the audience applauded

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Friz Freleng's domestic comedy 'Goo Goo Goliath' takes as its starting point the idea of babies delivered to the wrong parents. Although this idea had been touched on before in cartoons such as Bob Clampett's 'Baby Bottleneck', 'Goo Goo Goliath' adds the amusing touch that the mix up is due to the drunkenness of a stork who is perpetually toasted by new parents. This concept is the best thing about this rather weak cartoon and Freleng would reprise it in the Bugs Bunny cartoon 'Apes of Wrath'. 'Goo Goo Goliath' is also similar to Chuck Jones's equally odd and misfiring 'Rocket-Bye Baby' which emerged two years after 'Goo Goo Goliath'. The idea of a giant baby delivered to a normal sized couple has very limited comic potential and 'Goo Goo Goliath' struggles to make the concept work. It's not helped by the unattractive, angular style in which the cartoon is presented. Ultimately, the jokes run dry almost immediately and there is little to recommend this unusual but unappealing cartoon.

I've always wondered what's up with the image of the drunken stork. Whatever it is, the besotted wading bird of the family Ciconiidae delivers a giant baby to a normal-sized couple, and...well, whatever your problems raising a baby are, they can't be this bad! I'm sure that "Goo Goo Goliath" was mostly a place holder (every director got to direct one or two miscellaneous cartoons each year). While not what I consider hilarious, it's easily enjoyable. Of course, you gotta pity storks. The mythical deliverers of new babies get depicted in cartoons as irresponsible alcoholics.Anyway, worth seeing.

While the drunken stork is an amusing thread running through this story of baby-swapping, there are many other memorable moments: the giant baby playing with life-size trucks, or the satire of those 1950's cautionary films with the scene of an empty yard and the narrator saying "a gatedoor carelessly left ajar, and an innocent baby wanders away..." (obviously a closed gate wouldn't have impeded the giant baby), or the giant father using a jeweler's eyepiece to see as he changes the diapers on his extremely tiny baby. Perhaps not as inventive as the classic Mars/Earth baby-swap, "Rocket-bye Baby" but still worthy.

The Stork. The Stork is only source of humor in this otherwise not funny and dry short. It's rather predictable and does not offer any real amusement. The Stork really makes you laugh but other than him, I really would not waste my time watching this.