An action-packed slog

This is a must-see and one of the best documentaries - and films - of this year.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

"Are you a cop? Why? You ask questions like a cop. How's that? Like you're not really interested in the answer, but the way I answer. I'm a cop. No kidding. You're on a stakeout? I was gonna hop a train. Changed your mind? Missed my train.""Hotel Noir" takes place in the infamous 50s. The years of glitter and glamour with its jazzy mood. When men walked around like Humphrey Bogart and every woman seemed to be a diva. Those were the days that lightning a cigarette wasn't associated with a deadly disease, but with fun and sensuality. The time in which a microphone looked like a significantly over-sized toaster and women wore bras as if sophisticated cruise missiles were hidden in it. The same wigwam-shaped things Madonna became famous with, many years later. Men and women had conversation as if they were performing in a stage play with rapid dialogue lines which sounded shrewd and ingenious. It was the Charleston time and the time the mafia ruled with Dick Tracy-like gangsters.Unfortunately this rather old-fashioned-feeling film reminded me of the dull theater shows I had to watch when I went to high school. At the beginning I still had this hopeful thought that this could be a pretty entertaining movie. And this because of the fact that they managed to convince a few well-known actors to cooperate, such as Dany Devito, Rufus "I'll follow you down" Sewell, Rosario "Trance" Dawson and Carla "San Andreas" Gugino. But despite the well-known cast, the film felt like a third-rate detective novel in which the relationships between the protagonists revealed themselves painfully slow. And the stories are intertwined such as the spaghetti in a Spaghetti Bolognaise.And that's also the biggest drawback of this film. The complexity and quantity of twists made it a really hard to follow film. It all feels cheap and minimalistic as well. Both in terms of story as scenography. I bet the limited budget, this movie was made with, probably has something to do with that. And it's not really intriguing or exciting at all. The conversation between Felix (Rufus Sewell) and Hanna Click (Carla Gugino) is the most fascinating part of the whole movie. A series of short questions and answers the two protagonists are shooting at each other. Amazingly shrewd sometimes. But ultimately it's still nothing more than a colorless film, trying to emulate a similar film from a successful era in film history. A game of Cluedo was more exciting in those days.More reviews here : http://bit.ly/1KIdQMT

This was a god awful endless snooze.It starts out with Danny talking bout his life as shower door salesman,and how one good looking women came on to him once. Fron there it's just a bumpy downhill ride,with endless monologues and dialogues that never really manged to lift the movie,nor keep you awake.It tries to be this really clever film noir,but you are neither entertained by nor interested in any of the characters nor their faith. You just want it to end.I have never given Malin ackerman all that much thought as anything else than eye candy,so far she hasn't disappointed me yet.Her and Carla Gugino mostly work as eye candy and some lame sort of femme fatale, to draw people to the movie by name association .In short stay away from this

Those familiar with writer/ director Sebastian Gutierrez work know that probably the best thing about his films are the actors in them. This one contains his Carla Gugino, who has seemingly been in most of his films; Rosario Dawson; Danny DeVito; Michael B. Jordan, in a small role; and actress Malin Akerman. Combined, I wouldn't say this film is as interesting as previous efforts like Girl Walks Into a Bar or even the Elektra Luxx series, but more so Gutierrez experimenting with his style.Characters & StoryThe featured characters of the film include Felix (played by Rufus Sewell) who is a cop who fell in love with the film's damsel in distress Mary (played by Malin Akerman); and they share the focus of the film with Eugene (played by Danny DeVito) a traveling shower door salesman; Hannah (played by Carla Gugino) a touring lounge singer; Sevilla (played by Rosario Dawson) the hotel's maid, and seemingly a prostitute; and the last person worth mentioning is Felix's partner Jim (played by Robert Forster) a man who you don't really take note of at first, but ends up waking Felix from his dream.As for the story as a whole, the main story deals with Hannah speaking with Felix who talks about the last few days, weeks, or perhaps months, of his life. He fell in love with a dancer named Mary, a girl caught up with some bad people, who he has sacrificed a lot for, and is willing to sacrifice whatever it takes to have a happy ending for. Meanwhile, Hannah has her own issues with a crappy man in her life who has a complex about the way Felix looks at her, and seems to go to Sevilla in order to work out his frustrations. Leading to an film which at first seems like a big disjointed mess, but eventually all stories find a way to meet and make it so that the knot it untied and everything ends making sense.Praise When it comes to Hotel Noir, I must admit that it doesn't have a lot of things which stand out worth praising. I will admit that I was glad to see Carla Gugino in something, and she does an alright job as Hannah, but even though she probably was the best in the film, it wasn't saying much. One thing though, which I will admit was good about the film is that somewhere within the 2nd half, after introductions and tedious dialog, it somehow became interesting.CriticismBut there lies the problem. Though not as pretentious as The Counselor, when it comes to dialog, it can get just as boring at times. Being that this is a crime drama, Gutierrez doesn't employ his usual humor and dialog and tries to make things a bit more serious to fit the tone, due to this, the film for the first half feels a bit like a drag. I attribute this mostly because Gugino and Sewell just don't make the best of scene partners, and while Sewell has the look for a noir film star, he doesn't have the charisma to really draw you in and make you care, nor does his love interest Akerman.Perhaps, another issue worth noting, is that the story isn't really the most appealing either. For anyone who has taken a basic film study course, with a focus on genres, it seems the focus of the film was just checking off what are the requirements to call your film a noir. Make it in Black & White: Check; have a cop: check; make sure to have a damsel in distress: check; make sure to include backstabbing: check; and it seems once those elements were met, those involved just winged the rest of it.Overall: TV ViewingIf this so happens to come on TV, or hopefully online like Girl Walks Into A Bar, I would say it would be worth watching. Is it the best thing I've ever seen? Far from it, but it is good enough for a lazy Sunday, or just background noise for a nap. The music is easy on the ears, and there is, sadly, only a few bits of action which could probably wake you up. Otherwise, the story is dull enough to not make you feel like you are missing anything and, after watching it straight through, I can definitely say that unless you are a fan of someone involved, skipping this movie altogether isn't the hugest of losses.

I came to IMDb looking for a review to decide on whether to watch this and there wasn't one so I let that decide in the movie's favor as I figured to write one for it.I liked it. Any movie with the word 'noir' in the title has work to do to avoid the clichés that the genre forces it to reference. The characters have to be one-dimensional and fit the molds. The dialog has to be clipped and clever. Yet this movie is homage to noir as well as being a fun yarn in its own right. It's stylish and stylized with narration and inner monologues from multiple characters. There's flashbacks and story tangents from all the main characters, that stand on their own as but also get sewn together by the end. It's black and white but you stop noticing that early on because the medium matches the tone of the movie so well.If you're in the mood for light story-telling that's well thought out then Hotel Noir is a fine place to spend an evening.