Very very predictable, including the post credit scene !!!

Fantastic!

The film makes a home in your brain and the only cure is to see it again.

By the time the dramatic fireworks start popping off, each one feels earned.

Ginger Rogers plays a member of a typing pool who heads upstate to a Catskills resort in order to get away from crowded subways and pushy bosses. What does she get in return? A crowded resort filled with pushy New Yorkers! There, she immediately begins to squabble with one of the resort's employees (Douglas Fairbanks Jr.) whom she, for no reason revealed, ends up in a romance with. There's nothing to explain why their initial antagonism ended, and no reason to explain why they are together anyway. This isn't like the screwball comedies where the romantic leads argue but their chemistry is obvious. From the moment the film starts, it's very clear that this film is overcrowded with the most obnoxious types of people you can shove onto a subway, and then into a resort. Not one of them are likable. The Broadway play this was based upon apparently centered around a Jewish resort, but other than a few hints of an accent here and there, these characters are obviously not Jewish. Rogers is reunited with her "Stage Door" co-stars Lucille Ball and Eve Arden (reciting a harsh Brooklyn accent), but their characters are not at all fleshed out. Red Skelton makes his film debut and has several amusing, if not outlandishly funny, routines, showing campers how to dunk their doughnuts properly, and demonstrating how various types go up and down the camp's stairs. This is a major disappointment considering all the talent involved.

Arthur Kober's play Having Wonderful Time was fresh from its Broadway run of 372 performances for 1937-38 when RKO bought it to the screen starring Douglas Fairbanks, Jr. and Ginger Rogers. The play was a homage to the Catskill resort area so frequented by New York's Jewish population because of restrictions on other vacation areas. The area with its own Jewish owned and operated resorts became popularly known as the Jewish Alps.On Broadway John Garfield and Katharine Locke starred, but for the screen RKO used two of its best contract players of the time Fairbanks and Rogers. According to Salad Days the memoir of Fairbanks, both he and Rogers did use proper Brooklyn and Bronx accents in their characters, but after the audiences in Red State America had trouble understanding them, both he and Ginger were called back and dubbed a whole lot of their lines in more generic tones. By the way Fairbanks could and did use a really good New York type accent in Angels On Broadway a few years later.A whole lot of outstanding character players are in Having Wonderful Time like Eve Arden, Donald Meek, Lee Bowman, Jack Carson, and Lucille Ball. Making his screen debut as the camp social director where we got to see some of his Catskill type shtick was Red Skelton.Having Wonderful Time is a good screen comedy, showing off Fairbanks and Rogers to their best advantage. But I would probably have liked to have seen the film done as it was presented on Broadway. The days of the great Jewish resorts of the Catskills are gone now so it's highly unlikely we'll see a remake of Having Wonderful Time. An opportunity to have preserved a piece of history is now gone unfortunately.

This is a poor film for so many, many reasons and I was shocked to see SOME reviewers who gave it a 10! Do they seriously think this film is as good or better than CITIZEN KANE, CASABLANCA or ORDINARY PEOPLE? Yes, it's fine if you liked the film, but to give it a 10 sets up some amazingly high expectations and I really think this film, on a generous day, MIGHT earn a 5, as it was very poorly written, the acting and accents were at times terrible and the romance completely hokey and clichéd.A big part of the problem was that the film was set at a "Borscht Belt" resort in the Catskills, but it was so sanitized that it gave a superficial view at best. Let me explain with a little bit of background. In the first half (or more) of the 20th century, many Jewish families went to these mountain resorts for vacations--partly for the fun and partly because, unfortunately, Jews were made to feel unwelcome at all the other resorts (some even banned Jews and other "undesireables"). These Borscht Belt resorts featured hiking, camping, canoing as well as lots of entertainment by Jewish performers who would later go on to stardom as comedians--such as Milton Berle, Woody Allen, Mel Brooks, Morey Amsterdam and Rodney Dangerfield (among MANY others). While I was NOT hoping to see over the top Jewish accents and overly stereotyped images, this film featured Ginger Rogers in the lead (one of the least Jewish-looking actresses of the time) and some bizarre Jewish-like accents that frankly were ridiculous (particularly Eve Arden's). The overall effect only bears a vague resemblance to the Borscht Belt--the way that Amos and Andy bore a resemblance to Black America (especially the radio version of the show)! Why not instead use more Jewish actors and have them just be themselves? Perhaps Hollywood thought Americans at the time would not accept this, so they created a bland and Wasp-y version with only a token Jew that might be more acceptable to the common person.Regardless of the sanitized nature of the film, the romance and acting were poor and clichéd. When Ginger met handsome Douglas Fairbanks, Jr., you KNEW exactly where the film would go and their antics became pretty annoying. In fact, the film itself was loud, obnoxious and about as subtle as a 2x4 upside your head! Plus, male camp workers uttering lines such as "what a pack of dogs" as the female vacationers got off the buses was rather awful because it was meant to be funny. Aside from a few scenes from Red Skelton which some might find funny (I didn't), the film was neither funny nor romantic--clearly a misfire.

Dull and uninvolving with scenes that play out too long. The basic premise of a secretary on vacation falling in love with a waiter at the lodge is interesting but is not explored to its full extent; and despite good performances, laughs are far between.