What makes it different from others?

Self-important, over-dramatic, uninspired.

A Major Disappointment

The film may be flawed, but its message is not.

When I saw the amazing music video Mindphaser by industrial rockers Frontline Assembly, I was curious to see from which film the clips were taken from. You see, Frontline Assembly got a hold of the rights for using images from GUNHED and edited together one amazing six minutes long music video which has become one of my favorites music videos ever. So it was only normal to see the film from which the clips were taken from.Well, bad idea.The movie sucks so bad that I should have been just happy with the music video. In fact, if you're reading this and never seen Mindphaser, go to Youtube and look for it. It's the whole movie condensed into 6 minutes, without the bad acting (and actors), bad pacing and well, bad everything. Mindphaser is a masterpiece of editing and music, which GUNHED is most definitely not.

Ganheddo was produced by the same Japanese studio which brought us Godzilla, and it shows... but in a good way. Where many, higher-budgeted films of the time were moving to computer-generated effects, Toho stuck with scale models and stop-animation, giving this movie a gritty look not often found in films of similar provenance.Though the plot is difficult to keep up with at times, it is still enjoyable, made especially the more so by the character of Seven. This movie will be a godsend for fans of the Mechwarrior/vertical tank type stories. The plot revolves around a group of scavengers who happen across a defunct lair controlled by machines, cyborgs, and their master, a central computer. The scavengers are after a rare power source which fuels the complex. Having detected their presence, the computer counts down to self destruct. Matters are complicated when one of the crew becomes incorporated into the machine's consciousness.Good cinematography, decent acting, and a fantastic story all contribute to this film's warrants. It's too bad that CGI has taken the forefront -- I think modern filmmakers could learn a lesson from this one.

I saw this at a science fiction convention back in 1990. A friend of mine had been talking up this film for some time and I fell for the hype. The dialogue was bad, the pacing worse. The Japanese seem to have a monopoly on giant robot action, too bad it appears not to apply to live action. I wish I had brought a book to read...or more beer. I would not have been bored out of my mind or simply to blitzed to care. It was so bad I simply walked out after a while...even half drunk this was not a good movie. There are inumerable examples of better giant mecha action to be found from Japan (Gundam, Patlabor, Gasaraki, etc.). Rent those.Luckily a good example of Japanese film making was starting (Akira) in an ajoining room.

Before Albert Band bought "Robot Jox" and made two crappy sequels, before "Nemesis" and its crappy sequels, before Albert Pyun started making movies, before anybody thought they could rip off the industrial hell look of "Blade Runner", Toho (the guys who gave us Godzilla) made this little epic about giant transformable robots, computers running islands, and actors who would never appear in anything other than direct-to-video junk. I agree with everybody that the plot mechanics don't work and that there are too many set-up scenes in the beginning, but that wasn't what this movie was about. It was about showing off the model making techniques and robot concepts that we would later see in crud like the "Power Rangers" TV shows, and a demonstration that you could make a live-action version of the "Robotech" show if you had to.I caught this one on the SciFi channel at midinight (where it's either show this or old "Dark Shadows" episodes)and from the first minute I knew it was going to be one of those wannabe cyberpunk efforts that still plague S/F movies. The plot is rather simple: there was a war between people and robots centering around the small fictional Pacific island 8JO, and humanity won. However the supercomputer controlling the robots was never shut down, instead it has come up with a plan to turn the entire island into a reactor powered with the miracle substance Texmexium. Texmexium, which has nothing to do with Tejano music, does whatever the plot requires, besides being a more powerful source of nuclear energy. The computer has been doing this for over thirty years, when a band of scavengers fly in on a jet that is half B-17 bomber, half typical anime spacecraft. It seems that the war ruined industry and high tech doodads are worth alot, which is why they're there. Like in "Mission Impossible", most of the salvage team is killed off pretty quickly, leaving only the carrot-munching Japanese guy they call "Brooklyn", and this female Japanese cyborg who is later transformed into a robot under the supercomputer's control. As with most movies of this kind, the hero runs across another character (in this case an American woman) who knows about the computer's plan, and with two pointless children they repair one of the sentient giant transformable robots (the "Gunhed" of the title) and try to stop the computer because it will be able to control the world or blow it up if its plan works. Or something like that. What kills "Ganheddo" is that all these semi-interesing robots and set designs are tied to a creaky plot whose details don't add up. If you can find it, see "Robokill under Discoclub Layla" instead; while totaly implausible, at least that plot worked.