean Leonard. Wouldn't that give anyone nightmares? It did give everyone nightmares and preempts our next step into the randomly anti-Semitic High School in which Danes attends. Unlike other films that use the Holocaust to show the injustices of the world, like in School Ties, this film randomly interjects the anti-Semitic moments near the end as if only to help strengthen already dead climax. Like nearly every scene in this film, the supposed "high-points" come and go nearly as quickly as modern fashion, leaving the viewer with nothing at all. I walked away of this film with an embarrassed look. While there may have been some attempt at meaning behind Billy Hopkins' camera, what eventually was released was a childish attempt to combine the trivial life of a High School girl to that of the monumental disaster known as the Holocaust. Could you put these two together? A great director probably could, but Hopkins' could not. All that it seems that he wants to create are meaningless dramatic plot-holes coupled with beautiful people.Which, ultimately, leads me to the acting. While "abhorrent" would be a light word summarizing the purely absent acting of Danes, Law, and Van Der Beek, it is the only one that I could think of. Danes, using the same character structure from My So-Called Life in this film, could not find her way out of a paper bag if she tried. I could hear Hopkins in the background saying, "Give me more Angela Chase, I hired you for Angela, I WANT ANGELA". Her character is all over the place, manic depressive in one moment, happy the next, chaotic throughout, pitiful entirely. I loved the fact that she was a "reader", but one of the most ignorant characters created. You would think that with all the books she would have learned from them, sputtering quotes throughout the film, but alas, that never happened. Again, we were left with only Angela Chase. Award winning Jeanne Moreau bounces of the non-existent acting of Danes by providing her own character which does not fit into this film. Obviously disturbed by her time in Auschwitz, Moreau never develops this. She allows Danes to walk all over her, creating a weak grandmother and a needy, spoiled granddaughter. Throw in "boy-toy" Jude Law only for looks (because his character was as transparent as Saran wrap) and you have the worst cast in cinema. Nobody did any work with their characters, but instead walked around the set happy to be earning some, if any, money for their roles. I am surprised that both Danes and Law were able to pull themselves out of the I Love You, I Love You Not rut.Overall, this was a confusing film that was only proved worse by torrential acting, very ill cinematography, a hasty Hollywood story (very obviously created by the infamous recycle machine), and by combining a trivial moment in a teenager's life with the historical hardships of the Holocaust. That would be similar to me trivializing the horrible deaths on the beaches of Omaha with me not getting a date for my Senior Prom. That just is painful to hear and visually see. The acting was non-existent, but obvious ploys to get a younger audience to attempt to connect with the story. The direction was nauseating. The constant flicking between present day and past stories kept me dizzied for days afterwards. Then, there was the uproarious casting of Robert Sean Leonard, I couldn't help but laugh when I continually saw him on screen. The only actor worth mentioning in this film was Julia Stiles, but that was because she kept her mouth shut. This was a disaster from the beginning and should be forgotten by all! Grade: * out of *****

a nice little story of a bit of a confused girl...i loved the setting and the actors. nothing gets explored too deeply, expect the ups and downs of daisy (clair danes). its a movie i think more young females can relate too and it is a simple, sweet movie worth looking at. u feel at times that u can relate to the main character and sometimes she seems to take things a little further than she should, but it is all part of the person she is. I really loved the movie, but i'd say its more of a chick flick. Worth the watch if u'r looking for an easy, slower movie.