Very very predictable, including the post credit scene !!!

Absolutely Fantastic

A lot more amusing than I thought it would be.

Although it has its amusing moments, in eneral the plot does not convince.

Breaking out of the mold of singing nannies, Julie Andrews plays a Bostonian socialite who marries a missionary (Max Von Sydow) and heads to the wilds of Hawaii where her husband works on converting the natives to Christianity. A ship's captain (Richard Harris) sets his sights on the lovely but fragile Andrews which tests the sanctity of marriage. Obsessed with converting what he believes to be a sinful life of the very sexual natives, Von Sydow neglects his wife, leading to tragedy and a climactic confrontation between Von Sydow and Harris. The fact that Harris would go on to play King Arthur in the film version of "Camelot" while Andrews was unable to reprise her role as Guenevere makes this an interesting pairing during this time.Beautiful to look at and superbly acted, this takes James Michener beyond the tales of the South Pacific and Bali Hai to what would later become America's 50th State. Andrews totally underplays her role here after flamboyantly playing Mary Poppins and Maria Von Trapp, so this is a nice change of pace for her. Von Sydow is a bit hammy in spots, but if you consider the type of character he is playing, that is not entirely out of place. The acting honors go to Jocelyn La Garde, the Hawaiian born native chosen to play the last Queen. Speaking her few English language lines phonetically, the hefty La Garde is lovable, touching and fierce. And yes, that is Carroll O'Connor, the future Archie Bunker here, playing Andrews' father.This also contains one of the most beautiful music scores (by Elmer Bernstein) to grace an epic film of the 1960's, one you'll not soon forget. While some of the historical references have been questioned in regards to their accuracy, the film paints a realistic portrayal of the hardships faced by mainland Americans as they face the elements of a land they can never quite understand. This is the type of film that should be given occasional big screen re-releases so today's audiences can see how epics used to be made without resulting in headaches due to overpowering sound and computer generated effects.

I first saw this movie (in snatches) when I was about 10 years old. I was totally captivated by the love story, because I could really relate to Max Von Sydow's performance as the stern, lonely Puritan Minister Hale. I got his anguish, his conflicting feelings, and his total inability to share. When Mrs. Hale (a prim but fetching Julie Andrews) gives birth and he starts sobbing and admits that he loves her more than God, I felt it like a punch in the stomach.On the other hand, I couldn't help admiring the bold whaling captain played by Richard Harris too. When the minister falls in the water and the devilish whaler shouts, "shark! go get him, boy!" that really tickled my funny bone. I was ten years old, of course, but I totally understood what an amazing love triangle this was.Well, the other day I finally got this movie on videotape, and after nearly forty years I was really curious to see if it would live up to my memories. I have to admit that there are some very, very long dull patches in this movie. Richard Harris never really cuts loose. Julie Andrews keeps slipping away just when she most needs to shine! So much of the movie is like a costume party, or a drinking game. Guess which famous character actor will bop in next wearing whiskers and a frock coat? There's Lou Antonio -- he played Coco in Cool Hand Luke! There's John Cullum! There's Gene Hackman! There's Carroll O'Connor! All these guys have major, major stories that have nothing to do with Abner and Jerusha. And the love story totally gets lost for about two thirds of the movie.On the other hand, now that I'm grown up, I really appreciate what a classic American hero Abner Hale is, and how authentic Max Von Sydow makes him. You could teach a whole college course on American literature just with his influences! One moment he's Ahab, forging ahead with ruthless fury. Then he's Ephraim Cabot in Eugene O'Neill's Desire Under The Elms, mixing Puritan rage with burning lust. Then he's the young doctor in Hawthorne's story The Birthmark, shutting out happiness and totally ignoring his angelic, suffering wife. And then at the very end (this is spoiler territory) he finally gets his act together -- and suddenly he's doing a letter-perfect Mr. Scrooge.It's amazing the way Hale's character evolves. When you watch him calling down God's wrath on the Hawaiians, it's almost dreamlike, like a silent film showing an Old Testament prophet. And you hate him so much. Yet at the end, when he *finally* gets how wise his wife really is, and how much she means to him, you want to stand up and cheer. And the fact that it's really too late only makes it more poignant.You can't really call this movie a masterpiece -- but it's much more than just another overblown dud.

