Wonderful character development!

The acting in this movie is really good.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

Juliet McKeon's film 'Frozen' tells the story of a young woman searching for the truth about her disappeared sister, and has elements of the thriller, the supernatural, a tale of mental disintegration and, most convincingly, a portrait of Fleetwood (in Lancashire) as a place beyond the end of the world (think of Pavel Pawelikowski's interpretation of Margate in 'Last Resort', and then imagine somewhere even more bleak). But it's a low budget, low-key affair, and while I often consider these virtues, McKeon doesn't quite have the skill to put everything together, or the ability to lace her portrait of darkness with the dose of lightness and humanity necessary to make us care. The result is somewhat alienating for the viewer, and the final message unclear; it feels like a beginner's piece, and more reminiscent of a BBC television film from the 1980s than a conventional movie.

Juliet McKoen's 'Frozen' is an odd little film. On one level it's a simple mystery, with Shirley Henderson's sad, disturbed Kath searching for her missing sister. On another it's, in part at least, a re-telling of elements of 'Orpheus and Euridice' - complete with tragic finale. Surprisingly, given setting and subject matter, allusions to Greek myth are made throughout this film, often in a rather contrived manner (an Oracle, in the form of a CCTV camera, is consulted; a modern Charon is seen in visions; Kath sets off into the Underworld to find her beloved sibling, etc), often in a rather laboured manner – but it's an interesting approach Henderson, a most capable character actress, is as good as ever, and holds our attention throughout – and her Kath is genuinely touching. Of the supporting cast (a surprising number of whom seem drawn from the northern sit-com stable) only Roshan Seth as Kath's counsellor-cum-love-interest is worthy of note.Much of this subtlety in characterisation is, sadly, lost in the plot. The mystery at the heart of the story, it has to be said, is wafer thin – the final, fatal direction of Kath's sister's last known steps is blindingly obvious half-way through the film. That said, the inevitable end of the hero is one of the most notable features of Greek Tragedy, so perhaps this was intention. A good script, strong, subtle performances and skillful direction make this a most entertaining, if contrived tale.

I looked forward to seeing this film as it features the Scottish actress, Shirley Henderson, who I have really admired for years and who finally gets a starring role here. This story of a woman's search for her missing sister feels quite relevant to today's newspaper stories of disappearing women. As the grieving Kath (Henderson) begins her search, the film takes on the form of a thriller and this story unfolds in a measured way that becomes totally mesmerising. The escalating tension is well judged, never letting the audience get ahead of the plot. What is pleasantly surprising are the strong performances that director Juliet McKoen gets from all her actors in her debut film. As expected, Henderson is superb, but I would also single out Richard Armitage as the Port Authority boss who helps Kath with her investigations into CCTV footage of her sister and who gives a performance of some subtlety. The treatment of Kath's encounters with the counsellor, movingly played by Roshan Seth, also treads a fine line emotionally.The sense of place in this film is palpable and is one of director McKoen's real achievements. You feel she knows the territory. The film is set in the port of Fleetwood which makes the film visually very distinctive. There are also strong scenes on Morecambe Bay producing some beautiful images of desolation that are quite haunting. The scenes of Kath and her fellow workers at the fish factory are well handled, though I would have liked to see some of these actors given more to do. It is a tribute to McKoen's casting efforts that many of these smaller parts are played by actors who have a track record in British TV drama. But it is Henderson, with an impeccable Lancashire accent, who carries the full weight of this film as she appears in virtually every scene. With some powerful close-ups of her expressive face, we really get inside this character's mind. There is a seriousness about this film which is to be applauded in an era when I, for one, find many filmgoing experiences instantly forgettable. There is plenty to think about here and this is one that stays with you

I recently saw 'Frozen' at the 2005 RiverRun International Film Festival, and I must say I enjoyed it. However, I don't think it's a film you'll watch over and over again... explanation: The basic synopsis of 'Frozen' is a girl, Kath, is curious about what happened to her sister, Annie. Is she alive? Dead? Living a new life? When Kath finds some evidence showing Annie the day she went missing, she becomes almost obsessed with finding her. It's not the most original plot you've ever heard of, but it is pulled off very well for what it is.Along Kath's "journey," you'll meet a few central characters, though after all is said and done, I find some of the characters --or more importantly, the one emphasized most (a therapist/priest character)-- has little to no real relation or development to the plot and could've been done without or built upon in many areas. Though the acting is convincing throughout, it's because of this that some of the exchanges can feel as if they're unnatural or dragging (even at a 90min. runtime.) What the previously mentioned slacks on, 'Frozen' more than makes up for with visuals and sound. The film uses lots of blues and dark greens, which give it a very cold feeling. This pulls you in to relate to the character, who describes herself multiple times as feeling "frozen." The camera work itself is good as well, with some very good shots scattered about. The sound is equally cold as the visuals. There's not much use of music here, which further helps with the feeling of isolation.Overall, the movie is nothing amazing, but even considering the flaws, 'Frozen' is a very good and interesting watch in the thriller category (especially considering what's been passing as "thrillers" lately.)