What a waste of my time!!!

Excellent, Without a doubt!!

A bit overrated, but still an amazing film

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

I could go on about the slow pace, bad acting, moodiness, implausibility, contrived and generally ridiculous plot line but suffice to say that I wish it was me getting a bullet in my head at the end of the movie.The movie was dreadful. I'd recommend almost any other Korean movie over this. The sheer number of times I found myself scoffing at the actions of the characters, the plot "twists" or the character "dialogue" were too numerous to count.Any deeper reading about the supposed message of the movie only serves to obscure the fact that this was one horrible flick.The only positive comment I can make (as someone on the message boards noted) was some of the very interesting artwork; I quite liked it.

H is another of those moody Korean movies that moves at a deliberately slow pace. This measured approach to story-telling can sometimes add to the atmosphere of a strong well-told tale but, in this instance, it simply draws attention to numerous deficiencies in both plot and characterisation.A couple of mismatched cops investigate a complex case involving a serial killer who targets pregnant women or women connected with abortions in some way. The murders are copies of those carried out by a man ten months earlier who gave himself up and now awaits execution. The cops initially suspect the original killer has hired someone to carry out the killings but, when they have caught the person they believe to be the murderer and the killings continue, a much less straightforward answer becomes apparent.The Koreans seem to have a thing for slow and thoughtful movies, and there's nothing wrong with that if the storyline is strong, but this film borrows from too many other films – most notably Silence of the Lambs and Seven – to bolster a fairly thin yet paradoxically complicated plot. Strong on visuals – especially some extreme gore – there are a number of effective and well-staged scenes in H but it relies too much on a brooding heroine who betrays no emotion, and an excitable hero who would quite frankly be a liability in any police investigation. In fact the pair of them overlook obvious lines of investigation and generally stumble upon clues through luck or by drawing obscure – but accurate – conclusions from the vaguest of clues. Seung-woo Cheu makes a curiously uncharismatic villain in a role clearly modelled on Hannibal Lecter, and spouts enigmatic mumbo-jumbo about blue skies and an abyss that probably made no sense before its meaning was mangled by the translators responsible for some truly excruciating subtitles. And for all the moody atmospherics from first-time writer/director Jong-hyuk Lee, the film is almost completely devoid of any tension or suspense.There are many exciting and inventive films coming out of South Korea these days, but unfortunately H isn't one of them. Of course that doesn't mean we won't be seeing an American remake within a year or two

The frame is a thriller with victims and chasers. Yet, the content is richer. The description of females vs. males is especially intriguing. The main female characters Detective Kim Mi Yun and Dr. Chu Kyung-sook are both more intelligent than their male counterparts and they both stay cool while the males are either easily aroused or do not understand. It is true that all the victims are females. Yet, the killings are connected with the reproductive capacity of the females that the males do not possess and can not control. A main motive is the pregnant women's ability to kill their (male) foetuses. The most influential male character, Shin Hyun, murderer now in a prison, has a non sexual foetus like aura. The killings are carried out as revenge on the women for this ability, obviously and totally in vain. Thus, the film describes a core dilemma true for all males. However, I am not aware of a comparable open description in European literature of film. Yet, I have seen it in Japanese films (e.g. Shindo's Onibaba). – A most interesting film.

"H" tells the story of two cops who encounter a series of gruesome murders. The victims were pregnant women - which leads the duo to a young killer who awaits his death penalty. Is another killer copying his crimes? Did the guy order someone to to it?There are many clues that connect the film to "Silence of the Lambs" (imprisoned killer, cops hoping for help from the killer), but as the story progresses, there are more connections to "Seven": It's gritty, it has a serial killer who has some John-Doe-mannerisms. The female cop is the Morgan Freeman character, the impulsive male cop is Brad Pitt. Even the ending (no spoiler!) fits this line of thinking because of what happens to the "Pitt"-cop. This is vague enough so it won't spoil anything for you.Because this ending is not what you might expect. The final reel of the film leaves the path of its American predecessors and follows an Asian film I'll mention below. Before that, I'll conclude that "H" is a suspenseful, gory, gritty, well acted thriller which is strongly directed by newcomer Jong-hyuk Lee. It steals a lot from other movies but better well stolen than badly invented.My rating: 8/10And now some spoiler: The film in the end resembles the Japanese thriller "The Hypnosist" - this also explains that the "H" of the title doesn't stand for heroin or something else you might have expected, but for hypnosis. The end credits even see the "H" move to the left and reveal the "full title". It's a nice twist for a nice film. But again: This ain't new, "The Hypnosist" or Kiyoshi Kurosawas "Cure" come to mind.