High Noon
High Noon
| 20 August 2000 (USA)
High Noon Trailers

High Noon tells the story of a lawman named Will Kane (Skerritt) who has just married a young bride, Amy (Thompson), promising to leave his dangerous career and settle down for a quiet life. Just as they are about to leave, word comes that a vicious killer Kane had sent to prison years earlier, is coming to town on the noon train seeking vengeance. Kane attempts to rally the town to fight the gunman, but not even his former deputy Harvey (Diamond) is willing to help. Harvey's cowardice infuriates his girlfriend, Helen (Alonso), whose romantic past with both Kane and with the arriving gunman convinces her to pack up and leave town. As the dreaded noon hour approaches, Kane realizes he must stand alone against the coming storm.

Reviews
UnowPriceless

hyped garbage

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Tayloriona

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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Donald Seymour

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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Kimball

Exactly the movie you think it is, but not the movie you want it to be.

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lucca420

Tom Skerritt was excellent as Will Kane. Though this production differed from the original, it was very enjoyable mostly due to his performance. I believe he is one of films most underestimated actors. His performance caught the agony of Will Kane's dilemma. His immersion into all his roles came through in this performance also. It is always difficult to reproduce a classic but this was an excellent stab at it. I enjoyed this production very much. Though it could not measure up to Gary Cooper and Grace Kelly, it still was a good redo. Tom Skerritt just gets better with age. I hope this production will be shone again soon. It was worth the watch.

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flimbuff

This may seem blasphemous but the original performance of what most people regard as a western classic is actually very dated with the exception of Grace Kelly's performance. This made for TV remake is well done and sticks to the basic plot of the original. Tom Skerrit is well cast as is Michael Madsen. Both give fine performances and for students of film and directors the contrast should between this and Gary Cooper's original should be noted as an example of how a remake should be done. The problem here is that this was made for TV on a limited budget and with some network's approval so don't expect real quality. Just observe and critique how acting and cinematography have developed and you may actually enjoy this and the time honored classic plot.

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theborg12

this film was originally made by tbs (superstation) and stars tom skerritt as marshal of hadleyville, will kane. the 1952 version of HIGH NOON which starred gary cooper i liked. i watched it in school and read the screenplay before we watched it. but the problem with the original high noon was the fact that they played only the high noon theme by tex ritter. in the film with tom skerritt they did not repeat any songs.

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Dale Durnell

Sometimes, a remake can be as good, or better than an original. The 1997 version of Titanic was award winning and the 1998 remake of Les Miserables was outstanding. But, I'm sorry to say that's not so with the TBS, made for television, version of High Noon.Alright, so I grew up on the original -- but, it's still a classic!I will admit that in the remake, some of the characters played their roles admirably: Tom Skerritt portrayed a viable Will Kane and Maria Conchita Alonso was superior as Mrs. Ramirez. Even Dennis Weaver was credible as Martin Howe, but I never felt for him and his circumstances the way I felt for Lon Chaney Jr. in the 1952 version. In fact, throughout the entire program, I never got to where I really cared for the characters as I did in the original.Advance P.R. in the television guides said that the producers wanted a more "vicious" villain, and so cast Michael Madsen as Frank Miller. But, Madsen looks and acts more like Broderick Crawford in "The Highway Patrol" TV series than a villain in the old west. His twin nickel (or chrome) plated Remington revolvers did nothing to enhance the role for him.In the 1952 version, Fred Zinnemann used a crane to back off and show the loneliness of Kane as he goes about the task before him. The director of the 2000 remake tries to do the same thing, but the effect is no where as dramatic. Something is missing.In the final scene in the 1952 original, you can see Kane's contempt for the town on the face of Gary Cooper -- contempt for having been left alone, and abandoned. That emotion was totally lacking in the remake and so the ending is almost anti-climactic.

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