Why so much hype?

Plenty to Like, Plenty to Dislike

Fantastic!

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

RELEASED IN 1959 and directed by Paul Wendkos, "Gidget" is a beach drama about a 16 year-old tomboyish girl (Sandra Dee) who gravitates toward a group of surfing males in Southern Cal, specifically Malibu. Kahuna (Cliff Robertson), a surf "bum" and leader of the group, becomes her figurative big brother as she tries to attract the attentions of Kahuna's mentee, Moondoggie (James Darren).The film is iconic and influential, leading to two sequels and a TV series, not to mention scores of 60's beach flicks, most inferior because they lack the depth and went the zany route. Dee was only 16 during shooting, but seemed more mature than her years and is remarkably strong as the petite protagonist. She's a combo of youthful energy, honesty and unexpected insight & understanding. The film scores high marks in the female department in general with curvy Yvonne Craig (aka Batgirl) notable in the first act, but there are several others in the periphery.The movie's iconic because it's about way more than girl-meets-boy frolics, although there's some of that. For instance, Kahuna says "Who says so?" in response to how we 'have' to live our lives. Later, he recognizes "everything has a price" or, put differently, everything has a tradeoff. He desperately seeks total freedom, but realizes it doesn't really exist in our present world, but he instinctively seeks it. His epiphany leads to an important decision.Then there's Moondoggie who admires Kahuna and intends on following in his footsteps as an alternative to his staunch father's more conventional path to status. Yet it's still about status for Moondoggie and not a lifestyle choice for its own sake, as it supposedly is with Kahuna.What happens to Flyboy (the pet bird) sets up a weighty conversation between Kahuna and Gidget, which offers insights about Kahuna's past, including his time in the Korean War and how it affected him. Perhaps he was working out a case of PTSD. Five years of dropping out of mainstream life and living on the beach was what he needed to get it out of his system and, by the end of the movie, he seems back for the attack. Steve Jobs, founder of Apple computers, had a chapter in his life of living on the street and doing drugs, asking the big questions, etc. He now says it was an instrumental part of his life.Even the whole Kahuna almost having sex with the under-aged Gidget was ballsy for 1959. Kahuna genuinely didn't intend to, and actually wanted to teach Gidge a lesson, but he wasn't above doing it since he was a little drunk and she was sorta insisting. Shortly later, Moondoggie reprimands Kahuna for it.THE MOVIE RUNS 1 hour, 35 minutes and was shot in Leo Carrillo State Beach, Malibu, California. WRITERS: Frederick Kohner (novel) and Gabrielle Upton (screenplay).GRADE: A-

Likable teenage soap about a tomboy (Sandra Dee) who falls for a beach bum (James Darren) while discovering her love for surfing. This is not at all a comedy and I'm not sure why it's listed that way, here and everywhere else you look. It doesn't even try to be funny outside of some of the surfer dudes' lines. It's a relic of its time and youth culture. Similar to the Frankie & Annette Beach Party movies, but without the singing and not as much fun. Sandra Dee's adorableness carries the whole movie. Inspired a later TV series starring Sally Field that I liked a lot as a kid.

Sandra Dee gets to play the first "Gidget" (combining "Girl and Midget"). She's seems too made-up and beautiful for the role, but she acts the perkiness well. James Darren has a good role with "Moondoggie". Cliff Robertson is the "The Big Kahuna" of the beach. At different times, Ms. Dee's Gidget seems to want to: have fun, have sex, grow up, grow out, stay young, and/or learn to surf (which is not at all unusual). Most of all, Gidget wants a boyfriend.This film seems much more significant in hindsight; since, the Gidget character proved to be so enduring, and filmmakers discovered an audience for teenagers in swimsuits was ready for action. As a film, "Gidget" only fair, and its story is standard. The most interesting part was Mr. Robertson's character - do you want him to "grow up" and leave the beach, or should he become an old beach bum? You do get an answer, at the end of the movie. Also interesting is how Robertson relates to the younger characters. The music is slight. Mr. Darren does the title song nicely (later on); and, the soundtrack often sounds like the melody to "Tammy" is about to begin. **** Gidget (4/10/59) Paul Wendkos ~ Sandra Dee, James Darren, Cliff Robertson, Arthur O'Connell

the film had loads of late 50s surfing symbols which had a lot to do with the surfing explosion of the mid-60s on the east coast. it had a sun loving and easy going lifestyle feel which accurately summed up California attitudes of the day. yes, glossy and middle of the road, but a huge surfing film nonetheless. in addition, there are subtle references to booze and sex. for nostalgic value, there isn't a boomer around who wouldn't be immediately mesmerized by this swinging movie. for surfers, the long boards are of interest. car lovers will love the vintage cars. the concept of the surfing shack was something not present on east coast beaches, and one wonders if the the local beach patrol would have allowed such a building to be built and occupied on a public beach. maybe in hawaii, but not California. the beach is assumed to be the famous surfing beach, malibu; however reference is made to santa monica. whatever, we know the movie is taking place in southern cali. if one were to guess the year, one is tempted to say early 60s--say, 1962 or 63. but the film is significant because it documents a solid, burgeoning beach culture which had been in place since the years immediately following W.W. 2. this film is a rich summation of what transpired on the beaches of southern California in the 1950s.