Story: It's very simple but honestly that is fine.

The acting in this movie is really good.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

"Gorath" is the last, and by some standards the best, of Inoshiro Honda's "space trilogy" of the late 50s/early 60s.Once again, Honda explores the theme of humankind forced to work together against an extraterrestrial adversary. Only this time we're not facing aliens, but something far more deadly, and utterly implacable: a runaway stellar remnant which for some unexplained reason the authorities name "Gorath". Composed of collapsed matter -- which gives it a mass and gravitational pull far out of proportion to its relatively small size -- even a near-miss (in cosmic terms) would render the Earth uninhabitable.It can't be blown up, and there's no way to change its orbit. Obviously, there's nothing left to do but build a bunch of enormous hydrogen fusion rocket engines at the South Pole and move our planet out of its way. (If there's one thing you could never fault Honda for, it's a lack of imagination, even if the physics of the thing are completely impossible.) This is definitely a more somber and slower-paced outing than those two earlier films. Instead of the almost non-stop skirmishing between the Earth forces and dastardly aliens which typified the previous films in the trilogy, the drama lies in humanity's desperate race against time, to save itself with the biggest, most complex feat of engineering ever attempted. So, despite its typically energetic Akira Ifukube score, this one naturally lacks some of the naive charm and relentless drive which distinguished the colorfully juvenile "The Mysterians" and "Battle in Outer Space".What makes this film a standout in its own right, though, is that it contains what might just be the Tsuburaya team's most impressive miniature work ever. You must see this in letterbox, in the original Japanese version, to fully appreciate its scope and grandeur, specially the extended montage depicting the rocket motors' construction at the South Pole. (I believe Honda must have been heavily influenced here by the "remaking of Everytown" sequence in 1937's "Things to Come", even down to the musical theme Ifukube composed for it.) Plus there are nicely executed spaceship and space station models and effects, not to mention some fairly imaginative visuals as Gorath careens through the solar system. (The original version comes with a bonus: the totally unnecessary -- to the plot, anyway -- giant prehistoric walrus.) The earthquake and tsunami sequence which takes place as Gorath makes its closest approach to Earth is, in fact, rather eerie to watch in the light of recent events.Unfortunately, though, the tsunami -- along with a few seconds of recycled footage of a landslide from "The Mysterians" -- are about the only glimpses we're ever given of Gorath's devastating effects. So even with what must have been a substantially bigger budget than either of the two preceding films in the trilogy, the ending feels rushed, and a bit of a letdown.Regardless of my nit-picking, "Gorath" is still well worth watching, a truly unique movie both for this director, and in its own apocalyptic genre.

Another gem from Toho. This time a giant meteor called Gorath is on a collision course with Earth. After being discovered by the Japanese space team, scientists here on Earth try to figure out how to stop it . Putting aside their differences for a while, we come up with a plan to literally move Earth itself!Even though I have never seen the original Japanese version- which supposedly includes a giant walrus, there is enough going on that this would not matter. There are sequences set in space that feature a spacewalk that happened in real life a few years after this film was shot. There is a fantastic sequence involving the construction project at the South Pole that features some first rate model animation with all those great Aurora choppers and Revell ship models we all built as kids.Honda and Tsubaraya are in top formagain. This one deserves to be better known. Call it a Kaiju film without a monster, it still is great entertainment and is far more entertaining than the much later "Armageddon" and "Deep Impact" Check it out!

GORATH (1962) begins with a Japanese Space Exploration ship fatally encountering a run-away planet smaller than Earth, but much greater in mass. It is now up to Earth scientists to build rocket boosters at the South Pole in order to move the Earth out of it's orbit. For logic, GORATH is a scientific mess (One scientist watches Gorath suck up the moon "The moon's gone. But it gives us the boost we need!") Huh? However, GORATH is a charming sci-fi film. Akira Kubo (A Japanese actor who resembles Speed Racer) is the astronaut who takes on a suicidal space mission to observe Gorath when his relationship with a young woman is at it's lowest ebb. His return to Earth, as a shell-shocked wreck is quite touching. Tsuburaya's minatures are also at a low here. The space scenes a re quite beautiful and haunting despite that. Basically, GORATH, for all it's screenwriting and cinematograhic faults, has an entertaining charm.

This film is one of my favorites from Toho's "Golden Age" and one of the three "space operas" directed by Ishiro Honda. A giant asteroid with a huge magnetic field is growing by absorbing everything in its path...a path which puts it on a course to Earth. How will man survive? Easy---through the conviction and determination of Japanese will-power and ingenuity, the Earth is pushed out of orbit after giant engines are built at the South Pole. But is it enough to get the Earth out of the path of Gorath?One scene that most Americans have never seen is the appearance of MAGMA, a giant prehistoric walrus which was awakened by the heat generated at the South Pole by the massive engines. After some initial destruction, the monster is killed by beams fired from a VTOL vehicle (which would see a new life in the TV series, "Ultraman" as the "Jet Beetle.")Kumi Mizuno shines as one of the female leads with a great bathtub scene when Akira Kubo comes knocking on her door.