I love this movie so much

Sadly Over-hyped

Lack of good storyline.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

This Oscar-winning adaptation of a Dr. Seuss book focuses on a boy whose speech consists entirely of sound effects. It initially looks as if the tyke is going to spend his whole life as an outcast, but there's something else in store. "Gerald McBoing-Boing" hilariously reminds us that we don't all have to be the same; even a person who "talks funny" still has value as an individual. I will say that the UPA cartoons (known for limited animation) aren't as impressive as, say, the Bugs Bunny cartoons, but on its own, this one is a fine piece of art. I wouldn't expect anything less from a Dr. Seuss book. I just hope that they don't try to butcher it with a feature adaptation like they did with "How the Grinch Stole Christmas" and "The Cat in the Hat".

I've mixed views about this Oscar winning cartoon.On the script side, it's still worth while to watch, and so much more so, 50 years and as many big wars since WW2, as humankind is less human, less kind, and less able to understand the deep self of the people across the Ocean, or the street.Gerald is a mute boy, only able to pronounce boing-boing. When extraterrestrials from the planet Moo descend on his backyard, and take him in their flying-saucer, as a human specimen for study, they got the impression that all earthlings spoke like that. Being very clever, the extraterrestrials develop a language based on boing-boing intonations, and are still sending messages to Earth with the only sentence, "boing-boing".On the drawing, colors, and repetitiveness, and also stridency, of the "language" signs, I'm afraid I'm not with the majority here. Even when I saw this title in 1965, I found it too simplistic, and still do. I grant you that I was not the child this cartoon aims at, and today's manga and similar comics are 300% worse than this, but I would not accord this title an Oscar...(First posted September 19, 2003; re-posted after clarifying with IMDb that it belongs here, not with the 1956 longer version of this cartoon, similarly titled.)

This is a film that really makes me cringe. In 1951, MGM and Looney Toons were making some of their very best cartoons--with amazing animation, exceptional backgrounds and great stories. Then, in the late 40s, a new style of animation began to appear (such as the "Crusader Rabbit" series on TV)--animation with extremely simplistic artwork in order to save money. Unfortunately, Columbia Picture's cynical ploy worked!! Instead of the public hating the toons (as they should have), many accepted them and the Oscar people (AMPAS) actually gave this film the award for Best Animated Short--giving legitimacy for an inferior product. Unfortunately, in the dollars and sense world of Hollywood, this soon began to creep into the products of legitimate studios--resulting in rather crappy cartoons. Later, it got even worse as in addition to lousy animation and backgrounds, the stories themselves became almost unbearable for adults to watch. The cleverness and style of the classic cartoons were gone. And for this tragedy, I blame, in part, GERALD MCBOING-BOING--one of the granddaddies of cheap cartoons. The story isn't that bad but the animation is a horror and listening to the kid saying "boing-boing" incessantly is a pain.

During the brief Golden Age of the Super 8 Magnetic Sound Home Movies, we purchased a GAF Projector for $148.00 on close-out at a Downtown Chicago Camera Store. It seemed that GAF was getting out of the Camera & Projector Business; although they would continue with their other enterprises, such as the former Sawyer's Vue-Master 3 Dimensional color slide viewers.Little did we know nor anticipate the rapid approach of the Video Camera, the Betamax, the VHS and the eventual DVD revolutions. With the Super 8 Magnetic Sound Camera that we also purchased, we took some sound film records as our Daughter, Jenn's First Holy Communion and her younger Sister, Michelle's Graduation from Pre-School. This was all circa 1979-82.During this time we also purchased a few Daddy Toys to go with it; like some Super 8 Magnetic Sound LAUREL & HARDY Films and W.C. FIELDS' Shorts from Blackhawk Films, Davenport, Iowa. We also picked up a Columbia Pictures Home Movies Sound Film of a then sort of forgotten Classic Cartoon, UPA's GERALD McBOING-BOING (United Productions of America/Columbia, 1951). It was THE hit of our Home Movies Time! Being members of that Baby Boomer Generation, the Wife (Deanna) and meself had recollection of the Character of Gerald McBoing-Boing; for Gerald had a Network TV Show on CBS, early Sunday Evenings, ca. 1955. Bill Goodwin was the Announcer/Host. But we had never seen this original UPA Theatrical Cartoon; nor was it known to us that the young Master McBoing-Boing was a creation of Dr. Seuss of "Grinch", "Horton" and "Mulberry Street" fame.THE staff assembled was very talent rich and deep. The outstanding production values are apparent. Director Robert Cannon and Supervisoring Director John Hubley were veterans at the top of their craft. Writers were Theodore Geisel (Dr. Seuss, Himself), Phil Eastman and Bill Scott.Mr. Scott is remembered not so much for his writing contributions to UPA, but for being partners with Jay Ward in such Television Properties as ROCKY & BULLWINKLE, MR. PEABODY, FRACTURED FLICKERS, GEORGE OF THE JUNGLE, HOPPITY HOOPER and FRACTURED FLICKERS. With the Jay Ward Productions he was a writer, voice man and Kibitzer-General of the whole company.The cartoon receives its only "voice" from the Narrator, Radio/Movie/TV Actor Marvin Miller. Remember him? He was Michael Anthony on the TV Ssries THE MILLIONAIRE (Don Fedderson Productions/CBS Television Network, 1955-60).Bold color schematic and imaginative design went into giving the UPA animations a special feelings of loneliness, fear apprehension and eventual triumph. And, we might add, the animation is definitely of the "Limited" Variety.AS with so many great stories, ours starts out with a simple premise; one's being born different. In this case it is young boy Gerald McCloy, who has been born to make sound effects in communicating rather than talking. Kids can be cruel and soon he is dubbed with his not so flattering nick name by a group of youthful taunters chanting: "Nya, nya, your name's not McCloy; it's Gerald McBoing-Boing, the Noise Making Boy!" AT this point, the Animation Team does an outstanding job in shifting the emotional gears in the young outcast from happy & carefree to isolated & lonely and finally to depression & despair in not being able to turn to anyone for help and understanding; not even to his Mother and Father.A frighteningly fashioned dark scene involving a highly UPA stylized run away scene involving a Train and an equally stylized Snowfall brings Gerald right to the brink of absolute despair. But then, he is interrupted by a gentleman announcing that young Gerald is wanted by the producer of some Radio Program to provide the sounds for the show down at the Studio.ONCE the premiere show is done with Gerald starring in the Sound Department, he rides off in a huge Limousine (which seems to have anticipated those S-t-r-e-t-c-h Limos of our day) to the cheers and admiration of his Classmates and the World.IT has been said that there are only so many plots and, in that case this story is most likely a variation on The Ugly Duckling; for after all, a sad and lonely boy finds his place in the world and true happiness.NOTE: United Productions of America, or UPA for short, was an outstanding center of creativity in the field of the Animated Cartoon. They were responsible not only for GERALD McBOING-BOING and several sequels and a TV Series, but also the highly popular MR. MAGOO Theatrical Cartoons and subsequent TV Show (with voice talent of Jim Backus), the Classic Original TV Cartoon of FROSTY THE SNOWMAN and the rather bizarre DICK TRACY Cartoon Show (with Tracy's voice rendered by Mr. Everett Sloane!).