Fögi Is a Bastard
Fögi Is a Bastard
| 11 September 1998 (USA)
Fögi Is a Bastard Trailers

15-year-old Beni falls in love with Fögi, a singer in a Rock band. As Fögi seduces him, he is only willing to follow him where ever Fögi wants to. But Fögi is a drug addict and pulls Beni deeper and deeper into the hell of drug addiction.

Reviews
Alicia

I love this movie so much

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Acensbart

Excellent but underrated film

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InformationRap

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

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Mandeep Tyson

The acting in this movie is really good.

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sandover

Yes, Beni gets a target on, mostly, portrayal. Yes, Fogi is not bad either. Yes, we have some realistic scenes, especially the man-slave frustration ones, that means realistic like sentiments ringing true. Yes.Yet, apart from the early scene when and where Beni discovers the heady spin an orgasm offers, which is rarely if at all represented on screen, the film is not memorable, and all those reviewers who profess the film's high value will be caught with the capital crime of idealizing, which is actually another name if you think about it, of frustrated citizenship. Well, no one escapes this predicament unfortunately, but wouldn't it be better to give a try directing these forces to better appreciations? For I cannot but think that judging by the majority of the reviewers' reactions this is one more case of frustrated gay citizenship meets failed artistic endeavor and masquerading both as the film's and the viewers' achieved meeting. Why?Fogi is not a fag.Fogi is not a frog.Fogi is just a fog. -With what frequency can you ask yourself the question of what do you know? Not frequently.

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bertoele

I was so surprised to see this movie. How is it possible that a film like this is so unknown! The story brought me back to the time when I was 15 years old. I recognized so many things, feelings. Feelings of loving someone I admired, feelings that were confusing, sometimes despair, sometimes top of happiness. This films brings a lot of feelings to the surface and I am so happy that a director is possible to do this. The story is not commend, has great surprising moments. And the actors are awesome good. You understand I do not agree at all with the first review on this movie. But maybe he didn't live in 1973. This movie gives a insight if that time. A time I was 14/15 and a time that it was not bad that I liked a guy ten years older then myself. SEE THIS MOVIE! Love to you all Bert

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Carlos Martinez Escalona

Mandragora meets Switzerland. Amazing detail. Beautifully shot. Extremely complex sequences. Beautiful dialogues. Mesemrising moments. Truthful, yet incredibly depressing. That's what I'd add in a nutshell if you want to dig into this film's nightmares.Beni's nightmare, that's it. We, who have seen this film, agree that it's a difficult and painful way to go to the end. Despite its very Swiss environment, it's a film that would fit any time slot since the sixties. Strong and bitter. Sweet and hopeless. Definitely not an American film. Good actors, good script and a good director... all these factors make of F... one of those rare modern films that have it all.Clearly, French input is all over this movie, and that's always a plus.The music is another point to look for. Original music not to be found anywhere; a couple of Lou Reed's good songs and a heartbreaking end with Patti Smith's "Wings". Forget about the gay themed thing, this is a film to make you think, seriously!I doubt anyone would endure just walking out as the credits roll.

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tnwestlake

Outstanding acting, great casting, and really tight direction work together to make an unsparingly tragic plot both utterly believable and inexplicably hopeful.Dark, sexy and very disturbing, the film's central theme is of love: though it is used, abused, warped and betrayed, it retains a strange and constant purity throughout, even up to the central character's almost shocking conclusion at the end. There is no question of bestowing any redemptive power on love, since this is a film of unflinching reality, but love's ability to provide sense to an existence otherwise bereft of meaning is shown to the full. There are few films that try to do this. Even fewer succeed, but this is one of them.

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