Overrated and overhyped

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

By the time the dramatic fireworks start popping off, each one feels earned.

I think that for today's audiences a little clarification is needed as far as terms used. James Dunn is described as 'skip tracer'. He is most definitely not someone who goes after dangerous criminals who break bail. Today what Dunn does would be better described as a Repo-Man. He just takes items bought on credit that buyers are late in paying for.He's in some trouble at work because Dave O'Brien is the fairhaired boy of the boss because he repossesses more than the rest. And Dunn also is having woman trouble, his potential father-in-law who is a cop doesn't think he's the right sort for his daughter Frances Gifford. But in a light and breezy paced comedy/drama Dunn gets himself an assignment to repossess a radio from Rita LeRoy who happened to stash some stolen jewels in it. She's the brains behind the mob and she's plenty smart and no one to mess with.Dunn did this one for poverty row PRC Pictures and considering what a no frills outfit they were this one is pretty good.

Hold That Woman introduces an awful lot of characters for a one hour movie—skip tracers, policemen, gangsters, a couple of jewel thieves, a movie starlet and a policeman's daughter. It's a bit much for a while, but the story finally brings them all together for the last fifteen minutes—one after another, alone and in groups, all of the characters wind up at the house where a certain much sought after radio has arrived.What's with the radio? Well, it's not paid for….and also a girl crook has stashed some jewels in it that were stolen from a movie star who is unwittingly mixed up with another crook.Enter James Dunn, repo man, and Frances Gifford, the girl who loves him. Dunn is working at tracking down said radio, but finds time during this particular work day not only to spend some time with lovely Gifford but to marry her, buy a house, and also purchase a houseful of used furniture and order it delivered.It all really doesn't make much sense, but honestly, there's so much going on in this picture—and it's all presented so good-naturedly—that it would be overly picky to parse details in search of logical gaps. Suffice it to say that Dunn and Gifford look like they're having a good time and the rest of the cast do their best to keep up.Funny line from early in the picture—mother to young son: "You know, if you don't get an education, you'll grow up to be a policeman, just like your father." (To which the son replies, "Well, then I won't do my homework at all!") –If you chuckle at that, then this movie is for you.

The accent is on comedy capers rather than mystery and noir in this remarkably involved yet fast-paced and light-hearted gangster yarn about stolen diamonds which a sleazy blonde has hidden in a cheap portable radio.Although this movie was made right in the middle of a down cycle in James Dunn's remarkable up-and-down movie career (he would bounce back with a vengeance in 1945 when he won universal praise for his brilliant performance under Elia Kazan's tutelage in A Tree Grows in Brooklyn), it's quite an entertaining little offering, despite the actor's haggard appearance in some shots. It's also of interest to see the lovely Frances Gifford (Dunn's wife at the time) and a fine collection of support oddballs including Dave O'Brien and Rita La Roy.For once, director Neufeld/Newfield (alias Sherman Scott here) has handled the proceedings with pace and even occasional flair, making deft use of a large number of real (if not particularly picturesque) L.A. locations. The director also manages the difficult feat of balancing many disparate plot elements in an extremely complicated screenplay so neatly and with such finesse that even a backward audience can always follow the plot.Mind you, a farcical script that creates such a frantic fuss over a portable radio set that looks as if it's worth ten bucks at the most, is hardly believable. But with players like Dunn, Gifford, O'Brien and company, who cares?

Originally titled SKIP TRACER. this very entertaining, briskly paced comedy adventure features James Dunn, cast as Jimmy Parker, an agent for Skip Tracers, Ltd., who with his girl friend Mary (Dunn's real life wife Frances Gifford) find themselves embroiled in the midst of a burglary case concerning diamonds stolen from a movie star, bringing about their being arrested, shot at and chased by the thieves, yet finding opportunity to be wed and set up housekeeping, all during one frenetic day, thanks to a snappily penned script that neatly ties together disparate plot elements. A small budgeted production from producer Sigmund Newfield's PRC studio, the work is ably directed by his brother Sam, an old hand at such poverty row action pieces, assisted here as often by Holbrook Todd, editor, and cameraman Jack Greenhalgh who is accustomed to thinking quickly for this type of film, the trio joining to create smooth montage effects. That aspect of acting called "business", prominent from the 1930s into the 1950s, particularly in U.S. cinema, benefits this production, especially that employed by Dunn (who ad libs effectively) in conjunction with beautiful Gifford whose natural graces earn for the future star of serials the acting laurels here, although her native athleticism is sublimated for her role, while able turns are to be appreciated from Rita LaRoy, Paul Boyar and George Douglas as members of the gem thieving gang, and from Dave O'Brien as a skip tracer in competition with Parker. The DVD release from Alpha offers adequate sight and sound, with no extras.