Simply A Masterpiece

People are voting emotionally.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

One of the worst ways to make a cult movie is to set out to make a cult movie.

This Film surprised me in more ways than one. I was shocked to hear this was the Directors first film because it was so well made, and unlike anything I had ever seen. This movie made me think! Although it seems to be following a Iranian in present day. I was able to feel this charecters pains, sufferage, courage and honor all through watching him go through his daily life in present time. The decisions he would make the places he would go we're all a direct reflection of what he had gone through and where he had been as opposed to where he was trying to go.. The End of the Film was so thrilling and exciting it really makes you think! 10/10 for me! Amazing Cinematogrophy and incredible Acting Hope to see more films from this new Director

This is the first feature-film by the acclaimed photographer Mitra Tabrizian. Set in the unfamiliar world of the Iranian community in London, it's a tense, slow-burn thriller featuring Cannes-award-winning actor Shahab Hosseini ('The Salesman', 'A Separation') as an ex-soldier sought out by two secretive Persians for a clandestine mission. Hosseini's character, Gholam, works at night as a cab driver and, without wishing to give too much away, the film shares a further intriguing connection with Scorsese's 'Taxi Driver' in the way that Gholam becomes more interested in getting involved in a complete stranger's plight, rather than taking up the cause of his fellow countrymen. In this way, the film deals with existential issues around what's worth living for, dying for and killing for, making it reach out to viewers way beyond its Iranian context. The mood of It brings to mind the cool, detached style of the films of Jean-Pierre Melville, such as 'Le Samurai'. Hosseini is a mesmerizing presence as always – he's one of those actors who can convey so much with just a look. It's beautifully photographed and it slowly grips you in a web of despair and atonement. It's an assured debut from Tabrizian who joins the growing ranks of artists making the move into cinema. It'll be fascinating to see where she goes from here.

A thought-provoking look at the Iranian diaspora, shedding light on some interesting cultural issues that are often overlooked and offering a rarely seen glimpse of the gritty, run down side of London.The film starts slowly but is thoughtfully paced and builds nicely to a surprising conclusion. Shahab Hosseini's excellent performance brings out the nuances of a subtle yet powerful script. Refreshing not to be spoon-fed a narrative.The director's artistic credentials translate well to the screen with the film visually arresting throughout.

Just saw the film at the Seattle International Film Festival and it was a huge disappointment,to say the least. It was slow, plodding, depressing, confusing and then it was over. Would not recommend it. The cinematography was excellent and the reality of how the people lived inside their poor homes and apartments was interesting. You really felt the loneliness of their lives.