This Movie Can Only Be Described With One Word.

A Major Disappointment

I have absolutely never seen anything like this movie before. You have to see this movie.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

i don't expect everyone to love this movie. I do think that while it isn't a masterpiece that it has one of the best story lines ever. I loved it pure and simple for the musical it wanted to be and the drama that it was.best Illeana douglas act i have seen.haven't seen her since goodfellas but i think she did wellhad it been by some large star the movie would have been hugestill im disappointed i'm struggling to find this movie in Aussie format on DVD for my sister this Christmas. she loves the movie.someone suggest another movie to find. or give me details of where to get it in PAL format

This flavor of an era, the spirit of a moment, sensitive treatment of a fictitious woman based on some models from 20th Century pop music and New york history. The acting was excellent and the music left me wistful, relaxed and energized. It was well written. I particularly like Matt Dillon as her second husband, third lover. I saw a boyish brilliance that made her love for him totally believable. It was fun, a little spiritual and nice costumes and local flavor of New York and California. I wanted to know more. Of course, we know it was loosely based on Carol King and Carly Simon but that is besides the point. It was a movie that a young adult or middle aged woman could watch without shame. Ileana Douglas and the rest of the cast did not have to imitate life.

I was reminded of how really good this movie is today when I saw it on T.V. (with commercials ugh) I've seen it a few times before and every time I watch it, I bawl like a baby and I'm a guy. A really tough guy. But this movie goes straight to my heart and puts a squeeze on it through the wonderful music, the sweet nostalgia and what a cast!Illeana Douglas is beautiful and she really plays her character with great talent. She's supported by a strong cast and how can you go wrong with Turturro playing Phil Specter? The first time I saw this there was something familiar about the music; the songs, like "God give me Strength". As much as I like Elvis Costello, that scene of Illeana performing it for Matt (Brian Wilson) Dillon was such a unique delivery of a pure and powerful vocal. I later found that the 'familiarity' is Burt Bacharach and the 'voice' is Kristin Vigard: Wow! Back in those days there was such an explosion of music and creativity and Burt Bacharach was truly a pop force.I loved the Brill Building scenes, especially when they were working on the songs. I thought the movie lost something when it moved west to California but was deeply moved by Douglas and Turturro 'having it out' at the empty poolside. The final song with the flashbacks and her crowning achievement of recording that "one great album" had me weeping again. I really like this movie so I ordered the DVD online.

Shooting at just under two hours, this is one of those films where you nearly feel winded after watching it in its entirety. Not that it is a "bad" thing to have so much happening in just a short amount of time, but with Grace of My Heart it felt like a solid blow to the gut. The lack of air, the "whoosh" of intense pain, and the increased blurred vision due to the excitement of the punch were all experiences that I had while watching this film. For those that can sit here and claim that this was a perfect film, I really beg to differ, but I will be a very brave advocate towards the "originally average". This means that there were elements that I completely loved, followed in suit by elements that made me awaken at night in a pool of my own sweat. Grace of My Heart was one of those classic cinematic tug-o-wars that ultimately ended in a stalemate, but had fans on either side waiting for the final results.Beyond the cryptic comparisons that I make above, there were moments of honesty, especially when I was thinking about the elements that worked and those that did not. You cannot talk about this film without giving Anders the credit that she deserves for the music. This film could not have survived without the talent that was behind the musical moments. The energy, emotion, and cultural independence were ravishing. Literally, it could take your breath away and you wouldn't have even realized it. It set the tone and created the atmosphere for this film. As a viewer, you could close your eyes, ignore the spoken words of this film, and get completely lost in the music. The way that Anders incorporated established, modern singers to bring this era of the 50s, 60s, and 70s to life were brilliant. She deserved the accolades that followed the musical footsteps of this film, sadly … I don't think she quite had a firm grip on the rest of the story.What I mean by this is that while the songs established the film, the story and characters hurt it. Illeana Douglas does exceptionally well with the material presented to her, but she just doesn't quite drag you into her life. You never quite feel as if you are right there with her experiencing her sorrows, excitements, and pain as she trudges through this man-infested life of hers. You watch her go through the motions, but you never feel that tear erupt or couch-excitement brew. It just doesn't happen, and why … because 1) she never ages throughout the course of 20ish years (only gets thinner and thinner) 2) her voice is semi-whiney through the entire film causing us to feel like she was a bit sour and finally, 3) her consistent need for a man in her life. This latter I blame Anders. She never defines Waverly's character throughout the film. Is she a feminist? Is she as independent as we all thought? Does she create or simply steal from other's misfortunes? These are simple questions that should have been answered throughout the film, but instead we are nearly forced to explode (as stated before) as more and more information is jammed down our vision. It is nearly sickening. While Illeana doesn't carry the weight of disaster completely on her own shoulders, there are other characters that just didn't seem to fit the mold of the film. Bruce Davison and Matt Dillon seemed to be completely miscast in their respective roles, again constantly reminding us that we were watching a film, not immersing ourselves in a vivid story.The only character that I can give credit towards is John Turturro's Joel Millner. Turturro took his "bit" part to a new level always giving enough so that we constantly waited for him to reappear on screen. He was like an animated cartoon that brought more to the screen than any of the other characters mentioned above. That is sad to see for a film of this caliber, but it is what occurred. So, you take the grandiose excitement of the music and couple it with some sub-par acting and what do you get? Grace of My Heart in its purest form.Overall, it is never good to use more than one Fonda in your film. If you find yourself going with more than one, you should really be reconsidering your options. Matt Dillon completely ruined this film for me, while my keen eye had a blast picking out today's artists in this film. I just wish more was developed with Douglas' character. Why did she continually fall into love with the wrong men? Did anyone else catch that her creative songs were developed from the suffering of others? Finally, why did we bring up her family's fortune if it was never used throughout the film? I kept waiting for her to use her family money to build upon the climax of the film, but it never happened. I felt cheated, as I did several times during this film. It wasn't a bad movie by any means, but it just wouldn't stand out in a crowd. Grace of My Heart is the wallflower of the cinematic world.Grade: ** out of *****