Hear My Song
Hear My Song
R | 27 December 1991 (USA)
Hear My Song Trailers

Singer Josef Locke fled to Ireland 25 years ago to escape the clutches of the tax man and police Chief Jim Abbott. What he also left behind was the love of his life Cathleen Doyle. Now, Micky O’Neill is desperate to save both his ailing Liverpool nightclub ‘Heartly’s’ and his failing relationship with the beautiful Nancy, Cathleen’s daughter. The solution? Book the infamous Josef Locke.

Reviews
Linkshoch

Wonderful Movie

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Bergorks

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

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Brenda

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Kinley

This movie feels like it was made purely to piss off people who want good shows

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Andy Howlett

Spoiler warning! A superb low-budget fantasy film about a down-at-heel club that just clings on by booking cheap, crummy look-a-like acts. When manager Mickey O' Neill (Dunbar) looks like losing his girl, he decides to impress her by booking the legendary tax-dodger Josef Locke and hopes to save his club into the bargain. What he ends up with is not what he imagined, and the search begins...We've watched this film a couple of times since it was first shown on TV and it gets better with every viewing. The characters are great and the almost magical atmosphere conjured up in some scenes is incredible. *Spoiler alert again* Locke's triumphant performance is the climax, and I admit to getting very touched by 'Count your Blessings', delivered in that wonderful tenor voice (supplied by Vernon Midgeley). What a film!

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Edgar Soberon Torchia

I don't think Peter Chelsom's appreciation will grow much today, with audiences and critics more inclined to pyrotechnics, flamboyant styles and cynic approach to mankind's troubles. Chelsom is a skilled filmmaker, but for today's tastes his cinema seems too close to the audience's soft hearts, and that is probably his less attractive trait. I like a few of his movies: "The Mighty", "Serendipity" as predictable as it is, and my favorites "Funny Bones" and "Hear My Song" which he also wrote. Both deal with a search and possess a frenetic and funny approach to human foibles, and in this case an enthusiastic leading character, as played by Adrian Dunbar who also co-wrote. He is a nightclub administrator who keeps cheating on his patrons, bringing mediocre artists to perform. When he brings a fake tenor who humiliates his future mother-in-law (Shirley-Ann Field, who had an affair with the real tenor), he embarks on the almost impossible: finding the real singer, who cannot step on Irish soil due to tax evasion. Ned Beatty gives the performance of his life (and that's a lot to say) as the singer, leading the story to a moving conclusion.

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Jason Berkley

This movie never got the attention or box office it deserved, but it's one of my all-time favorites. Ned Beatty is wonderful as Joe Locke, the exiled Irish singer returned to the stage by impresario Adrian Dunbar. A little movie with heart, wit, and charm, definitely worth repeat viewings.

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OB-Shane

This is a stunning delightful story of one man's quest to do right by his girlfriend and his community. The Irish humour is great. The writing is tight. The performances are both touching and funny. One to watch more than once.

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