Absolutely the worst movie.

The movie runs out of plot and jokes well before the end of a two-hour running time, long for a light comedy.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors. The first effort from his Essanay period after leaving Keystone, 'His New Job' is not one of his very best or even among the best of this particular period. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay period is something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'His New Job'. 'His New Job' is not one of his all-time funniest or most memorable, other efforts also have more pathos and a balance of that and the comedy. The story is still a little flimsy, there are times where it struggles to sustain the short length, and could have had more variety.On the other hand, 'His New Job' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work and not churning out countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.While not one of his funniest or original, 'His New Job' is still very entertaining with some clever, entertaining and well-timed slapstick and a sly satirical element. It moves quickly and there is no dullness in sight. Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality of the role. The supporting cast acquit themselves well, including a cameo from Gloria Swanson.In summary, well worth your time if not a Chaplin classic. 8/10 Bethany Cox

Charlie Chaplin's first movie with Essanay (hence the title) casts him as a guy attempting to get a break in a movie, only to repeatedly make a mess of the production. There's plenty of funny gags, as is often the case in these relics of early cinema. The plot isn't the most complex, since Chaplin hadn't fully ironed out his style. A notable thing about the movie is that it features a young Gloria Swanson, years before her role as a certain big star amid small pictures.* It's not a great movie, but as far as I'm concerned, any Chaplin movie is a good one. You'll probably like "His New Job".*Swanson later testified on behalf of John Lennon when he was trying to gain US citizenship.

Another great comedy from Charles Chaplin! This time Charlie plays Film Extra.He tries to get a job in a movie and, after causing a lot of trouble he is told to help the carpenter.But eventually Charlie gets his chance, when an actor doesn't show.Now he gets to act, but first he enters a dice game.And when he finally does act, it means a disaster.His New Job (1915) was Chaplin's first picture for the Essanay studios after Keystone.And he started getting more recognition.Charlotte Mineau does the female lead in this movie, playing Film Star.In the next one (A Night Out) Edna Purviance made her first appearance and was Chaplin's leading lady in many pictures to come.Also the great cross-eyed comedian Ben Turpin is in this movie playing Film Extra, in Anteroom.He had his big break with the help of Chaplin, even though Ben didn't like being under his direction.Leo White plays Actor, Hussar Officer.Robert Bolder is Studio President.Billy Armstrong is Extra.And the big diva, Gloria Swanson is in a small role playing Extra, Stenographer.A lot happens in this movie.We see Chaplin with Ben Turpin desperately fighting on the door, both wanting to see the studio president.And the touching love scene in the movie they're making, and he tears the skirt of the star.And the whole set is in danger when Charlie gets going.That was the genius of Chaplin.He could include so many funny gags in such a short time.

This fairly routine farce from Chaplin sees his tramp character apply for a job as a film extra with a talent agency, then subsequently cause havoc on the set. Throughout the film he has a running battle with cross-eyed foe Ben Turpin, who provided a foil Chaplin on a number of occasions during Chaplin's time at Essanay. The slapstick is mostly of the spitefully violent type so often provided by the tramp in his earlier incarnations. Odd, really, how lovable this character was considered when, in nine times out of ten, he initiated violent confrontations with unprovoked attacks on others. This is passable entertainment but is not one of Chaplin's best, and is noticeable only for the glimpse it gives us of the early days of film-making.