Excellent, a Must See

Boring, over-political, tech fuzed mess

Am i the only one who thinks........Average?

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

What an odd film. Very dated feel. Could almost be older than the 70's - maybe "Ealing" period. It has a naive charm and is mildly amusing in parts. I think the dated feel is that it was not an English production and was perhaps never intended for release in the U.K.? I could see how it would be popular in Brasil itself and was liked there judging from some of the other IMDb reviewers. I only watched it because of my love for all things Brazilian - wife, food, music etc etc and hence the 7 out of 10 as opposed to the 3 I should have given it.I don't know if I would be able to recommend this to anyone else. Maybe samba-lovers? Hugh Laurie obsessives? 40-something men going through a mid-life crisis???

...in a you-always-know-exactly-what's-going-to-happen kind of way. Girl From Rio is hardly going to have you glued to the screen, or really make you think in any kind of way, but it makes for a pleasant couple of hours all the same, spattered through with a few decent laughs and the delightful Vanessa Nunes (or, to be more exact, Nunes' delightful backside).Most of the movie's charm is, unsurprisingly, attributable to Laurie's performance; while hardly stretched (Raymond is the sort of character he can probably play in his sleep by now) he nonetheless remains both sympathetic and genuinely likable throughout. So much so, in fact, that you can forgive the quite remarkable implausibility of the whole thing, along with some absolutely horrendous support turns, a lazy script, pedestrian direction and some ridiculous soundtrack choices (such as when Raymond finally gets to dance with Orlinda and the samba beat bizarrely fades into a fromage-encrusted swell of strings). Indeed, that a movie so intrinsically flawed and worthless can be made perfectly enjoyable is a sturdy testament to Laurie's charisma.Well, that and Nunes' arse...

It's hard for me not to like a movie that: A) takes place in an exotic tropical country B) has the protagonist sleeping with his dream girl after knowing her an hour, and C) has a happy ending. These qualities nearly compensate for the weaknesses of The Girl From Rio.The plot of this Hollywood Film Festival winner is pedestrian and slack. You gotta like this Raymond guy, though.Raymond (Hugh Laurie) is a bank clerk with a thoroughly unlikable boss, a cuckolding wife, and an endearing passion for Salsa dancing. Laurie's is the film's only real nuanced performance. No matter what he's saying or doing, his eyes betray him. His ubiquitous fear that the world is a dangerous and scary place has become his reality. It's clear, however, that beneath his pitifully polite and feckless British demeanor is a simmering frustration. Whatever you do, don't confuse Salsa with Bossa Nova. That makes Raymond really angry.Raymond quietly endures his mostly comfortable life until, quite suddenly, the machinations of his wife and boss render him alone and disconsolate. A coworker commiserates, `It could be worse,' and Rodney does his best to prove his friend right by filling a duffle bag with all the bank's cash on Christmas Eve and hopping a flight to Rio de Janeiro.Enter The Girl. `S' words come to mind. Sultry. Sensual. Sizzling. Steamy. Vanessa Nunes's Orlinda is a famous Brazilian Samba dancer whose mere picture fuels Raymond's first-class flight from sanity. Then it's this pesky plot stuff again. Paulo, the taxi driver (Raymond's seedy, hapless Sancho Panza) just happens to know Orlinda. They meet, they dance down a Brazilian calle accompanied by a thousand musicians and acolytes, they go to his room, they make love. As much as I was rooting for old Raymond, I felt vaguely ripped off.Not nearly as ripped off as Raymond, however.Everyone in this film has a secret. Raymond. Olinda. (`You're just a thief like me,' she tells him.) His boss. His wife. Paulo. Even the painfully anachronistic villain.As I mentioned, everything turns out just fine. Even the obscene economic disparity of Rio (better portrayed in 1999's Orfeu) is corrected in authentic Robin Hood fashion.Did I mention the villain? They made him carry a little dog.

The Girl from Rio is an entertaining diversion. Simple, light hearted and amusing; it is a fun movie with excellent performance from Hugh Laurie who plays his usual bungling but good natured self and Vannesa Nunes is just fantastic.