SERIOUSLY. This is what the crap Hollywood still puts out?

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

I know that Lorraine Bracco is supposed to be giving a "gutsy" performance in this but overall, all she does is stomp around the screen and shout at people. It's almost laughable at times.I also got confused at the first part of the movie, Lorraine Bracco's character shows up for work on her first day in the DA's office and in the next scene two years have gone past. The rest of the movie isn't actually that bad, It's not factual or anything but it is interesting to get a view in the mafia and legal worlds. It's a shame that Lorraine Bracco ruins the movie with her awful performance.

Although one does not have to know the entire history of the mafia and its godfathers to enjoy this film, it portrays a quasi-fictional episode in the life of one of its leaders, John Gotti, played by Anthony John Denison. I thought he was quite good, and styled to resemble the man effectively. The supporting characters, (many who have taken on roles in television's long- running blockbuster, "The Sopranos"), all lend credence to the episodic pursuit by one female prosecutor, Diane Giacalone,(Lorraine Bracco). It builds on many well-known criminal figures, particularly, Sammy, "The Bull", Gravano's turncoat testimony. This is not a documentary, per se, but an outsider's view of what the real female prosecutor, Diane Giacalone, must have experienced in her quest. There are updates in the closing credits, but none late enough to eulogize Gott's final demise from cancer, while incarcerated.

This is really the dumbest, most offensive Canadian made for tv feeling piece of garbage I have seen in a long time. I seriously wonder how anyone was sucked into this. Anthony John Denison is a real actor, which he proved during Crime Story. Here, he is lost in some kind of schlock that came out in the same year as The Bell Curve, and it shows. Racist, offensive, ignorant of boardroom culture or police procedure, filled with error. James Henerson should be immolated on a pile of his own manuscripts. Fortunately, "Getting Gotti" (1994), was followed in 1996 by another tv movie, "Gotti", with Armand Assante, which avoids most of the pitfalls of this atrocity, if you need your fill with mob drama, see Donnie Brasco, it's tv series "Falcone", or even The Godfather I and II if you're feeling nostalgic.Avoid like the plague.

The biggest problem I saw with this made for television movie about John Gotti, is that Anthony John Denison looks nothing like him. I saw a guy on a Tropicana commercial who looked more like Gotti, than he did. If you're going to make any movie about a high profile figure, please, choose an actor who looks the part, not just has a big name. For example, if you were to choose between John Vernon, and Luke Perry for the role of Herrmann Goering,...isn't the choice obvious?