Perfectly adorable

All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Amazing worth wacthing. So good. Biased but well made with many good points.

A nice comedy. not the best, not the most convincing but interesting for the good intention to explore the couple relations, a new life and its premises, clash between civilisations and different sources of humor. the risk to see it only as a film with Fanny Ardant and Gerard Depardieu is not small. but it has the virtue to be part of a long French cinema tradition about meet with different spaces, temptations for a couple, need to save appearences and a trip defining the marriage. so, a nice film. maybe, in part, for the good intentions.

I always like the move of Gérard Depardieu who is really a good actor. He is always sincere in his movie, that's the reason it moves me. No matter he acts a bad man or good man. Gérard Depardieu plays well the part of Alana Gaash as a middle-age man who shows great tolerance for his wife and even the couple love life. The thing I didn't think of is the environment of Isreal which shall not be that bad in my imagine. It shall be more beautiful. And both the actor and actress act like normal people which gives no "show" factors. All in all, I like it.

A lightweight comedy whose humor depends largely on the inadequacies of a non-observant French Jewish doctor who emigrates with his converted wife to Israel. The first half is the one that draws the most laughs (mostly just chuckles), while the second half concentrates on developing the story of a husband and wife relationship that is breaking apart. There is a genuinely humorous gag near the beginning but otherwise the farcical elements of the story are only mildly funny.Not surprisingly, a comedy such as this is built on a long string of contrivances that ends up taking a toll on one's patience. One hour into, I could not help but feel a bit exasperated with the story. It's the kind of film that is made for TV audiences.

"Hello Goodbye" is a movie about a wealthy middle-aged French couple that suddenly experiences a storm of difficulties. Alain Gaash is Jewish and his family is surprised and somewhat taken aback when his son decides to marry a Christian woman in a church. Alain's wife Gisèle had converted to Judaism in order to marry him, but she realizes suddenly that his family still sees her as non-Jewish. Alain's Jewish friends don't see him as Jewish enough because he isn't circumcised, and the couple ends up having a late identity crisis. The main focus of the film though, is not so much on the search of Jewish identity, but on Gisèle's search for meaning: she was a housewife for years, who gave up her career to support her husband and raise their son. Now that the son has left home, her life is empty. She does all sorts of crazy things, like destroying her expensive car, and convincing her husband to move to Israel, where they had no secure income or even a home. Gisèle seeks the "help" of a very suspicious drug-using "Rabbi" and falls for his good looks and "wisdom". Alain suspects that their bad love-life is due to the fact that he is not circumcised, even if they had had problems in this area before their identity crisis, so he gets a circumcision. This of course, changes nothing. In any case, the couple barely has anything to do with each other: Gisèle finds out where Alain is working by chance, Alain finds out by accident that Gisèle didn't tell him their furniture was thrown into the Meditarranean on the way to Israel... At some point, not only do the main characters lose contact with each other, the film loses all contact with it's audience. The ending is so ridiculous and shmalzig it's unbearable. My recommendation: Skip it.