Really Surprised!

This is a must-see and one of the best documentaries - and films - of this year.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Not the worst movie I've seen, but easily one of the most poorly constructed. There *is* an intriguing story buried beneath everything but you have to keep reminding yourself what it is while you wonder why it's not being told very well. It's not a nice looking film either. Zhao Wei has never looked more lost and out of place. The scenes of her fighting off armed criminals while holding her baby in one hand would have been funny if they weren't so disgusting. The fact that it looked completely phony doesn't redeem anything. The scenes of warfare-like gun play that are just plopped in from time to time look like they were lifted from a middle-schooler's Super 8 film project.I knew in the first fifteen minutes this thing was a mess but I kept the faith, and while it hinted at getting on track from time to time it just kept failing. Someone brought a bucket full of story-boarded scenes to the party but neglected to introduce them to Mr. Story.You can't just claim that because this isn't run-of-the-mill Hollywood fare that it deserves respect. Good film makers (Ann Hui is one of them) can fail too.

This movie begins with a playboy wannabe Yang Rui, who wants to pick up the maid at a martial arts studio. She resists him, bike riding away from him. It appears this pretty but quiet young lady is harboring a secret (of course). Somehow, they come together, starting a courtship. She turns out to be an undercover police officer, trying to stop drug trafficking. Also, it turns out the deal would be made with Mao Jie, who fathered her child. The film is formulaic, a little too coincidental and, at times, a little slow moving. It is a nicely shot film, the cinematography is very compelling and Director Ann Hui is, of course, widely heralded. The last twenty minutes of this film are very good, but you have to watch the rest to get to it. It is watchable, but I wouldn't wholly recommend this unless you're a fan of the actors and this kind of drama.

When I first watched it, I was thinking, ' gosh it's a waste of time" but then I watched it a second time and really learned how to appreciate the show. Everything fell nicely into place and although the first part does start off slow, it is not without reason. Because the movie gets more exciting as it delves into Zhao's past, contrasts with her present state. The actors all did a good job and the last part was the most exciting part. The ending was shocking, it totally caught me off guard and I nearly cried. In Goddess of Mercy,Zhao Wei give a professional & outstanding touch.TIME AISA said "With her elfin stature, Zhao couldn't intimidate a jaywalker, but her convincing portrayal confirms her status as one of China's best actresses." Overall, this is a movie which is tragic yet beautiful in a way. This is a movie which is to be savoured and enjoyed. It is definitely a movie I would recommend.

Yu Guanyin (Goddess of Mercy) has a compelling plot, which presumably accounts for the popularity of the novel it is based on. Unfortunately, Vicki Zhou, who did so well in the light entertainment "So Close," just isn't convincing in the role of a lovelorn policewoman. How could a woman who repeatedly squeals at every surprise, cries at any excuse, and wails in a baby voice be a supercop? She looks as comfortable in a battle helmet as Michael Dukakis. This role needs an actress with the skill and range of Brigitte Lin, but Zhou is more like Gidget Lin. As for Nic Tse, he may be a heartthrob to Hong Kong teenyboppers, but he's no actor. The only real acting is from Yunlong "who's he" Liu, who plays the narrator, and who hopefully will get more roles in better films.Further detracting from the film is the ridiculously large and stiff doll that replaces the baby during action sequences, and the irritatingly wise father figure, Captain Pan. This film can be safely missed.