He Loves Me… He Loves Me Not
He Loves Me… He Loves Me Not
| 14 February 2003 (USA)
He Loves Me… He Loves Me Not Trailers

A talented art student named Angélique is passionately in love with Dr. Loïc Le Garrec, a handsome married man whom she believes will leave his wife. When he eventually decides to stay in his marriage, it causes Angélique to spiral. However, as the story shifts from Angélique's perspective to Loïc's, the surprising truth about their relationship is revealed.

Reviews
Laikals

The greatest movie ever made..!

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AboveDeepBuggy

Some things I liked some I did not.

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Whitech

It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.

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Sarita Rafferty

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

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morrison-dylan-fan

Reminded of the sweet film Amélie when talking to a fellow IMDber about the Cinema Du Look movement,I felt that it was the perfect time to catch a glimpse of its lead star: Audrey Tautou.Planning to get Tautou movies on DVD,I got very lucky and stumbled on a movie of Tautou's online (with English Subs!) which led to me getting ready to pull the petals of love.The plot:Running into neighbour Dr.Loïc Le Garrec, Angélique finds herself quickly falling in love.Becoming obsessed with Garrec, Angélique starts making plans for them to go on holiday and to start a family. Learning that a patient is suing Garrec after they got into a fight, Angélique decides to pay the patient a visit,which causes the patient to die of fright. Seeing these events as making their love stronger, Angélique soon discovers that Garrec has a completely different perspective on their romance.View on the film:Taking the bones of the Erotic Thriller,the screenplay by co- writer/(along with Caroline Thivel) director Laetitia Colombani turns the sub-genre on its head with a quirky delight,which gives the extreme distance that Angélique goes to express her love a distinctively quirky edge. Cutting the title in half on a specific event,the writers brilliantly switch the films mood from playful Comedy to dark Thriller via giving Angélique's side a lightness that keeps everything skin-deep,which digs in as Garrec starts to becoming aware of the unfolding nightmare.Going blue for Garrec,director Colombani and cinematographer Pierre Aïm play the love game with a kind of blue,as stylish deep blue's soak up the romantic, breezy mood Garrec casts over Angélique.Opening up her private life, Colombani whirls the movie in a maze of colour, scatted across the screen in eye-catching, ill- fitting patrons matching the odds and fading ends that Angélique has used to make her dream romance painting. Trapped in an unknown romance, Samuel Le Bihan gives a great performance as Garrec, fuelled by Bihan giving Garrec busted nerves over the "gifts" Angélique sends him.Looking like a broken china doll, Audrey Tautou gives an excellent performance as Angélique,whose quirky warmth Tautou cleverly uses to boil a peculiar viciousness,which spills over as Angélique wonders if her loves me,or he loves me not.

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shahanahallie

I totally loved this movie as it is not our everyday typical romance movie where the girl lands up with prince charming. This movie is told from a complete different perspective and in the beginning we only view the movie through Angeliques eyes. I honestly felt really bad for her,but as the twist is unraveled and the truth is revealed I was quite happy that she landed in a psychiatric facility and that the Dr and his wife gets back together! The ending was gripping to me as I kept wondering what will happen next.I wonder if there will be a part 2 in the future Iwould really like to know what her next move is.

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missvoon

I give it a 5 for the fact that it is entertaining, but I think this movie made in 2002 just benefited from the post-Amelie effect! It's not well played, the scenario is quite poor, and sometimes rather silly. Although it's not the worst thing in this movie, as a French lawyer, I realize it's very inconsistent ( especially the legal/criminal aspect). If you wanna see a good French movie about this kind of story you should rather watch Anna M ( http://www.imdb.com/title/tt0814659/?ref_=fn_al_tt_1 ) It's also with the great Isabelle Carre but this time SHE is the crazy one! and she is amazing, the movie is more subtle and profound.

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R. Ignacio Litardo

This is a film for Audrey Tatou's fans.The young directress, from "Mes stars et moi" does very feminine films, not in the best sense. Perfect setting, chic everything, Art is all around, romance is all that matters, nutty, hysterical women, catchy pop tunes... Tatou does Angelique, but supposedly "mad" now. As she's not convincing at all, the movie falters.Beautiful Isabelle Carré, who starred "Maman est folle" and played the little girl in the gifted "Les enfants du marais", plays the doctor's wife, a character which never really leaves ground. Interestingly enough, she starred "Anna O." where she's, guess what, a loner who becomes in mad love with her doctor. ...Clément Sibony, who starred "l'envol" with Isabelle, is reportedly pretty handsome according to my female company while watching the film. He's very convincing in an unconvincing role. Nice Élodie Navarre, from Reporters (TV) and Love, etc. is wasted here, her character suddenly gains importance, for then disappearing. Héloïse's character is insipid, which is a pity for it probably was supposed to serve as counterbalance to Angélique, but goes off the story at the time it should be more present, that is, in the last 1/3rd of the movie.I've been told from a reputable cinema buff this film is a rip-off from "Fatal attraction" and the less obvious "The Crush (1993)" starring Alicia Silverstone as a 14 year old, the same mental age than Ángelique.I never understood the genre of the film. Creative Amazon reviewer Simon (ON) writes "romantic thriller" which is probably even right, although it proves that him as well as other reviewers can be more intelligent than the film itself.

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