I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

The acting is good, and the firecracker script has some excellent ideas.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

.Other reviewers have already done an excellent job of covering this film's worthwhile messages and themes. That said, I'm not often fond of "family" films because, all too often, they are unrealistic and too sugary sweet. Friendship's Field is none of that. Moreover, it is graced with excellent direction, fine cinematography, and unbelievably great acting. For these reasons taken together, over time Friendship's Field has become my favorite film, and like most people reading this review, I've seen many really fine films.Let's talk about the acting first, as this is the most outstanding feature of this film. Although every single actor in the film was excellent, I'll mention only some. Jonathan Hernandez plays a solid role as the likable young Mexican boy, Oscar, who becomes a close summertime friend with the film's lead character, Ira. His role is complex, his mood often flashing between a cheerful disposition with a winsome smile, to being deeply hurt by the racist events that surround him. Jonathan plays his part so well the viewer quickly forgets this boy is acting. Oscar's mother and brother, played superbly by Maria Carr and Mark Hardy, though their parts are shorter, add a lot of depth to the film.Ira's three older sisters, Jane, Afton, and Rene, very well-played by Melissa Moor, Jennifer Buckalew, and Jessica Giauque, respectively, capture the time and place of the film in their own way and very believably for their ages. Dialogue with the girls is not window dressing but instead adds quite a bit of dimension, especially to the lead character, Ira. Melissa has a longer, more developed role in the script and, as the oldest child, appeals in a casual rather than heavy-handed way as a good role model for her other sisters. Melissa easily convinces us of her character's integrity and sense of responsibility, and is particularly good at facial expressions that often convey more meaning in the film than a lot more words in the script would. Ira's parents, played by Randy King and Carolyn Hurlburt, show patient restraint with all their children. Finally, let's talk about Ira, a very complex role played brilliantly by Kate Maberly, a truly gifted person of extraordinary talent. As a young person, Kate is better known for her exceptional performance in "The Secret Garden," but I personally think Friendship's Field was her very best performance to date. In this role, there's no doubt whatsoever about the fact Ira is a sun-kissed short-hair tomboy of the first order. Ira is on a journey learning about life, some of it good and some not so good, which will likely be a journey that doesn't end: "life is like a river." Close to her patient parents, Ira is at an age where she explores outside her family now, and develops unlikely friendships, like with Oscar. Ira lives on a farm in Idaho, so the energetic, athletic kid regularly gets a little dust and dirt on her well broken-in clothes. In spite of her friskiness, Ira is often quiet and introspective. Although a child, she's a real person, with all the complications of a real person. Overall, the character is drawn with a warmth that can melt the coldest heart. So what makes Kate's performance so special in this role? For starters, the role is so natural for Kate she just seems to be playing herself. Maybe that's really the case here, maybe this role wasn't so much of an act for the real Kate Maberly. Second, one of Kate's greatest strengths as an actor is that she doesn't overact, and this tomboy role is one that could have been very easily overacted, even by other good actors. Now, Kate is British, and I've heard her talk in interviews and in British films with a delightful Surrey accent. The best actors can manage taking on believable dialects and accents, which is what Kate does here. We might say she delivers her lines with a flawless American dialect of English, which she does. But it goes even farther, because there happen to be many accents of American English. Idaho is one of the Rocky Mountain states, these states have a unique sound to them, and Kate nails that in this film. Kate intentionally delivers one line in the film with a charming Scots accent, and she's obviously got that down, too. (Is there anything this girl can't do?) In the entire film, young Kate Maberly never missed once on the delivery of a line, an expression, a motion, or emotion. Her performance was perfect throughout. Other actors, including the high-paid Hollywood superstars today, should watch Kate Maberly's performance in Friendship's Field; some of them could learn a few things they may not have known about acting. This film did not direct itself. Bruce Niebaur directed it and, as the acting attests, he was able to bring out the very best of every performer, with the result being an amazingly good film. Following Friendship's Field, Kate would later play in "Gulliver's Travels," which also included the legendary Omar Sharif, and Bruce Niebaur would direct Kate again in "Mysteries of Egypt," in which the girl appears as Mr. Sharif's granddaughter. These later opportunities for Kate are likely not mere coincidences, but undoubtedly stem from her incomparable talent at a young age. My only complaint about Friendship's Field is that it could have been somewhat longer, but I'm sure the budget had something to do with that. More scenes with Ira and Oscar would have always been welcome. It would have also been interesting to develop the characters of Rene and Afton a little more, as was done for Jane. Friendship's Field is not going to turn the world upside-down. It's not going to blow you away. But, it has become my favorite film, it's remarkable for its well-directed acting, and it's great entertainment. Give it a try, it's well worth it.

This is one of the Feature Films for Families, which are usually worth watching with your family. The setting is a sugar beet farm in Idaho. The farmer has three daughters, who are expected to hoe sugar beets upon reaching the age of twelve if they want any help with financing their college education. The youngest daughter, Ira, doesn't have to hoe beets yet, and she can run around doing what she wants. The farmer hires transient Mexican farm laborers to hoe sugar beets too. The girl makes friends with a young transient boy. It seems some teenage boys from town pick on the transient Mexicans. One rich boy in particular has a Buick convertible. Ira tells this story to her own daughter after she has grown up.

Young Kate Maberly shines as Ira, the tomboy daughter of a farmer, in a story of friendship overcoming prejudice. Set in 1965, 11 year old Ira finds her first true friend in Oscar, a young Mexican son of migrant workers. Touching story of friendship, love and respect, told from Ira's perspective.

Our family enjoys this film. It has an interesting plot and story-line. It presents a good message in understanding people from another culture.Especially important to us was the fact that any violence was implied and not emphasized. We wish there were more movies like that.