Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

I have absolutely never seen anything like this movie before. You have to see this movie.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Everyone did a great job and I'm sure that when it came out, it was very timely. It might even still be timely in the Bible belt or in Muslim countries. But in today's America, it seems dated as the main focus of the film was about whether or not gays should have custody of their children.I suppose if plot is not what you're interested in, you could get lost in the performances as they were all perfect, particularly that little boy. He was really great. I went to see what else he was in on IMDb and was surprised to see that he has not had much of a career. Too bad. He was fabulous.So, see it for historical reasons or for the performances but I don't think it's anything one should rush out to see, if you have not already seen it.

The subject of child abuse is not a pleasant one and often the made-for-TV dramas dealing with this subject present a one-dimensional view. But this movie gets very deeply into the complex dynamics of a such a case. The story revolves around ten-year-old Oliver (Sam Bould) who lives with his divorced mother Hannah (Joely Richardson) and her boyfriend Frank (Jason Flemyng). The boy loves his mother as well as his father Martyn (Martin Donoval) who precipitated the divorce in order to live with his male partner Tom (Ian Hart).The movie starts with Oliver having run to his father's house with a bloodied face. Oliver passes it off as his having been in a fight. Martyn is a medical doctor and takes Oliver to the hospital and finds out that his physical wounds in this instance are not threatening. But sometime later when Oliver shows up with broken bones in his wrist, that he tries to blame on having been caused by slamming a car door on it, Martyn checks it out and determines that the injury is not consistent with Oliver's story and he initiates court proceedings to get custody of the child. Frank and Hannah are very much in love and Hannah cannot believe that Frank is to blame for Oliver's injuries and she feels that Martyn is just trying a power play to get custody of Oliver and irritate her.This is a pretty straightforward setup, but it is here where the movie becomes very involving. We come to understand why Oliver tries to hide the truth and stay with his mother, even though he wants to be with his father. We get enough insight into Frank to understand why he behaves as he does and, even though we cannot forgive his actions, we see that he is not a total monster and we can even have some sympathy for him. And then there is the whole issue of whether homosexual men should be allowed to have custody of a child, and that is explored in some depth. Martyn and Tom have the most natural homosexual relationship that I have seen in film, but the relationship is not idealized. There are visits by social workers and a court hearing that is viciously brutal, especially the questioning of Martyn about intimate details of his relationship with Tom.One reason that this story is so affecting is the superb acting by all concerned, particularly by the young Bould. He is totally believable in conveying the traumas he experiences and you suffer with him.The saddest thing about the situation these people find themselves in is that none of them is really a bad person, but they are drawn into circumstances that are psychologically damaging to all of them, particularly the boy.This movie successfully treats many themes: child abuse, the far-reaching and long-term effects of divorce, sexual discrimination, society's duty to children, and the suitability of gays as parents.At the end there is no nice neat resolution in this honest and realistic film.

This film provides some of the best performances and best casting of any film I have ever seen. The child, Oliver, is compelling in a way I have never seen before, and the major roles are exquisitely performed by all. The story will keep you on edge, and the twists and turns of the plot are totally enthralling and surprising. Film-making at its very best. The climax of the film is one of the best scenes I have ever seen in any movie. Superb.

This movie was perfect in just about every way. The cinematography, acting, you name it. I give it a 10/10 and highly recommend it. However, I did see some slight problems - Tom's (the father's live-in boyfriend) character was never really developed much, and, other than one, eh, 'uninhibited' scene of gay love, there was really not much feeling of love between the two. However, I suppose that the relationship was done as well as could be expected, though. All in all, it was a great movie, and it's 'pros' far outweigh it's 'cons'. It has achieved the status of 'near perfection' in my mind, which only one other movie had done before this.