From my favorite movies..

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Great movie. Not sure what people expected but I found it highly entertaining.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

From a 2014 point of view Full Contact is outdated. The camera work and the action itself doesn't look unique. There are some interesting camera angles at the end, but it still looks old. Even the bullet shots look outdated. If this movie was released in the US, it would automatically fall in the B-movie category, quite rightfully. Full Contact has plenty of action, but after seeing lots of action movies, it doesn't stand out from the crowd. The other aspects of the movie didn't add any value, though I found them to be much less significant.Despite the higher rating of Full Contact, I think his Van Damme projects were better. Well at least it is true for Maximum Risk.Finally, if you're expecting John Woo's kind of action here, don't. I have recently watched Hard Boiled (for the third time). Having the same release year as Full Contact, it still manages to look very solid (actually it's quite an understatement for Hard Boiled). In fact, all of the better known John Woo movies from Hong Kong are far better. Full Contact is OK for the action, just don't expect it to be what it's not.

I saw this film originally on the Tai Seng VHS tape and believed I was seeing the original. The recent MEI AH re-release video reveals an additional 4 minutes Tai Seng trimmed, and they are pretty strong; it's amazing what a couple of minutes will do for a film.This is as nasty a crime film as you will ever see. Ringo Lam goes straight for the throat of a contemporary Asia crumbling into a gaudy, violent nihilism. The moral center is held to be a thin hope that maybe the right thing can be done for an innocent girl wounded unnecessarily during a gang fight. Everything else is blood, perversion, and flashy neon.Sounds like a good reason not to see the film? Not so. This is one of the least exploitative exploitation flicks around - the film doesn't suggest that anyone in it is having fun, even the psychos laughing as buildings blow up, with people in them. In a world where everything is meaningless and anything goes, finding meaning becomes the only reason to live and the only real accomplishment.Cinematically, this is Ringo Lam in top form, developing a style that is often as flashy and hollow as the culture it portrays, but through which moments of intense realism burst forth, reminding us of the real pain such violence entails. Many films (East and West) have since imitated this style, but without Ringo Lam's sense of moral critique, it can easily become just so much flash and glitter, of the kind Lam is actually criticizing here.Finally, one must remark the excellent performances by all the actors involved.A very disturbing, but very excellent - and in an important sense, a very necessary - film.

Saw this one last nightwhen living in sweden it is hard to lay the hands on asian movies.. also there is very little facts to get on films. Though this place helps out and I deicided to give it a try.Must say this was a good HongKong Action movie. Chow Yun Fat is as always playing his part really well.. and most of the other actors did their jobs well. The films has some really cool camera effects in it, fitting the actions scenes nicley.A good film to lay your hands on if you like good HK action films.

A truly incredible film. Chow Yun-Fat has to be one of the greatest action stars ever. And Ringo Lam's camera work was top notch. The action sequences were second to none. I highly recommend this film to anyone who is a fan of action.