I like the storyline of this show,it attract me so much

Simply Perfect

The film never slows down or bores, plunging from one harrowing sequence to the next.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

It's an intricate piece of deeply disturbing fluff that hooked me at 3am on IFC and forced me to watch it over and over again. I want to marry Carlos Jacott just for being Felix. Look, I understand that some people have found this movie to be "pointless" and "frustrating", it's very hard for some people to let go of the need for traditional story structure and endless back story and meet cutes. Maybe you don't know people like those in the movie but I do and I hope to meet more of them. At the end of the day who would you rather hang out with: Felix or Federline? I thought so. Sometimes a little highbrow cynicism goes a long way and sometimes tuneless karaoke is more moving than that song they can't stop playing when they salute the exiting American Idols.

Among my favorite dry comedies I would include movies by Baumbach and Stillman, from which much of Highball's cast is culled. This would, in theory, be the one and only kind of marketing strategy for this movie, though not a very convincing one. I also LOVE Chris Eigeman who is utterly invisible in his role as Fletcher. It bothers me that movies like this are made just as much as it bothers me that movies like Die Hard and Armageddon are made, because you notice not what they are and what they offer, but what they aren't and what they might have been.The difference between a movie like Highball and a movie like Kicking & Screaming or Barcelona is the feeling of intimacy, genuinity and understanding. This group of actors is not de facto amusing or sexy or entertaining, only within a structure of good writing, (some kind of) cinematography, and a sense of integrity, all which are lost on this scrap of film that is also a waste of the $300 it took to make it.This movie is a case of "we can doesn't mean we should". It doesn't even exist to be noted on a filmography. No actor in a sober state would venture to have this experience referenced in the annals of his/her work. I am chagrined.

I just watched this film and I was amazed at what an effect It had on me. It was very funny and weird, but most of all it was true. The writing was sharp and often hilarious, but the performances are what really pull it off. I often say that Chris Eigeman steals any movie he is in, but it doesn't happen in this movie. All the actors hit the right mark to create something that is rare in current independant films. No one in this film over or under acts. If you love dialogue driven comedies with some fine nuanced perfomances (ie Whit Stillman, kicking & screaming) you'll enjoy this flick.

Ignore the blurb on the VHS box, the movie is not about a couple's hot parties with hip friends, it is about a couple's awful parties with jerk friends. Now, that might not be a bad thing -- in fact, I think it could be easier to make a good movie about bad parties than about good ones -- but the advertising is dishonest.Much worse, though, is the the pointless and boring character of the movie, which is about a bunch of stupid or verbally sadistic "friends" who mostly don't like each other. While I've known cliques that keep getting together despite frictions between some members, it's inconceivable that these people would keep getting together for these abusive and tedious holiday events. Also, the couples' relationships, which come and go between these parties, are unexplained and mostly unexplored, as are some individuals' character changes, and indeed, almost everything that doesn't happen at the parties themselves.