The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

Story: It's very simple but honestly that is fine.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

The film Harrigan is set in the difficult times of the early 1970's, and in the midst of a struggling economy and the industrial decline that hit the North East with devastating effects. The dark, intense, gritty and violent scenes within the film are representative of the pressures and issues - providing a dramatic yet truthful account of criminal activity and general unrest in the region during this time.Written by an ex policeman, Harrigan addresses stories based on real crimes and real situations. The credibility of the script is further supported by the work of the actors, especially lead actor Stephen Tompkinson.The film certainly doesn't disappoint,it has a good pace, is gripping and creates fantastic characters for you to like - or loathe. The creators have done a fantastic job considering it was done on a low budget (which you would never expect). Fantastic direction, a film I would recommend and regard as a classic.

I don't know who Jessica Lear is, but either she was watching a different film or she has a personal grudge against someone in the crew. A gritty, believable story, well shot, well researched locations, with characters you can really feel for and understand. The authentic 70s feel of the film, right down to the cinematography, is perfect. The dark, brooding undercurrent of the film encapsulates well the desperate and depressing mood the UK, and particularly the north, was suffering in the mid-seventies, without masking the human story behind the main characters. The touches of humour, just took the hard edge off the violence, and strong visual and audible content, to make this a thoroughly enjoyable film, well worth going to see. The storyline and the characters have enough mileage left in them for a sequel or TV series to follow. Good luck to all involved, it is heartening to see a good British film without the mockney mafia involved.

Don't believe the ten star ratings. This is poor. Very poor.Depressingly bad script, poor performances and visuals devoid of any soul.Not sure how the producers managed to pour 1.3m into this steaming pile of doggy doo but someone, somewhere must be laughing their socks off.Even by low TV movie standards this is terrible.Stephen Tomlinson is no movie star and he proves it in what amounts to a dull, plodding and brow furrowed non performance. The rest of the cast from the evil pedophile and his crew to the rest of the depressingly familiar, seen a million times, figures that pop up are non-entities.Harrigan is boring, depressing and instantly forgettable Another nail in the coffin of independent British film.

When someone says "British Crime Drama" I know what to expect, either Danny Dyer or another Mockney Guy Ritchie knock-off. So, it was a real delight to see that Harrigan is neither. Instead of geezers and shooters, Harrigan is moody, dark and tense crime drama set in Newcastle-upon-Tyne in the 1970's. Stephen Tompkinson is a refreshing change from the usual, in that he delivers a powerful, but essentially understated performance in the main role. The same is true of the supporting cast, who manage to give very solid performances. On top of this, the film is beautifully shot. James McAleer, the DOP, has managed to get just the right balance between the darkness of the story and the warm tones of the period. The movie is based on the real life experiences of a retired copper, and because if this it does offer up some new ideas, whilst not deviating too far from what you'd expect from a maverick cop drama. It's a brave production team that takes on a period drama on a British independent movie budget, but this one manages to pull it off with a certain amount of style.