In truth, there is barely enough story here to make a film.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

it reminds many other historical films. for recipes, solutions, mixture of bloody scenes, political secrets and the recreate of a reasonable sketch for a dark period. good performances, beautiful costumes, the hero and a good looking lead actor who, far to be the best choice for the role of Henri IV, it is a reasonable one. short, a seductive film, history "ad usum delphini", good start point for discover the roots of events. and, sure, a nice story, heroic, tragic, interesting. it is one of films with a noble purpose and a smart director who knows translate, on the taste of public, Modern history in the right images. and this is the most important virtue in this case.

it is far to be a revelation. stylized story, not extraordinary acting, battle and love scenes and the noble purpose to present in decent manner one of fundamental personalities of Modern French history. common biographic movie, without great ambition but remarkable for few scenes who reflects the roots of political crisis, it is a French past page in clothes of German. and without be impressive, the result is far to be boring or slice of time waist, sure, it could be better. but the performance of Julien Boisselier , charming and not complicated, transforming the lead character in a form of sketch, is a good thing and inspired spice for an easy film.

From an early start Henri of Navarre, the protestant nobleman saw war first hand. As a child he was present in battles that would mark him for all his life. He also knew fear in his own person when he was surrounded by warriors engaging in combat. In fact, Henri's fate was predicted by Nostradamus himself, when Henri's mother brought the seer to take a look at her young son. Henri was a man destined for great things, as indeed it was the case with his life took him from a small kingdom to be the ruler of one of the most powerful European nations.Born protestant, Henri had everything stacked against him, when France totally dominated by the Pope and his strict Catholic Church. The throne of France was dominated by the powerful Catherine De Medici. Her weak son Francis was the ruler of the land, but her ambition was to make her other son Henri, to succeed his brother. That way Catherine was able to control everything. In a bold move, Catherine decided to marry her daughter Margaret to Henri of Navarre to cement France's dominance. The union proved to be stormy at best. The reign of Henri III, a homosexual, ended with his assassination. Henri of Navarre became the king of France. He wanted the best for the country he loved, but had to yield to entering a conversion that no one really believed came from his heart, but it was a sort of marriage of convenience. Henri true love was Gabrielle D'Estress, who was not accepted by the Pope. Instead he endured a terrible marriage to another Medici, Marie, who gave him an heir to continue the lineage. Henri had a horrible end as he was slain in the streets of Paris.An ambitious project "Henri 4" is an epic of great proportions. A co- production between Germany, France, Spain and the Czech Republic, the film tries to make justice to those turbulent years in a country dominated by religious wars. Directed by Jo Baier, the film will surely delight history fans for it shows powerful individuals whose ambitions were incredible. The cinematography of Gernot Roll, the veteran German cameraman, is amazing. Mr. Roll catches nuances as well as the fury of the battles in details seldom seen. The incidental music is by Hans Zimmer and Henry Jackman. The mainly German cast does a wonderful rendition of the drama as staged by Mr. Baier.

A German made film (originally released as a miniseries) about the life of the 16th century's Henri (or Henry) IV of France, one of the crucial kings in the French Wars of religion (by one count, Henry changed religions four times during his life between Catholicism and Protestantism). Solid and interesting, just a bit overlong at two hours and a half, it has both French actors and Germans actors dubbed in French (I didn't care much about this, though perhaps some French native speakers would). Medieval and early Modern history can be very complicated (the personal gets involved with the political, as the main political leaders tend to be relatives as well) but if you pay attention the various political plots are reasonably well explained in the film. On the minus side, the movie could have benefited from a more charismatic lead than Julien Boisselier as Henry. And Ulrich Noethen (who played Himmler in Downfall) outrageously overacts as Charles IX, one of Henry's predecessors. But the beautiful Chloe Stefani is lovely as Henry's mistress, Gabrielle d'Estrées (none more so when she appears nude, as she does frequently here). And Hannelore Hoger is suitably evil as queen Catharina de Medicis, a major plotter against Henry.The production values are reasonably good, though as in many other historical films, battles are not very credible when it seems to involve the fight of dozens of people, instead of thousands (films like these should consider using computer generated imagery to give modern audiences the feel of a large battle).The same subject matter was covered in La Reine Margot, a French film released in the 1990s, starring Isabelle Adjani as Marguerite de Valois (in Henri, Margot is played as a semi hysterical woman by Armelle Deutsch). I saw La Reine Margot at the time it was released, but I really don't remember a lot about it, except that it was a much stylized affair; Henri is a much more down to earth film.