recommended

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

Gideon's Daughter is a story of forgiveness and redemption. Gideon, an inveterate womanizer,leaves his young daughter, Natasha, at her mother's bedside while the mother lay dying. His phone calls to his women keep him away for 30 minutes. The mother dies and Natasha has no one there to comfort her. A homeless man has wandered into the room and sits beside Natasha, witness to the neglect at a critical time in her young life. This scene is one of the keys to understanding the story.Years later, Gideon witnesses a protest regarding the lack of care by motorists for children on bicycles. Gideon meets a bohemian woman named Stella who becomes his friend. Lest he is never able to forgive himself, Stella convinces him to borrow her camera to attend and tape a performance by Natasha as she prepares to graduate from high school. Natasha is now a beautiful and talented young woman. She performs a song regarding her father and his women.As Gideon develops a relationship with Stella, Gideon comes to learn of Stella's own lack of self-forgiveness over letting her young son go for his first bike ride without her. He is the child who was killed by a motorist during the protest Gideon had witnessed. This scene is also a key to understanding the story.As their relationship progresses, together Gideon and Stella find forgiveness and redemption.Kauffman "The supreme act of courage is that of forgiving ourselves. That which I was not but could have been. That which I would have done but did not do. Can I find the fortitude to remember in truth,to understand, to submit, to forgive and to be free to move on in time?"

I have now seen 'Gideon's Daughter' twice and still don't quite know how the man does it, whilst in it's glow you think it the most beautiful and spellbinding story and one wishes that it would never end. But once it does and you stand back, you realise it is actually about nothing at all, weak on story and overly sentimental and abusing the clichéd rules of scriptwriting (no telephone conversations, no narration, no flashbacks etc) with aloof disregard. You suddenly understand that a work of such quality does not have to follow antiquated misguidance, but can exist outside the usual trends and survive purely on it's own merits, characters, dialogue and empathy reign! SEE IT!

I saw this and thought it would be excellent as I am a great fan of Miranda Richardson, Bill Nighy and Stephen Poliakoff, and contrary to the total slating some people have given it, I thought it was great! The only thing is, I reckon you have to be ready to look deeply into what is actually happening because I (being a drama/English Lit student) thought it was brilliant, but my less creative friends thought it was dull. So you have to be kind of out there, looking deeper into the relationships formed and how the dynamics work blah blah. Excellent performances by Nighy and Richardson (goes without saying - the "video camera" scene in the car is really natural!)and some beautiful cinematography. Gideon's Daughter is a complete contrast to the also excellent The Lost Prince, another Poliakoff/Richardson formula which was probably more successful because it was on a "real" level.

There's always a lot to enjoy in any Stephen Polliakoff film: striking use of images and music, an interest in big questions, and the director's lack of fear of letting things run at a slow pace where this makes the story, and atmosphere, more absorbing. But there's also always a journey into a stylised world, and a tendency to set up a false dichotomy between an overly-schematised, and fake, business world, and an overly romanticised (and arguably no less fake) real world. Even when my sympathies lie with Polliakoff, I'm always frustrated by his failure to give our own side a sufficiently hard time. 'Gideon's Daughter' is not his most interesting film, largely because its central characters (a jaded spin doctor and his almost supernaturally beautiful, talented and serene daughter) are fundamentally quite dull. A moment towards the end of the film illustrates the problem succinctly: we see the main characters disappearing from a beautiful Edinburgh street, a street that it the real world in permanently busy with traffic and people but which here is shown devoid of cars and pedestrians alike: and while a director should be forgiven occasional moments of dramatic licence, when the entire drama is framed through such a distorted lens, though big questions may be asked, they're not really answered. This is a wonderfully crafted little film; but also a film that has very little relevance to the messiness of real lives.