if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Worth seeing just to witness how winsome it is.

I love this film and have been searching for a copy for years. it shows a real gritty interpretation of Northan British working class life. I viewed this film with no idea what it was about and have to say it will one day be part of my permanent film collection. If you are British or want a good depiction of Britain's ordinary Northerners this is a great movie. I will admit that a critic or someone who is going to pull it apart, there will be short comings. However as a wonderfully atmospheric and moving all round piece it is just truly splendid, Julie Walters performance was as always just brilliant and together with Brenda, the chemistry for me worked fantastically. Also the ending was unexpected and really rounded it off nicely. I just love it thank you to everyone involved for bringing this quaint and humble story into my life.

Though we have seen many such films before, in 'Girl's Night', director Hurran and TV writer Mellor combine several ideas such as financial trouble, sickness, work in a factory, secrets, Las Vegas, marriage, family and of course love and friendship. Though it may seem like too many ideas, it comes together beautifully, resulting in a powerful ending. What makes the film strong is the natural performances by Julie Walters and Brenda Blethyn. Walters shows the growth of her character with élan while Blethyn, though her role is a bit clichéd, plays her part with grace. Their friendship looks very real thanks to the great chemistry between these two terrific actresses. I also liked the sudden shift in location from England to Las Vegas and the contrast between the two cities. The introduction of Kristofferson's character comes as a pleasant surprise and the desert scene that follows brings some colour. I also like how comedy was used in a very subtle way. However, next to being predictable, it is a very sentimental film (which isn't hard to figure given the core subject matter) and in parts resembles a disease-of-the-week TV movie. The supporting cast, that includes some popular names, is wasted. What really elevates it is the strong performances of the two leads. All the moments with Blethyn and Walters and the ending when Walters's character comes to a realization are what make 'Girl's Night' worth the watch.

"Girls' Night" (a misleading title) tells of two middle aged, working class English women best friends and what happens when one is diagnosed with cancer. Although the film is about a last blast in Vegas and the usual throes of terminal illness, the greater story and substance shows how people grow and mature through their experiences and encounters with others. A very well managed and typically austere little Brit flick, "Girls' Night" is a character-driven drama which is more uplifting than woeful, features sterling performances by the Blethyn and Walters, and serves up positive subliminal messages instead of wallowing in grief. Most likely to be appreciated by more mature audiences, particularly females. (B)

Northern accents and wide-eyed astonishment at Las Vegas aside, you could be forgiven that this was a Hollywood weepie rather than the working-class British drama it pretends to be. Brenda Blethyn's and (particularly) Julie Walters' performances are detailed and superb, but the cloying sentimentality (including some sick-making talk of angels) is heaped on to the extent that the film becomes tedious rather than sympathetic.The first half of Girls' Night is enjoyable for its sheer joie de vivre in the face of serious illness, but after around 45 minutes this is lost in a sea of half-baked ideas, repetitive emotional 'scenes' and irritating semi-fairytale romances which upset the previously realistic atmosphere of the piece.Other than the performances, something of a shapeless disappointment.