I like the storyline of this show,it attract me so much

Slow pace in the most part of the movie.

Let's be realistic.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

This is the final film from the outrageously wacky Hanzo trilogy starring Shintaro Katsu. Who's Got the Gold? (or, as Google Translate calls it, "Honorable Spear-Wielder: Hanzo and the Night of the Oval Demon") is directed by Yoshio Inoue, who's too obscure a director to point out some of his other achievements, and written by Yasuzo Masumura, who directed Hanzo #2.I personally consider this to be the weakest out of the three films. By now, we all know the shtick and there's plenty of rehash of ideas found in #1 and #2. I swear, you get so accustomed to Hanzo's modus operandi that, by this point, seeing him screw a woman suspended in a large hanging net becomes an ordinary everyday sight. The movie begins promising, with Hanzo learning of a female ghost (played by Mako Midori from Blind Beast) haunting a swampy area. He shares with us that he had always wanted to f*ck a ghost, and so, through rape, he finds out that she's a fake ghost who's there to scare off the potential lurkers. It appears that there are large stacks of Shogunate gold hidden in the swamp, and that it's all a part of a massive conspiracy between high officials to steal the Shogunate's gold and loan it out to the destitute. Hanzo also meets up with an old friend, shelters a doctor who wants to build a Western cannon to expose Japan's crappy technology, and uncovers a ring of blind monks who have fun with the ladies during the koto instructions.So, basically, this film goes from a Scooby Doo ghost mystery to a political conspiracy thriller ft. samurai loan sharks, blind monks who lead orgies with the officials' wives, and some good, old fashioned chambara action with a historical comment on Western pressure through military technology. All this with a protagonist who pours hot water over his d*ck and rapes women suspended in hanging nets. The viewing experience is topped off by zen visuals and a funky '70s soundtrack.The more I think about it, the more this seems like the most bizarre trilogy in existence.

WHO'S GOT THE GOLD? is (unfortunately) the last of the HANZO THE RAZOR films, starring Shintaro Katsu as the title character - the multi-weapon proficient, authority-bucking samurai officer with the "unique" technique of raping confessions out of unwilling female informants until they "spill the beans" and beg for more...This entry starts with Hanzo "uncovering" a woman who poses as a ghost to guard a lake that's filled with bamboo trunks filled with gold stolen from the Treasury. This leads to Hanzo discovering a loan-sharking scheme and an orgy ring run by a blind monk. The requisite swordplay and rape/interrogation ensue - finalizing in a decent ending for this strange trilogy of films.Not quite as strong and enjoyable as THE SNARE (part 2 of the series...), but still great for fans of samurai sleaze and Japanese pinky-style films. 8/10

Shintarô Katsu, best known for the Zatôichi films, again stars in this third and final movie in the Kenji Misumi (mostly known for "Lone Wolf and Cub), directed saga of Hanzo 'The Razor' Itami feature the big dicked one battling ninjas, rapeing 'ghosts', and uncovering shady goings on at the Shogunate treasury. The Hanzo 'plot' was kinda getting stale and repetitive. What was once novel in the first film, was not any longer. Fortunately, this one was better then the second thanks to having more humor. I'm just glad that they choose to stop at the one trilogy (I'm looking at YOU Lucas) My Grade: B DVD Extras: Merely Trailers for all 3 Hanzo the Razor films Eye Candy: Aoi Nakajima unleashes both tits, Mako Midori just her left one

The third, and final installment of "Hanzo the Razor" is the most concrete of them all. The "training" even gets completed within the first five minutes of the film. Not for everyone, this film details Hanzo's investigation of loan sharking being performed by an order of blind monks. It also makes a historical comment on the prideful refusal of old Japan to incorporate Western technology. Where the first Hanzo film was just a funny and gory ride with little connection to it's plot, "Hanzo 3: Who's Got the Gold" manages to connect everything, and brings it all home in the end. Definitely the perfect finale. Oh yeah, Hanzo still has a lot of sex, and there's a lot of needless blood and violence (it *is* Hanzo the Razor after all).