I like the storyline of this show,it attract me so much

Most undeservingly overhyped movie of all time??

This movie was so-so. It had it's moments, but wasn't the greatest.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

There's a lot packed into this film, and it's all top quality. "High, Wide and Handsome" is a musical with some light humor. It's a love story and drama. It's a pioneering story with adventure, intrigue and crime. It's historical for the time and subjects covered, and the authenticity of the costume and sets. About the only thing it's not, but which it is billed as, is a Western. Perhaps any movie that has horses in it, or that's set before the advent of the automobile, is considered Western by Hollywood. But I doubt if many movie fans or anyone would consider a setting in Pennsylvania to constitute a Western movie.This is a superb and entertaining movie. Jerome Kern and Oscar Hammerstein collaborated for the music and lyrics, and Hammerstein helped write the story. It has a complex plot with a few subplots, but the screenplay is excellent and the direction, shooting and film editing enable one to follow the story well. Add an excellent cast and first-rate performances by all, and "High, Wide and Handsome" is a wonderful, interesting, and satisfying film. The title comes from a song that Irene Dunne sings in an early scene. The very talented Dunne has top billing as the female lead, Sally Watterson. She plays the young daughter of a medicine show shyster, Doc Watterson, played by Raymond Walburn. Dunne was nearly 40 years old when this film was made, but appears to be in her young 20s. She didn't get started in Hollywood until she was 32 in 1930, but quickly rose to stardom. Her tremendous talent ranged from drama to comedy, and included a great singing voice, which she used in this film. Randolph Scott also was 39 years old when this film was made, and he seems to be in his youthful early 20s. Within a couple of years, Scott's appearance would change so that in most of his films he comes across as more his real middle age. Both Dunne and Scott give wonderful performances in this film – running the gamut from light humor, to seriousness with very dramatic and intense scenes, and then to tender moments. The supporting cast all excel as well. Alan Hale is out of his usual character and plays the tyrant in this film, but still with a jovial nature. He is Walt Brennan, a railroad tycoon who wants to take over the thriving oil discoveries around Titusville. I think it's interesting that the name of the railroad doesn't appear anywhere in the film. Perhaps Hollywood was getting too close to the truth, where fiction might begin to resemble real history. Charles Bickford is very good as the bitter, mean-spirited Red Scanlon who has been feuding all his life with Cortlandt. Other superb performances are given by most of the supporting cast. Walburn is very good as Doc, and William Frawley is very good as his assistant, Mac. Dorothy Lamour is Molly Fuller, who sings a couple of very good songs. Elizabeth Patterson is superb as Grandma Cortlandt, and Akim Tamiroff was very good in a minor role as Joe Varese. The neighbors and friends of Peter, and some of the circus and carnival players are very good. Much of the historical and pioneering aspects of the film may have been lost on the audiences of 1937, but in the 21st century, those help make this movie a classic to be preserved for posterity. The story takes place in 1858 and one of the main plots of the film concerns the drilling of the first oil wells. In fact, the first producing oil well in North America was established that year (1858) at Oil Springs in Ontario, Canada. And the first well to be drilled successfully in the U.S. was in 1859 at Titusville, PA. That's where this story takes place, only the well driller isn't the historical Col. Edwin Drake, but Peter Cortlandt, played by Randolph Scott. Beside the costumes, and pioneer period sets, the movie has some wonderful scenes of props that were the true items of the period. This is one of only a couple of movies I can recall that showed lighting of public places with huge chandeliers of candles. In a late scene, this film has two such chandeliers with many dozens of candles on each. They are in a circus tent when Sally comes out to sing a song. Men in Indian costumes first set up a small circle stage for her to stand on in the middle of ring. Then, they surround the small stage, and crouch down holding torches to illuminate the stage. Of course, the movie doesn't need the torches for the light in the film, but Paramount gets credit for showing this and other aspects about the time realistically. Here are some other things that the film showed authentically. A wedding portrait took 115 seconds to shoot -- with the photographer counting. Its no wonder that very old photos don't appear clear and sharp before the use of flash photography. When the oil well comes in and oil shoots through the derrick, the wedding party is drenched with oil. And, the building of the pipeline above ground is a touch of reality from the past. The oil discovery and drilling near Titusville, PA, was the birth of the oil industry in America. Here's my favorite lines from the film. For more dialog samples, see the Quotes section under this IMDb Web page for the movie. Mac, "I'll bet Sally will be glad to get away from here." Doc Watterson, "You think so, Mac?" Mac, "Sure. She's always fightin' with that Cortlandt fella. She hates the sight of him." Doc Watterson, "You know human nature, don't you Mac?" Mac, "From A to Z." Doc Watterson, "You must have skipped W. The women come under W."