By this point, the mid-1960s, the old-style biblical epics had more or less died out completely, but epics of other kinds were still reasonably popular. This story of missionaries in the first half of the 19th century, adapted from a James A. Michener novel and made a year before the abandoning of the Hollywood production code, is in fact a polemic against rigid adherence to Christian scriptures. At its centre is an overly pious and sometimes hypocritical preacher, the kind of mind which would have believed in all those unswervingly self-righteous bible flicks of the previous decade.But Hawaii is not some flagrant and roughshod denunciation of church and faith. The picture was adapted (quite liberally) from its source by acclaimed screenwriters Daniel Taradash and Dalton Trumbo, and it has in particular Trumbo's tendency to treat all his characters with respectful and human portrayals, in spite of what antagonisms they may have towards each other. Thus while Max von Sydow is seen at turns as a callous fanatic, a trumped-up fool and a general negative influence, we first see him as a shy yet well-meaning youngster, clumsily trying to woo Julie Andrews. In these early scenes he is somewhat endearing figure, and even though most viewers will not condone much of what he later does, this first impression sticks with us, preventing us from completely despising him and allowing us to believe in his wife's devotion to him.Max von Sydow was an excellent choice for this role. Admittedly his Swedish accent is a bit of a non-sequitur, but he is perfect at bringing out both the sympathetic young lad and the unshakable preacher. His performance occasionally seems to border on the hammy, but this is acceptable because it fits in with his strength of character and the earnest manner with which he takes up his ministerial duties. Julie Andrews is great too. After having made her name with the more or less fantasy figures of Mary Poppins and Maria von Trapp there's a strange kind of poignancy seeing her suffer the strains of being a more realistic wife and mother. She seems sadly underused here however, although apparently she was the main victim of the cuts in the edited version I have, which is a real pity. Richard Harris and Gene Hackman bring their forceful presences to make some of the more powerful statements in the dialogue, while Jocelyn LaGrande makes a terrific impact with her full-of-life performance. Although she spoke no English and learned her lines phonetically, it's incredible the way she communicates meaning and emotion around those words.Hawaii was the first large-scale picture directed by George Roy Hill, and by and large he handles the broad canvas well. Of note is that fact that he gives a constant life and rhythm to the island, often featuring a few figures working in the background or framing a character with gently swaying foliage. Hill was of course a child of the New Wave and this is evident in the occasional zoom or whip pan, but his touch is generally quite light and minimalist. Unlike some of the other younger directors around at this time he favours long takes with few close-ups. The only trouble with this is doesn't seem to quite have developed the knack of subtly making a point within the frame, sometimes using the camera to force our attention on something. An example is when Iliki runs to greet Richard Harris's ship, throwing off her western dress, a moment which seems rather contrived and clunky by the way the camera pans down onto the discarded garment.Hawaii is a far from perfect picture, being neither quite the stunning extravaganza that epics are generally meant to be, nor the stirring human drama it also seems to aspire to. However, it has many moments which come close to both goals, and most importantly has a very honest humanity to it – something so many epics lack – and this allows it to speak its message directly without ever threatening to alienate its audience.

The movie was absolutely perfect in every way. The key to its power is that all viewers SHOULD have read the book at least once....ideally more than once, before seeing the movie. So many of the characters and story lines are much easier to comprehend and appreciate if one has read the book before even attempting to enjoy the richness and completeness of the epic story that Michner wrote, as it appears on the screen The book was glorious and fully half of it was not in the movie. As a result, many incidents that were shown in the movie were confusing because the book explained them in Michner's classic detailed style which ultimately created the outline that helped the story flow. Forget any misguided claims that the book was about dictatorship, etc. and READ THE BOOK.....only then will you understand that in the final analysis it simply is the story of a humble as well as stubborn and proud but frequently lonely and sad New England Christian Pastor's life and how he tried to do his best for the people that he touched and came to love, as he walked through that life with Jesus and God directing him. The ending of the movie was very touching and meaningful......those that read the book know why and understand. By the way, I have never heard a more thrilling and beautiful opening orchestral piece in any movie. I was fortunate enough to hear that song sung at one of Don Ho's shows many years ago.....the words of the song are as equally haunting and beautiful as the music when they speak not of the inhabitants of the island and their love for that paradise, but rather it is a song of the love the island of Hawaii has for the people who inhabit one of God's true Heavenly creations......the opening line of the song goes, "I am your island I wish you love....". See the movie again and revel in it's greatness and if you are really interested in enjoying the entire Mitchner experience please READ THE BOOK at least once before you attempt to do so. ALOHA!