Purely Joyful Movie!

Admirable film.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

The film never slows down or bores, plunging from one harrowing sequence to the next.

"To objectify women, or to not objectify women" - Is this the question one asks of Mr. Hugh Hefner, the ultimate, most-admired playboy of them all? For the most part - This well-researched, bio-documentary, chronicling the mega-success of Hugh Hefner (and his naughty-but-nice men's magazine, Playboy), was a very intriguing look at an iconic pop culture figure who has certainly had his fair share of controversial highs and lows.The first hour of this documentary was, of course, the best. It diligently covered the first 20 years (1953-1973) of astounding success for Playboy magazine - A truly phenomenal magazine that was specifically geared to the hip, swinging bachelor (who apparently lurks inside most men).Competently directed by Canadian film-maker, Brigitte Berman, this enjoyable documentary not only featured lots of excellent vintage footage, and interviews with scores of celebrities, but Hugh Hefner, himself (82 at the time and clearly on his best behaviour) offered the viewer the "real" story behind the money, the power, and, yes, the sex of Playboy magazine.

Love it or hate it, Playboy magazine changed the way people in America viewed sex and sexuality. Certainly, it objectified women, but they were not alone in doing so. Advertising has done an excellent job of that through the years.But, Hugh Hefner was a lot more than a magazine. He was an entertainer that did more to promote jazz than anyone I know. He was also a man who did more to promote equality among the races that most anyone in America.Entertainment was prime with Hefner, but his social activism against those, like Gene McCarthy and Charles Keating, who would impose their particular brand of morality on others.He was at the forefront of women's issues, racial issues, free speech issues and more.One of a kind and a fascinating man to listen to.

Filmmaker Brigitte Berman won an Oscar for her documentary film about iconic musician Artie Shaw. Hugh Hefner is a great jazz aficionado and founded the acclaimed Playboy Jazz Festival which is how they had occasion to meet and get to know each other. Berman decided that she wanted to make a documentary about Hefner but one, which shows the largely unknown side of the man who in most people's minds represents the Playboy lifestyle of beautiful women and lots of sex. Hefner liked the idea of such a film and gave Berman free access to his vast archives as well as participating in extensive interviews with her. Friends of Hefner such as James Caan, Tony Bennett, Dick Cavett, Joan Baez, Jessie Jackson, Jim Brown, Bill Maher, Dick Gregory and others also gave very fascinating interviews. What emerged in the two hour and 4 minute film was a picture of a hardworking man who was determined to be a success. He loved women (many women) and did not believe that he was demeaning them by making them sexual objects. More to the point of the documentary, he had a sense of fairness and acceptance that was completely color blind at a time when much of the country and certainly the entertainment industry was not. He did not allow discrimination towards blacks to occur in his Playboy Clubs and commonly showcased black entertainers on his after hours TV shows. Interviews with Jessie Jackson, Jim Brown and Dick Gregory were extremely clear on this point. Hefner also did not hesitate to have writers, who were blacklisted as communists or communist sympathizers by the nefarious Senator Joseph McCarthy, to continue to write for Playboy magazine under their own name, which was unheard of at that time.He also had blacklisted performers on this television show. This film is not only enlightening about these contributions of this man but it also is quite entertaining as it includes wonderful clips of Sammy Davis Junior performing as well as ad-libbing on the Hefner TV show. There was a young Tony Bennett performing in his relaxed style. We saw a beautiful Joan Baez singing and youthful Pete Seeger doing his thing with some injected clips of the craggy older Seeger reflecting on the significance of Hefner's support of him and his causes. James Mark Stewart provided an excellent original score for the background of most of the movie There are a few counterpoints to the Hefner's views about sexuality and the Playboy life style which are periodically presented in the film by such people as Susan Brownmiller, Pat Boone and others. They are shown as weak rebuttals, at times almost humorous. It is clear that this film is an admiring tribute to Hefner now in his 80s. Ms. Berman director, producer, writer and editor told us that Hefner was extremely pleased and touched after seeing the documentary. The filmmaker said that she wanted to show him objectively as he really was which led me to ask her if there was anything in the film that Hefner didn't like? She said no. The film comes to an end with Hefner being true to his philosophy and reinventing himself after two marriages by now having seven intimate girlfriends which he then cuts down three. There is a very revealing statement by this older guy reflecting on his life. He indicated that he understands that his outgoing life style of loving and enjoying many women has to do with the fact that his parents were very cold and rejecting. In fact as a child he says he was never hugged. Even though he has had a very successful life, it is sad to see the lingering effects of what has been missing from his childhood.

I attended the New York premiere of this film at MOMA on Mar. 18, 2010. In attendance were Dick Cavett, Tony Bennett, Barry Melton of Cowboy Joe and the Fish, Christie Hefner among other interviewees who appeared in the film. Sadly, as one of the curators remarked, the "comps" outnumbered the general public.Director Brigitte Berman has directed over 100 short docs for Canadian TV. She met Hefner while researching her Bix Beiderbecke biopic. Hefner, she realized, was more than a mere pornographer. The Playboy founder agreed at once to give Berman unfettered access to his archives and complete artistic control of the project.A remarkable aspect of this film is the showcasing of the outstanding entertainers Hefner featured on his two syndicated TV shows. Pete Seeger and Lenny Bruce made rare TV appearances for Hefner in the late '50's while they were still blacklisted by the 3 major networks. Comedian and activist Dick Gregory got his start working in the Playboy key clubs. And Hefner was among the first producers to show integrated musical acts on TV.To her credit, Berman gives time to critics of Hefner's "Playboy Philosophy." Christian devotee Pat Boone and feminist icon Susan Brownmiller get to express their misgivings with Hefner. (Onetime Playboy bunny and feminist Gloria Steinem declined to be interviewed.) It's clear, however, whose side Ms. Berman is on.Unfortunately, not enough time is devoted to the tragic death of Dorothy Stratten. After the screening, I asked the director if she had approached Stratten's intended, Peter Bogdanovich. Ms. Berman said she had not. She explained that so much had already been aired publicly about this sad affair that it would take off and derail her film if she pursued it in depth. Still, to include it solely to "explain" Hefner's subsequent mild stroke seems inadequate.Berman said her first rough cut was over seven hours and she worked hard to trim it to about two. In my view the film is too short. There was nary a mention of Hefner's career as a film producer. (Playboy Enterprises produced Roman Polanski's "Macbeth", one of the finest Shakespearean films ever made.)But she hinted that the DVD would have plenty of extras to satisfy completists like me.This film will have a limited US release in NY and LA this summer and undoubtedly end up on PBS and other networks. Hugh Hefner, like him or not, is a major figure in 20th Century American cultural history, and this film is not to be missed. Highly recommended.