The Worst Film Ever

It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

I seen this in the cinemas before Frozen(Disney's highest grossing animated movie of all time btw) was shown and its also on the DVD as well so if you wanna see it be sure and check it out.The short is about Mickey and the gang who are in black and white in a cinema room and Pete is after Mickey. Of course the short then gets turned into CGI form and switches from CGI to Black & White once Pete is after Mickey's friends and they too end up in CGI form as well. Bottom line this was a brilliant short as it has the man himself Walt Disney as the voice of Mickey Mouse and all the old school actors as the other charcthers. What I like about this is like I said the blend of Black & White and CGI animation thrown into the mix. The humor was great,the concept was great overall I really enjoyed this short.7/10

Get a Horse! is a fantastic short film with a quick but very enjoyable storyline filled lots of fun and colourful characters.I really enjoyed the mix of the old fashioned black and white animation and the CGI animation that is used in every animated film that's made today.The film showed before Frozen,and it really got me in to the Disney spirit and got me excited for the feature film.Ir was great seeing the very lovable Mickey Mouse for the first time in years on the big screen once again,and this was a very interesting way of bringing him back.All in all,Get a Horse is a great short film that Disney fans will love. Mickey and Minnie Mouse go on a wagon ride,but Pete gets in the way when he tries to once again kidnap Minnie.

Watched the cartoon while in Williamsburg on Nov 30. In my opinion, certain action sequences in the film were 'interesting.' When Mickey pulled Minnie off the back of the wagon and put Clarabelle in her place, Clarabelle lifts her dress to show her udders to Pete with a 'leer' on her face. Also, Pete swinging and holding Minnie by her tail. And then there is poor Pete, continually stabbed in the rear end with a pitch fork. When Mickey found out he could reverse the action by spinning the screen, we saw Pete's behind pounded over and over. Look, I grew up with Tom and Jerry and yes many old-timey cartoons were violent by today's standards. I recognize that there is sex and violence in media. Knowing there were children in the audience, I turned to my wife and said, "Is this as violent as I think it is?" She said, "OMG, I thought I was the only one to realize it." Some child's mother was answering many questions after that showing. Fortunately Frozen was great and I'm sure the 'disturbing' parts of the cartoon were a distant memory.

I have just come from a showing of Disney's FROZEN, for which this was a preceding short. However, from my viewpoint, I just saw this with a typical Disney Princess movie added on, because this is a fine little movie while FROZEN is just another Princess movie.Mickey, Minnie and the rest of the crew from 1928 go on a hay ride, where they meet Pegleg Pete... and Pete, fighting for Minnie, throws Mickey through the movie screen, where he is the modern Mickey, with red pants and three dimensions. The inevitable donnybrook extends through both media and even beyond, with references to intermediate Mickeys, until the point of the movie, the subtext, in between the situations and gags, became clear to me: Mickey remains Mickey, whether in the 1928 silent version, before he learned to whistle, or the modern, three-dimensional, full color version.With all the commercial issues of modern Disney movies, with all the brand extensions and can-we-make-sequels and how can we milk this idea for another ten million dollars, there comes a point at which some creative individual says "I have an idea". At that stage it's not commercial, it's not a multi-media franchise, it's just an idea. If it's a good idea, then the money men, essentially non-creative individuals (I should know. That's what I do for a living) will make enough money on it to pay the people with ideas and give them the chance to have more ideas. And the best idea they can have is "Let's do something the audience will enjoy." I enjoyed this one very, very much. I think you will too. Even if, or perhaps especially if you don't worry about subtext.