An absolute waste of money

Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Quite similar to some of the more horror based Full Moon pictures, this is quite atmospheric and focuses on Tara vising North Wales for her father's funeral and being overwhelmed by a strange sexual awakening (even stuffed animal heads seem to get her excited). Big City Releasing (Independent distribution comapny) are main producers here but Full Moon's scent is rife (the story was originally planned for a 1980's Empire release). Beautifully filmed, humorously acted. Soft core actress Jenna Bodner makes her debut as Tara and is watchable but relatively plain looking. Great music from Fuzzbee Morse (Full Moon composer of Dolls and Dark Angel amongst others). Director Manos did a few jobs at Full Moon (including editing on Dark Angel and directing Josh Kirby 4) and did a few years at Playboy editing their 'documentaries'. This film is slow paced - the sex scenes are okay but merely add to the length of the film. Odd mixture of fascinating old fashioned horror and sex flick, this is always entertaining but never as good as it could be. The ending is ridiculously abrupt, think short tapes were got as a 'job lot'. Fine.

The story is essentially a mystery of both the occult and human nature. A serious minded young woman, Tara, returns to the exotic world of her early childhood and makes new acquaintances. Sexual encounters awaken her inner passions, and she soon exhibits a newly discovered physical prowess.Jenna Bodnar, as Tara, is fairly attractive. The few erotic scenes and moderate violence add needed excitement, but they are not done to excess. Suspense and intrigue are the main appeals of the film. The setting is dark and foreboding, and the main plot develops slowly.Tara inherits a wealthy estate from her distant estranged father. Inexplicably, just before his death he insisted that she stay away from the place. Tara's life is in danger and someone is trying to take advantage of her. Local folks repeatedly warn Tara, but they hesitate to tell her what they know. Even her new found mysterious lover, who seems to understand her true nature, offers little help. So, Tara is left practically all alone to ponder her mysterious circumstances. Naive, she is easily exploited, and she suffers a sinister fate.The movie's main disappointment is the fact that it ends with the story unfinished. Tara slowly transforms into something frightening, but we never get to see what she becomes. I don't know if there is any sequel, in which case I am not sure the movie is worth the effort.

This is another so-called horror flick,which is more soft-core sex than actually horror.Apart from some nicely filmed sex scenes and atmospheric sets there's nothing worth any recommendation here:no suspense,no gore&violence.The lead actress Jenna Bodnar is pretty hot(especially during the masturbation scene)and the sex scenes are suitably titillating.Watch it,if you have got nothing better to do.

A young woman returns to her childhood home in Europe (somewhere in England, I think) to inherit her deceased father's mansion. She discovers a strange family curse that that leads her to the usual "sexual awakening" stuff.First of all, Jenna Bodnar (who looks vaguely similar to Tawny Kitean) looks great in the film, with lovely curly red hair and high cheekbones. She gets some great sex scenes, most notably a half-a**ed threesome on a wooden bench, and a nice scene where she slithers and undulates in a dark cave for her prospective photographer boyfriend.Sex aside though, this almost works as an actual film. Bodnar is a good enough actress to make me care (slightly) about her situation. The sets are nice, and the supporting cast helps. Only drawback: an ending so abrupt and inconclusive, I thought the director ran out of film. Maybe director Mark Manos meant for it to be metaphysical or something.