Have a Good Funeral, My Friend… Sartana Will Pay
Have a Good Funeral, My Friend… Sartana Will Pay
| 08 October 1970 (USA)
Have a Good Funeral, My Friend… Sartana Will Pay Trailers

After witnessing a brutal massacre, the legendary hero Sartana is ready to do some investigating. Almost everyone in the tiny town of Indian Creek seems eager to buy up the property left behind by the murder victims, and one of them could well be behind the killings. The sheriff himself is not above suspicion, so Sartana must uncover the culprit all on his own.

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Reviews
Orla Zuniga

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

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Aiden Melton

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

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Edwin

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

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Isbel

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

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Sam Panico

Deadly playing cards. A Confucius quoting casino owner. And every man and woman out for themselves. Yep, it's time for another Sartana movie.Sartana (the returning Gianni Garko) sees several gold prospectors get killed, then kills their killers. Soon, he meets Abigail Benson (Daniela Giordano, Your Vice Is a Locked Room and Only I Have the Key), who has paperwork claiming she owns a parcel of land. Everyone tries to get her to sell the land - which is said to be worthless - and she even gets kidnapped by Hoffman, an evil banker. But, of course, this being a Sartana movie, nothing is as it seems.The second Sartana film to be directed by Giuliano Carnimeo (The Case of the Bloody Iris), filled with plenty of action and great lines, like when Sartana tells a gang of men that he will "pray for them before he sends them to hell." Or when he informs a gunman that "You don't want to kill me, because I don't allow myself to get killed."There are some sillier sequences, but Sartana has not become fully camp. That would come soon enough. This is closer to a cowboy procedural drama and a pretty interesting one at that.

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bensonmum2

Sartana blows into town just after a local prospector, Joe Benson, has been murdered. Suddenly, there seems to be no shortage of buyers for the old man's land that most describe as nothing more than a pile of worthless sand. The two men who seem to want the land the most are the local crooked banker and the Chinese gambling parlor owner. But why? With Sartan's help, Benson's niece and heir plays the two potential buyers against each other looking to get the most for the land. Will she succeed? The only thing that's certain is that Sartana's going to do whatever he cam to make sure he comes out ahead.Certainly not what I would call a top of the line Spaghetti Western, Have a Good Funeral, My Friend . . . Sartana Will Pay (let's shorten that to Have a Good Funeral for the rest of this comment) is still an enjoyable enough installment in the Sartana series. Gianni Garko is back as Sartana. He's excellent in the role and provides the character with just the right amount of mystery to throw doubt on his motivations. Even among the super human feats of other SW heroes, Sartana's abilities with a gun, a deck of cards, or being in the right place at the right time are unmatched. The supporting cast features a number of familiar faces – Helga Line and Franco Ressel being chief among them. But I was most impressed with Daniela Giordano and George Wang - the latter seemingly enjoying himself as much as anyone. Giuliano Carnimeo's direction is more workmanlike than artistic, though he does provide a visual flourish or two as Have a Good Funeral progresses. The plot has enough twists and turns to keep things interesting. And even thought the man behind the killings is easy to spot for anyone who's seen enough of these movies, it's still fun to watch Sartana figure things out. Finally, Bruno Nicolai's score is definitely a high point of the film, even if it is eerily reminiscent of some of his other work. Overall, not a bad example of what I'm going to call a lesser SW. Trust me, you could do a whole lot worse.

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chaosrampant

The first Sartana (1968), by Gianfranco Parolini, is such a dark and brooding spaghetti western gem, that I can't help but wonder what could have happened to the rest of the Sartana entries in his, admittedly, more skillful hands.Gianni Garko returns for the fourth time to play the titular black-clad anti-hero, after being replaced by the suave George Hilton for A Fistful of Lead. Garko is typically good as the amoral Sartana, in a plot that combines in typical Carnimeo fashion, mystery and action. After old prospector Benson is killed, several people try to get their hands on his land. Nuggets of gold, discovered in his burnt down shackle, suggest that the old prospector hit a motherlode. A corrupt banker and a Chinese saloon owner each will try to convince Benson's niece, now the sole heir of the property, that the land is nothing but acres of sand and therefore worth nothing. Sartana, as usual, is out for himself and will try to play everyone. Of course, things are not always what they seem. There are enough twists and turns to keep things adequately interesting plot-wise.But plot is barely the reason I love spags. It's the pure style that I look forward, those little moments of pure cinematic gold scattered in the form of stylish shootouts, off-beat characters, weird angles and close-ups, and style-wise, there isn't enough to go around here. The production seems kind of rushed, which probably was, given the low production values. With this being the 4th Sartana entry, everyone seems to be on autopilot by now, and Carnimeo just gets things over in a workmanlinke way. Which is why I wish Parolini would have worked on the sequels. Carnimeo, never an A-list name even by spaghetti standards, seems to be more of an employee instead of an artist, just getting things on budget and on schedule for the producers.Anyhow, suffice to say there are lots of better spaghettis out there. If you're a seasoned veteran, and need a quick spaghetti fix for a Sunday afternoon, Have a Good Funeral Amigo will do just fine. Just don't expect anything mind-blowing.

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zossen

Garko and Carnimeo cooperated in some good Italo-Westerns in the late 60s/early 70s, most remarkable is the "Sartana"-Series. This is definitely one of the best Sartana-Movies; tough, cynical and with a lot of humor, seasoned with all herbs of an excellent italo-western. The plot has some twists, good shoot-outs and a decent body count. The soundtrack's fine, good work done by Bruno Nicolai. The cast is standard with lot's of Italian b-movie heroes (ruffini, dell' acqua...) I had a lot of fun with this movie and it's worth watching it more than one time. Check out "Gli fumavano le Colt... lo chiamavano Camposanto",another good movie with Garko.

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