Happy Campers
Happy Campers
R | 21 January 2001 (USA)
Happy Campers Trailers

Chaos and rampant hormones reign when teenage counselors are left in charge during their summer-camp director's absence.

Reviews
Linbeymusol

Wonderful character development!

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Greenes

Please don't spend money on this.

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Libramedi

Intense, gripping, stylish and poignant

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Phillipa

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

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raz0rbladeapolo

i love the bitter un-Hollywood ending...life sucks and this movie tells it like it is....but secretly i weep b/c i myself am a hopeless romantic *sniffle, sniffle* sigh this movie really touches on that great feeling you have as a child...and the torturous existence of growing up. I haven't seen heathers as of now...but this movie makes me want to see it. These actors do a very superb acting job(even if the dialouge is somewhat typical at times). All in all it can be said that this movie will make you feel and probably make you remember that first real love...and it i slipped through your hands I highly recommend this movie to anyone who has ever felt frustrated by life.....

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oz244

Okay...not moved in the, "Oh my god, I'm about to cry!" sense, but, it was touching. I thought that the movie was an all-around worthwhile production and well worth the $1 that I spent to rent it. It's about more than just sex. (It has to be! If it were just sex, than this movie could've been a whole lot raunchier. Honestly, that's the one thing that disappointed me.) It's about people, and feelings, and relationships, and growing up, and all that other cheesy stuff. The end sums it up, and it even makes reference to itself being cheesy. This movie shows that people have depth. All of the characters have depth. Complications...and those complications are well explored. I think that some people can miss the point when watching this movie. If you're one of those people, try watching it again. It's defiently worth it.

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Serge_Zehnder

What so many have tried, works only here. "Wet Hot American Summer" tried it and failed, "Scream", although scary and brilliantly referential, lost its emotions on the way, and Kevin Smiths "Mallrats" caught but a few glimpses of it. Only Daniel Waters managed to pull it off. Here it is ladies and gents, a heartfelt homage to something (seemingly) impossible to pay tribute to - late seventies/early eighties teen flicks (camp or slasher factor put aside).Lacking a strong narrative, "Happy Campers" seems to be drifting along without a clear flow, but the way the movie changes gears from obvious dumb-founded Teen-Comedy to a rather insightful character study is just amazing. To direct something bad is easy, to direct something good is hard, but to take something that was once bad and elevate it to a meaningful and even touching movie about adolescence is next to impossible. Sure the odd bits and pieces sometimes don't fit together, but anything this loosely structured is bound to have a few things falling by the way side.Nevertheless, I think only a handful of people could have been able to get away with a movie of this sort. Waters with the "Heathers" credit under his wings is definitely among the chosen ones. And after not having been connected with any kind of movie, at least credit wise, for almost a decade, this directorial debut contains all the trademarks that made him a cult hero for so many aspiring screenwriters (me being one of them).The Verdict: The same that applies to "Heathers" - either you get it or you don't. If you do, I should agree with some of the other reviewers that this movie has cult potential. If it leaves you cold...it wasn't for you, but I hope it will some day.

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rayblueline

Given the long and storied history of camp movies, who would have thought that this one would be anything more than a teen sex-comedy romp? Yet Daniel Waters lives up to the more accomplished entries on his resume (Heathers, Batman Returns) and delivers something else. What else? Happy Campers uses the camp setting and its inevitable sex as the staging ground for its characters to regress into a primal state of sexual savagery. Waters uses the sex to make an existential statement about humanity. In this way, the movie resembles Kubrick's Fear and Desire, right down to the fact that the characters are not actually characters but empty psychological archetypes.

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