Sorry, this movie sucks

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

By the time the dramatic fireworks start popping off, each one feels earned.

I know that Lorraine Bracco is supposed to be giving a "gutsy" performance in this but overall, all she does is stomp around the screen and shout at people. It's almost laughable at times.I also got confused at the first part of the movie, Lorraine Bracco's character shows up for work on her first day in the DA's office and in the next scene two years have gone past. The rest of the movie isn't actually that bad, It's not factual or anything but it is interesting to get a view in the mafia and legal worlds. It's a shame that Lorraine Bracco ruins the movie with her awful performance.

Lorraine Bracco is brilliant in her performance as Diane Giacalone, the New York Assistant Attorney who gets on the case of the Mafia boss, John Gotti.She rails against the romanticization of the Mafia's image in movies and fiction, furious at the portrayal of godfathers and that Italy, who gave the world Michaelangelo, Verdi, Puccini and da Vinci now has to bear the responsibility of these useless criminal half-wits who can't earn a living without hitting people.Anthony John Denison is also good as the thug Gotti, and Ellen Burstyn is great as her ill mother. The entire cast is outstanding in this fact based drama which outlines the battle between Giacalone and Gotti.The only weakness is the portrayal of an out of control court with the noticeable lack of objections to the noise and contempt shown by a passive judge.And the ending. Weak.Worth seeing.6 out of 10.

This is really the dumbest, most offensive Canadian made for tv feeling piece of garbage I have seen in a long time. I seriously wonder how anyone was sucked into this. Anthony John Denison is a real actor, which he proved during Crime Story. Here, he is lost in some kind of schlock that came out in the same year as The Bell Curve, and it shows. Racist, offensive, ignorant of boardroom culture or police procedure, filled with error. James Henerson should be immolated on a pile of his own manuscripts. Fortunately, "Getting Gotti" (1994), was followed in 1996 by another tv movie, "Gotti", with Armand Assante, which avoids most of the pitfalls of this atrocity, if you need your fill with mob drama, see Donnie Brasco, it's tv series "Falcone", or even The Godfather I and II if you're feeling nostalgic.Avoid like the plague.

The biggest problem I saw with this made for television movie about John Gotti, is that Anthony John Denison looks nothing like him. I saw a guy on a Tropicana commercial who looked more like Gotti, than he did. If you're going to make any movie about a high profile figure, please, choose an actor who looks the part, not just has a big name. For example, if you were to choose between John Vernon, and Luke Perry for the role of Herrmann Goering,...isn't the choice obvious?