A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

An old-fashioned movie made with new-fashioned finesse.

A simple setup: One boy's birthday pool party. Everybody plays along and pretends to be happy. But beneath the surface, people's emotions are boiling. While people are having a fun time, deep secret come to light.HENRY GAMBLE'S BIRTHDAY PARTY manages to make statements about religion and about homosexuality without becoming overly political. It manages to convince you of the dark power of peer pressure and church without becoming overly judgmental. It manages to make you feel sexual oppression first-hand, focusing on a subjective perspective of what people really feel rather than what they show to feel. The movie weaves lots of different characters together without becoming incoherent. Many of the characters are just there for a few lines, but they seem real nonetheless. Some of them look like you would want to get to know them better. Others make you feel pity.Throughout all of this, HENRY GAMBLE'S BIRTHDAY PARTY breathes with life and flows from one thing to the next without becoming trite. Watching this movie truly feels like being at a day's long summer party that slowly progresses through people's complex interactions. Carried by superb acting and a vision of what it means to be human, everything comes together in a grandiose yet subtle fashion. Mind blown.

The plot is that Henry Gamble is going to be seventeen and his father – Preacher Bob – wants to throw a big pool party to celebrate. As he is a preacher everything is going to be done the way Jesus would have wanted – but no alcohol, provocative music or other stuff that they make up as they go along. Thing is Henry is gay – but he is still in the closet although right from the get go you can tell he is bursting to come out.Then the party starts and as the guests turn up it seems that everyone has baggage and they are also all struggling with then inner conflicts that go with faith and desire.Now this has been applauded and panned in equal measure and the reasons are both valid. Firstly this is all about sex and sexual.ity but it is all talk and, quite literally, no trousers. Personally I think that is OK but for the nay sayers they are right in saying it is setting its stall out to attract the wrong audience. Also it does not deal with nigh o all of the issues that are raised, from sexual identity, faith conflicts, mental health issues or alcohol.The thing is this is really well made. Despite any real dénouement the characters and their problems are very believable. It is well acted with only a couple of times where a character seems to be stepping into 'cliché-ville'. So am slightly torn, I actually did enjoy this though – hence my rating but as I said if you want a film with any real exploration of the issues that it is based on, then this will probably not rock your world.

I watched this on Netflix as a lark. I was quite surprised to find it both enjoyable and meaningful. It is atypical of gay-content films as a genre. The 'gay' is more 'by the way' than 'hey, Mary". Really liked the beginning and end. Cole Doman's face holds all the innocence of a somewhat pampered and conflicted middle class boy his age. The contrast between Henry and Logan, the awkward and out gay boy, is well done. The balance provided by smart-ass lesbian characters is not overplayed. The contrast between the twisted lives of the adults and the openness of the youngsters is also well written. The way Henry's older sister acts out that contrast is quite good.This film is outstanding for its quiet subtlety about religious bias and its constriction of human vision and compassion. It unfolds gently with the exception of a slightly contrived crisis involving an ostracized gay man. I recommend it to non-religious people (like me) who may lump all religious folks into a single category.

It seems that Mr. Cone has seen too many movies he liked because he is trying to use camera angles that seem to make no sense what so ever. I mean... interesting they are but that is all about them. To start a movie with the conversation about the size of the d**k without having anything to start from in the first place, to me is porn. 'Wannabe' art but ends up being porn. And that's bad enough. But when you involve actors or 'wannabe' actors in it then I can only think the director has a hidden message that the only person to have access to... might be just himself. I truly hope this is not true! I truly hope the actors or the team, at least, know about this message. If this is not the case then Mr. Cone does movies to be paid for. And my questions is: what happened with Mr. Cone we know from 'Wise kids'? Was that a mistaken-art-success? Because we see there as well the 'Mr. Cone wannabe director' but he shows love for the script and for the characters and building of the characters. He shows love for the plots and pure courage in creating them! Where did all that go?The story of the movie: the birthday of a Christian teenage. The rest of the story is so incoherent that only Mr. Cone might be able to put it here but I am not sure about that either, now that the movie is out. I have a special sensibility for the collaboration between gay-Christian themes. And of course, there is a certain conservative respect that has to come with this collaboration. Which existed in the aforementioned 'Wise kids' movie. I have no clue what happened with this here either. The respect for the conservative Christianism disappeared. There is a feeling that covers the movie and is very exaggerated in some small parts of it: that feeling is 'the bad is coming'! And indeed, it comes!