O.K., I thought I'd never see a musical about the creation of an oil pipeline. I knew that Larry Hagman could sing, but this isn't about the Ewing's of Texas. It's about Randolph Scott, his singing bride Irene Dunne and oil wells in Pennsylvania. Like a monopoly game, this takes the viewer a chance to ride on the Pennsylvania railroad through a little town named Titusville, just spitting distance from Lake Erie. Like many musicals set in this era, it starts with a medicine man (Raymond Walburn), introducing his daughter (Dunne) who sings the title song, an instant hatred between Scott and brutish Charles Bickford, a fire that destroys Walburn's wagon and their being invited to stay with Scott's no- nonsense granny (Elizabeth Patterson), and the sudden love between Dunne and Scott.Songs by Jerome Kern and Oscar Hammerstein II give the impression that this is an intended follow-up for Dunne after the previous year's tremendously successful film version of "Show Boat". It's certainly unique, but the story isn't anywhere near as groundbreaking as that was, although it is unique. Songs pretty decent too.In her first scene, saloon singer Dorothy Lamour looks rather garish, like something out of a Carol Burnett show sketch. Her attempts to emulate Helen Morgan fall short, although she does play an important part in Scott's rivalry with Bickford and the equally ruthless Alan Hale Sr. whose overly high prices to ship Scott's oil causes him to create the pipeline. Patterson, as usual, has some great moments, even getting to sing a bit of the title song in a duet with Dunne. A youngish William Frawley also adds a few laughs as one of the medicine show employees, getting to sing solo as well.

High, Wide, and Handsome is a forgotten gem of a movie from 1937. Jermone Kern and Oscar Hammerstein created this sprawling musical adventure for the screen following the popularity of the 1936 film version of their musical, Show Boat, which also starred the great Irene Dunne.Here Dunne plays a singer in a traveling snake oil show run by her father (Raymond Walburn). They bottle "rock oil" and sell it as an elixir. Dunne sings and dances in the show while daddy hawks the tonic. William Frawley plays a fake Indian who is also part of the show. After their wagon burns down, they are taken in by a local farmer (Randolph Scott) and his grandmother (Elizabeth Patterson). Of course Scott and Dunne fall in love, but Scott is sidetracked by his ideas for drilling for oil in 1850s Pennsylvania.Songs, romance, and action combine to make this an unusual film as the couple battles the local bible thumpers as well as the crooked railroad men, led by Alan Hale. Along the way Dunne rescues a saloon singer (Dorothy Lamour) and runs away with a traveling circus. They pack a lot of story into this 112-minute film.Dunne is, as always, a total pleasure to watch. She gets to sing almost all the songs in this musical (Scott never sings) and duets with Lamour on "Allegheny Al." The best song is the wonderful "The Folks Who Live on the Hill," which Dunne sings in closeup with a gentle breeze rustling apple blossoms and her lace bonnet. Scott is good in a role usually played by Joel McCrea, but Scott and Dunne have good chemistry. They also worked together in Roberta and My Favorite Wife. Supporting cast is fine, headed by Patterson as the feisty grandmother, Walburn as the father, Frawley as the Indian (he also gets a number), Ben Blue as a mute, Lamour as the dumb-cluck who sings "The Things I Want" in fabulous close-up, Hale as the corrupt railroad man, Helen Lowell as a gossip, Irving Pichel as the bible thumper, and Akim Tamiroff as the saloon owner. Also of note is Charles Bickford is the bully. Bickford had starred with Dunne is the previous No Other Woman. Worth looking for.

I saw this movie at the Belmont theater in Nashville, TN when I was 5 or six years old. I have been looking for this movie for years. The only thing I could remember was the song, not the movie title, the composer, the actors: nothing but the song and that it came from a movie. Only tonight, 22 April 2004, did I learn the name of the movie. If anyone could tell me how I could get a copy of this movie I would be deeply grateful. Thank you. I have three versions of the song: by Bing Crosby recorded in 1937, by Arthur Tracy, The Street Singer, and by Andy Williams. None of the albums credit the movie or the composer or lyricist. Any information of other renditions would also be appreciated. NEW UPDATE: I now have a complete VHS version of this movie. I would like to thank all of you who helped me in this endeavor. If anyone would like a copy, please contact me and I will be happy to help you also.