Helldriver
Helldriver
| 28 September 2010 (USA)
Helldriver Trailers

Still reeling from the events of a zombie apocalypse, a young woman, along with a group of allies, makes her way across a dystopian Japan in search of her mother, the Zombie Queen.

Reviews
Laikals

The greatest movie ever made..!

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Titreenp

SERIOUSLY. This is what the crap Hollywood still puts out?

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Nessieldwi

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

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Fulke

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

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Alucard Venom

I love Asian cinema. I love gore from time to time, but I am not big fan of gory flicks.... but this one is damn entertaining. Fans of the genre will surely love it (as well as gorehounds) but other more mainstream audiences will hate it and get confused most of the time."Helldriver" is what could be considered "new wave of Japanese grindhouse" and it has everything good grindhouse needs: little to no story, weird moments, lot of gore, violence and blood. There's not much nudity in this one, but gore and blood splatters go over the top in every possible way.Plot is rather simple: meteor (!?) falls to Earth, turning nearly all people in Japan into some kind of zombie mutants. Kika (Yumiko Hara) is sent to chop the heck out of them and kill mutant leader. Other folks join her in her mission. Now, first part of the movie is bit awkward (in a good) way, having nice amount of social\ politics\religious satire (but gore and action scenes still happen here) and somewhere around the half of the movie, title shows up (not kidding). After that, the movie "really" begins, which is pretty much hack'n'slash after that.What makes HELLDRIVER great is that movie doesn't take itself very seriously (I was laughing most of the time, even in bloodiest scenes), gore FX are well done, and what impresses me the most are makeup effects on some "boss" monsters. I swear, at least half of the budget must have gone on makeup and fake blood (and this movie has insane amount of blood, maybe even more then Peter Jackson's "Braindead"). Some really cool villains (and original) and great fight scenes (and hilarious at the same time!) with them. Most of the time you'll keep asking yourself "how the heck they are gonna top the last scene" in terms of (un)logic, visuals and action.Yumiko Hara is also very pretty and looks like Japanese action heroine. Hope we'll see more of her in future. Eihi Shiina (from Tokyo Gore Police, Audition) plays main villain, and she's wonderful as usual. Her scenes are over the top most of the time, but they fit movie perfectly, since Helldriver itself is way over the top in every possible element.Turn off your logic and remember "it's just a movie". Enjoy the mayhem that happens on screen, and you'll surely like Helldriver.

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mmushrm

Another Yoshihiro Nishimura and Sushi Typhoon production, Helldriver has all the elements that are the mainstays of the producer and studio. You will find gore and horror mixed in with an abundance of absurdity.I personally enjoy the absurdity of the Yoshihiro Nishimura and Sushi Typhoon movies and this was no exception. This movie is a cheaply made exploitation B movie. The producers know this and don't try to foist it off as anything other then what it is. This is what makes it watchable.Helldriver does start off rather slow. It took me several attempts to finish this movie. In fact I would say the setup, the starting 1/3 of the movie was rather dull. Then the action starts.Once the action gets going it really gets going zombies, exploding zombies, zombie gangsters, flying zombies, transformer zombies and the good guys fighting them.The acting is minimalistic, probably because no one could act but then again its a zombie action movie. The girls all look good showered with blood and screaming/shouting in anger.Im only giving this movie a 6 due to its slow start. I started watching the movie then got pulled away and it took me months to get back to this movie again. However the 2/3 made up for it. Im looking forward to more movies from these guys.

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trashgang

I liked so many extreme gory flicks coming from Japan in the eighties and nineties because they were full of gore and red stuff. But times are changing and lately flicks coming from Japan aren't my cup of tea anymore. It started with Takashi Miiki's Yattâman (Yatterman). I loved the man and every gorehound has at least seen one of his flicks. The last one I liked was from Masters Of Horror 'Imprint' which I even bought uncut on Blu Ray. But Yatterman was something weird, it contained too much of CGI and had a strange story. It failed completely for me and I hoped that this new kind of shooting was a one in a kind.Was I wrong, I saw this due Asami being in it who I met at a convention and tried to talk with, she only understood Japanese, luckily Kurando Mitsutake (Samurai Avenger: The Blind Wolf) was there to translate everything. Another reason was that Eihi Shiina (Audition) was in it, she's back in business and Asami is a new star in her native land. What we have is an extremely gory flick but it made me think of Yatterman. So much CGI and weird things like zombies with horns. And the scene with the mother tearing out the heart of her child is indeed gory but it's full of CGI and exaggerated things that I disliked it.If this is the new way of making Japanese flicks then I guess I will leave that scene. For the moment things I liked was Vampire Girls vs Frankenstein Girls or Alien vs Ninja but Helldriver wasn't my thing. I can dig weird story lines but this was over the top. But I won't give up, I would like to see Erotibot with Asami, let's hope this is old school HK III. Maybe Yoshihiro Nishimura, the director, should better staid at his make-up department (Tokyo Gore Police or Machine Girl).Gore 5/5 Nudity 1/5 Effects 4/5 Story 2/5 Comedy 1/5

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Mark Vessey

The new entry into the "J-sploitation" genre, or what I've lovingly dubbed it "the purposefully hilarious, batshit crazy Asian B-movie" genre, this time from renowned splatter director Yoshihiro Nishimura, the genius behind "Tokyo Gore Police". We're treated to people lap dancing on spinal columns, alien starfish, a scene straight out of Power Rangers featuring zombies using their newborn (umbilical cord an all) as projectiles, an eight armed zombie that sounds like the putty patrol, a zombie seemingly made of weapons fighting an armored car, a car made of zombies, a fight sequence on top of a rocket propelled airplane made of zombies, zombies playing the accordion, zombies getting anally jousted with a chainsaw sword, the title sequence appearing after the hour mark, overall hilarious dialog and much, much more. It may not be as brilliant as its contemporaries but "Helldriver, RoboGeisha, Machine Girl", etc. all prove that nobody makes B-movies like the Asians, not even The Asylum. Also, it's still very strange seeing Eihi Shiina in this crazy villain role after seeing her in "Audition" but she's still amazing.

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