This movie is the proof that the world is becoming a sick and dumb place

That was an excellent one.

I have absolutely never seen anything like this movie before. You have to see this movie.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Every avid movie fan has a few films that are their "secret gems" - movies that not everyone knows about but ones you will recommend they see with great enthusiasm...."You really have to see this...you will love it. House Calls is just such a film and the reasons are two- fold...Walter Matthau and Glenda Jackson.This is one of two films the pair made together....the other is a second of my 'secret gems," called Hopscotch and again, it clicks because of the chemistry between the two, coupled with wonderful supporting casts and great dialogue.The tragedy is that there weren't more movies involving these two. It is hard to imagine, on paper, a romantic comedy that matches Matthau and Jackson. Matthau has the looks of a basset hound, but incredible comedic flair. Jackson has played so many roles but romantic comedy doesn't come immediately to mind when her name is mentioned....until people see these films.Like so many here, I can watch either of these movies over and over and still love them both deeply. You really HAVE to see both. You won't be disappointed.

Late one night on Tom Snyder's "Tomorrow" Show, I watched Tom ask his guest Henry Morgan what he considered to be 'perfect.' Morgan responded, "Anything with Glenda Jackson." And although I wouldn't consider this film to be perfect, it does bear out that notion very well. I was about to use the cliché' about Hollywood not making pictures like this anymore, but then I just saw, "Up in the Air," another intelligent film about 2 people over the age of 35 who fall in love. That's where the similarities end, though. "House Calls" is just sheer fun watching 2 pros like Matthau and Jackson hit it off and seem completely natural while they're at it. I saw this film in the theater in 1978 (at the ripe old age of 18) and it took me another 20 years to get all of the jokes. Any film that can make punch lines out of 1920's tennis great Bill Tilden, and British Prime Minister Neville Chamberlain wouldn't play too well at the megaplex these days. One other thought: the original theatrical release featured a 'walk on the beach / fall in love' montage set to The Beatles/George Harrison tune, "Something." It seemed a bit forced at the time, but that song has since been swapped out for a rather generic Henry Mancini music cue for subsequent home video and cable release. Too bad, because that scene just lays there now, another victim of music licensing Hell.

There is not much of a plot to this movie. There is a wealthy baseball team owner who dies and whose wife is going to sue the hospital for neglience. Not much more than that, but .... IT DOES NOT MATTER!It does not matter because you have some real actors giving their dialogue life, and because of the cast you have yourself some hysterically funny scenes and even if you're not cracking up laughing, you have a smile on your face. Matthau plays Charley, whose wife recently passed away, and who finds himself the object of desire of several women at the hospital. He is delighted to taste everything on the menu available to him. Then he meets Anne Atkinson (Glenda Jackson) who, at first, is a patient in the hospital (their first scene together is very funny) and then they meet up again on a television panel discussion show, where they disagree on nearly every topic that is discussed. Charley begins to like Anne, and vice-versa, except that she is very big on monogamy in the men in her life (her husband was a cheater) and they decide to give it a shot - two weeks of faithfulness. I will not give away anything else, but I want to mention the chemistry that Matthau and Jackson have on screen. She is usually not the first person anyone would think of for a romantic, middle-aged comedy, but her touch with comedy is very light and agreeable. She is matched every step of the way by Matthau, who is more charming than ever. He does not have to play Mr. Sensitive or Mr. Macho to get the girl, he just has to be himself. Art Carney is a riot all by himself as a practically senile doctor. The scene where the baseball team owner's ashes are buried at home plate is priceless. He also has a very funny scene in a parking lot with Richard Benjamin. Richard does not have much to do in this movie and more often than not is just the straight man to Carney and Matthau; the role does not tax his considerable talents, but he had to have had a good time making this comedy. Very much recommended...8/10PS. FYI -- Matthau presented Jackson with her first Best Actress Oscar, and Jackson presented Best Actor to Art Carney for his role in 'Harry & Tonto'..

A tediously unfunny, thoroughly predictable (complete with the two leads arguing-and-making-up for a "happy ending" in crowded city streets) romantic comedy, which can't be saved even by Matthau's unforced likability. Uninspired script, almost no laughs delivered.