SERIOUSLY. This is what the crap Hollywood still puts out?

Excellent, a Must See

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

The Portuguese film A Comédia de Deus was shown in the U.S. with the title, God's Comedy (1995). The movie was written and directed by João César Monteiro, who also stars in the film.This movie carries a respectable IMDb rating of 7.2. When I see a rating this high for a film this bad, I ask myself, "Did they see the same movie I saw?"Here's a film about about an older man who seduces young girls and maintains a pubic hair collection. He gives one young woman a milk bath, then strains the milk to collect the hair. The movie has been described as "an oddball sex comedy." Very oddball, not much comedy. Very sick.

This one is definitively a good film, a Portuguese one. João César Monteiro is provocative, hilarious and he is touching in some hounds of Portuguese society. This is not pop corn movie, it's not one and half hour of pure action. it's a film, it's Art, so therefore it's better to prepare yourself with some culture to understand it. This film has a lot of references to literature,movies and paintings.We can see on Joao de Deus a little bit of Nosferatu on the way he seduces the young girls, and his fetishes are in the books from Sade.There's bunch of great character beyond João de Deus. Judite a ex whore who runs a ice cream factory, the Butcher Father OF joaninha, Rosalinho and Joaninha of sweet eyes who seduces and gets seduced by João de DEUS. It's a disturbing movie which will make you laugh, annoy, irritate, think and in the end wish for more.This is the man who irritated a whole country by making a film all in black. (Snow White)

Every João César Monteiro movie I see drives toward one conclusion: although being, in Portugal, the soul director whose vision of life, lust and decay is comparable to that of Baudelaire, Monteiro lacks the force of will that would make him a Rimbaud. The character João de Deus, central figure of a trilogy of which A COMÉDIA DE DEUS is the first part is none other than João César Monteiro masked as a detached and unsure version of himself. To see and to reflect on the weakest side of idealism.

To be honest I cannot elaborate on this one, as I only saw the first half hour of the movie. Comédia de Deus for me is the only movie that I ever ran away from, after some short debating with my two companions, leaving the other two spectators the cinema to themselves (I still sometimes wonder whether they managed to sit it out). The first half hour (fair is fair) is the most bewildering piece of fiction I ever saw, combining the utter idiocy of, say, the Police Academy series with the astounding 'la-di-dah, oh, what great art I'm making'-attitude of films as "Ulysses's Gaze".Worst first half hour ever, but hey, maybe the rest was good. Go check yourself, though, because I've seen the last of this one.