Fantastic!

Excellent but underrated film

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

One of the most easily recognisable auteurs working in animation, Bill Plympton has produced a succession of animated features and shorts which delight with their unique style and idiosyncratic world view. His is a bizarre world which, unusually for such hand drawn work, normally assumes the presence of an adult audience and where the exaggerations of sex can be sniggered over for all the right reasons. HAIR HIGH is no exception, and continues the animator's regular obsessions with the strained relationships between sexually optimistic men and women, detailed with black humour all the while laced with some side swipes at the ironies of romance. There's also plenty of hair spray, horny chickens, a good soundtrack, smoking, and the genital stimulation of frogs. Rudeness, surreality and extremes of physical contortion appear again as part and parcel of the plymptonesque world - which this time includes nods to such disparate films as REBEL WITHOUT A CAUSE, NIGHT OF THE HUNTER and THE CASTLE OF CAGLIOSTRO. HAIR HIGH is voiced by such talent as Keith and David Carradine, Ed Begley Jnr and Matt Groening. Ostensibly a moralistic tale of 50's high school love that ends in comi-tragedy, HAIR HIGH actually engages as a characteristic free wheeling fantasy, allowing the animator to indulge in all sorts of off the wall scenes and images propelling the narrative forward. For those better used to the tight pencil work and plot construction of more regularly exposed animation studios Plympton's work, which leaps more immediately from the artist's bizarre subconscious, often comes as a wake up call. In its attempt to drag cartoons out of the juvenile closet Plympton's longer work has been blazing a trail for years. With not a cuddly, wise-cracking animal in sight and a hands-off view with regards to any computer generated figures, HAIR HIGH is a must for admirers of Plympton. Since this film Plympton has completed two other features, including SHUT EYE HOTEL and, most intriguingly, TOKYO ONLYMPIC, which at 137 mins is slated at his longest yet, double that of the present title.

While the story is pretty good (although very used), this kind of animation just blows. it looks like the animator is down right lazy. instead of 10 frames he uses the same 2 over and over. i've seen better animation by first year art student. i mean it. And the dubbing synchronization (and voices characterization all-in-all) is poor: when someone looks (visually) like he's shouting, their voice is dry and in normal volume. there is way too much silence and lack of sound effects to make the scenes work and be coherent, instead of just frames flickering around with big random pauses.There are so many great storytellers and animators out there. I really can't figure out why Plympton is considered such a great one.A sheer disappointment.

This story is in the same mode as Rod Serling's original "Twilight Zone," except with much more heart and soul, and less Old Testament style revenge. You learn to love the characters, even the ones you initially think are cruel.After all the overproduced and overhyped animated films, that promise wonders but give us the same old thing - THIS is the reason we come back to watch animation. I've seen several of Plympton's short films, but they didn't prepare me for the beautiful characters, the simple and clear story, and (most amazingly) the 50's - 60's style teen music.See it in the theatres AND buy it on DVD when it comes out. Be aware, though; there's some violence and messy stuff that very little kids probably shouldn't see. Kids above age 12 should be able to handle it, though.

Bill Pympton's "Hair High" is everything an animated feature should be. It features some of the funniest comedy you will ever see in a film, animated or live action. This comedy is combined with excellent, unique animation that sets the film apart from other animated features. The rough feeling of it is a much needed break from the perfection that is Disney and Dreamworks. Plympton really proves that you don't need expensive fancy 3D graphics to make an amazing film; all you truly need is talent and ambition. The plot ties everything together; giving some meaning to the crazy world that is Plympton's animation style.One of the best parts of "Hair High" is the cast of voices. Kill Bill's David Carradine lends his vocal talent, along with Beverly D'Angelo, and Animators Don Hertzfeldt and Matt Groening. Each voice fits the character perfectly, which really adds to the already excellent animation and story. Overall, the incredibly weird, yet extremely funny, antics of "Hair High" are sure to entertain. Laugh after laugh, this film takes the fun of Plympton's shorts and allows the audience to enjoy the fun for over an hour.