A Brilliant Conflict

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

He may be the first documented serial killer but the Law of Probability suggests that there were serials in America since almost the founding. I just don't think it's ethical to say he was the first one. According to former chief of the FBI's Elite Serial Crime Unit, John Douglas, there are 25 to 50 active serial killers in the United States at any given moment. Today. It's not unreasonable to believe that the same wasn't true since the founding. There will always be, unfortunately,those people who prey on others

...at least they didn't have to sit through this piece of garbage!Take an interesting subject and present it with the directorial finesse of a mentally retarded 12-year-old on Quaaludes who's just been handed a video camera and you'll come up with something pretty close to this pseudo-documentary. I'm not sure what was more entertaining, the fake mustaches in imminent danger of falling off during the reenactments or trying to count the number of different ways the director tried to use the same three pictures of the perpetrator.And let's not forget the 1,914 uses of the closing-iris-fade-to-black effect (not sure what it's called but if you managed to get through at least 10 minutes of this cinematic abortion then you'll know what I'm referring to.) Perhaps the best use of "H.H. Holmes - America's First Serial Killer" would be as a primer on how *not* to edit a movie.Look up "amateurish" in the dictionary and it'll lead you to HHH-AFSK. Those with in interest in the exploits of the good doctor would be best served to read Erik Larson's "The Devil in the White City" or, at the very least, to look him up on Wikipedia.Ugh...I think I need to go take a shower.

Being a bit of a "true crime" buff, it's always nice to see a documentary that is well researched and contains all the most important elements of a true story. That appears to be the case in this well-made documentary film about late 1800's serial-killer HH Holmes. Writer/Director John Borowski pulls this story out of the basement and reintroduces it to the world in this engrossing documentary. You've heard the names Ted Bundy, Jeffrey Dahmer, and John Wayne Gacy, but have you heard the name HH Holmes? Maybe not. His crimes took place during the late 1800's and have been overshadowed by the gruesome misadventure of more recent killers. However, those of you that are interested in the whole "true crime" thing might be intrigued to learn of Holmes' horrific crimes and how they share similarities in some aspects with modern killers such as Bundy, Dahmer, and other notorious bad boys. A Must See for true crime buffs!

I came to this movie after seeing its rave review on Bloody-Disgusting.com. A fan of historical crime writer Harold Schechter's (who is interviewed in this film), I was surprised and delighted to see someone had attempted a documentary on H.H. Holmes, the subject of Schechter's book "Depraved". Then again, I suppose it wasn't too surprising, given the bestseller success of Erik Larsen's "The Devil in the White City", and the upcoming movie of same.John Borowski knows his way around the documentary form, inter-cutting vintage photos, interviews, and clever re-enactments with a strong sense of balance. HHH:AFSK succeeds in conveying a sense of time and place, and communicating Holmes's psychosis. The narrative is gripping, and there's never a dull moment here. Unlike a lot of indie documentary directors, Borowski knows that making a documentary is still all about Film-making, not merely filmed journalism.If HHH:AFSK lacks in any department, it is in conveying the full, jaw-dropping magnitude of Holmes's most audacious crime: his systematic murder of the Pitezel family, carried out while manipulating them to travel in two separate groups halfway across the US and even into Canada. Borowski also leaves out the detail that, on this evil trek, Holmes was also dragging along one of his three clueless wives! Borowski surprisingly rushes through the journey, making it all seem like just another of Holmes's outrageous deeds. Compared to the way Schechter evoked the cruelty of Holmes's actions and the heartbreaking emotional trauma suffered by the Pitezel children's mother in his book "Depraved", Borowski misses a chance for some really strong emotional depth.But some things are, I suppose, going to get left out in an hour-long production. The running time is kind of odd. Too long to sell to TV (this film is certainly worthy of the History Channel, on which I have seen considerably worse stuff), too short for feature length. And yet, by the time it's over, you feel that to go to 90 minutes might have been just a shade too much. At 64 minutes, HHH:AFSK is perhaps just right, artistically — though 70-75 would have been ideal, allowing Borowski to flesh out the story as I described above. Commercially, 64 minutes is problematic. Perhaps a direct-to-DVD release was all Borowski had in mind from the first.Veteran actor Tony Jay provides brilliant narration with his one-of-a-kind voice (why isn't this man more famous!?), and there's a swell orchestral, Bernard Hermann-esquire score that I'm surprised Borowski was able to get. If anything gave me an unintentional smile watching the DVD, it was perhaps Borowski's tireless self-promotion in the bonus materials. I'd have gladly sacrificed Borowski's efforts on his making-of featurette if he had channeled that work into just a bit more of his documentary.A worthy film for fans of true crime and American history rolled into one.