Gomeda
Gomeda
| 23 February 2007 (USA)
Gomeda Trailers

5 friends take a road trip to visit the caves within the Gomeda valley. Little do they know that these caves are still haunted by memories of torture that took place in the past. As they get closer, one by one, their dreams turn into nightmares, their nightmares turn into hallucinations, and their hallucinations turn into reality until the line between real and surreal exists no more: The valley begins to resemble the mother's womb, and the caves begin to resemble the umbilical cord between the mother and her unborn child. The memories of torture give way to the ever-haunting presence of guilt and regret that could only be felt by a mother.

Reviews
Scanialara

You won't be disappointed!

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Baseshment

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

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2freensel

I saw this movie before reading any reviews, and I thought it was very funny. I was very surprised to see the overwhelmingly negative reviews this film received from critics.

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Freeman

This film is so real. It treats its characters with so much care and sensitivity.

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aysegulkremata

This movie is unique, I was browsing the comments and I don't believe people claiming that it had Cliché scenes? You either have no idea what a cliché is or you're clearly lying about the movie. Gomeda is one of the most unique movies, the scenes and the screenplay are both so original and creative that I myself being a movie freak and as a cinema student have never seen such scenes requiring an amazing imagination and also experience and education. Its originality distinguishes it from the other Cliché movies where you just watch and do not need to use your brain at all. I know people seeing the movie 3 times and still giving a thought to its original scenes which finally gives the audience a chance to think.Thinking after watching a movie is something that we unfortunately are not used at all. The movie takes you to journey as if you're asleep and dreaming nightmares and it makes you to leave your social role and touches the hidden parts of the human thought. it's time to learn and appreciate some beautiful art.Perfect, just perfect.

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cihangir

Gomeda is a type of movie that you observe deep in thought and you want to see it again in order not to miss any little bit that may bring new ideas to ardent conversations about it. The set design was spellbinding, the acting had some flows but nevertheless was successful. The creativity that had crossed the director's mind during the stage of screenplay amazes me.The movie was enhanced with the secrets of subconsciousness and numerous surreal meanings. Although it has never been advertised as a horror movie, it's unjustly criticised for not being scary at all. As far as I could see the director and the actors have talked about this surrealist fantastic movie on the TV many times. Negative criticisms from many people are only expressed with at most 4 words consisting at least one F word. If there is negative criticism, the reasons of the negativity should be explained, otherwise these ideas will never be taken seriously and in the end these people not being able to write a complete sentence will have to be ignored.. I very much liked the movie all in all and I can say that this movie deserves to take its place in cinema books.

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makitr

FIrst of all, Gomeda is NOT a horror film. It is a film made by a writer/director who has followed horror and surrealist cinema very closely. He is the author of a book titled "The Psychoanalysis of Horror Cinema". He has created a work of art that expresses his surrealist ideas and pays tribute to some of the greatest of the genre of surrealist and horror film, particularly 80's horror. This tribute is done at times seriously, and at times with tongue-in- cheek. Almost all negative comments about this film are because of people who were expecting "the next big horror film" and instead were exposed to writer/director Tan Tolga Demirci's subconscious. Of course, having seen the film, his subconscious is indeed a very unique place to be in so the experience of seeing GOMEDA is NOT pure entertainment. Instead, it is a roller-coaster ride through symbols, images and vignettes that are part of the style of Tan Tolga Demirci. Turkey has had its share of "horror" films coming out in the recent years. These films have relied heavily on ads and press releases that have pushed the "horror" concept so far that some filmmakers have obnoxiously claimed their film will make history, as we saw with the film "Araf", which, by the way, is now on IMDb's worst 10 list of all time. Naturally, public in Turkey has been through repeated insults of expecting "the next great Turkish horror film" but experiencing only Rip-offs of J-horror. In a culture that wants to befriend its local film industry and cinematic heritage, people get excited to discover "the next great Turkish horror film". Naturally, those expecting GOMEDA to be the saviour of their expectations, instead saw the vision of a filmmaker inspired by Bunuel, Svankmajer, Jean Vigo, and, of course, 80's horror films. Gomeda was Number 1 at the box office on its opening weekend. Online forums are flooded with praises for this film, and already discussions have ensued where people have started to breakdown the film, scene-by-scene, and analyze its contents and subtle nuances. Gomeda flows with the love for cinema and the love for the greatest artisans of this craft. Tan Tolga Demirci is sharing this love with us, as well as his psyche, and is breaking the 4th wall of Turkish cinema, where the audience is no longer a bystander, but an active participant in a young genius' mind. So is Tan Tolga Demirci.

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denizgun

I was waiting for this movie to open for a long time and I finally saw it this weekend. I was absolutely amazed at how intelligent and inspiring this film is. The story takes us on a surreal journey and it's full of pleasant but extraordinary vignettes. This film will challenge its audience because it treats its audience with respect, unlike other recent Turkish thrillers that rely on cheap scares and superficial stories. The director is Tan Tolga Demirci, the set design is by Kaan Guresci, cinematography is by Ilker Berke and music is by Semih Tareen. These four people did an amazing job, all these elements, direction, images, music seemed to be in perfect harmony. They were the best I've seen from Turkish cinema, since 'Distant" by Nuri Bilge Ceylan. Already this film has created quite a controversy, people either hate it and shun it or love it and talk about it and discuss it for hours. I absolutely loved it!! GOMEDA is fresh blood for Turkish cinema.

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