Boring, long, and too preachy.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

...that for some inexplicable reason is not known, did not receive much publicity, and seems to be misunderstood, given its rating on IMDb. fate, loneliness, connection, beauty, love, pain, death, and wonder and awe of the workings of the universe and the human heart imbue this little masterpiece (the book is marvelous, as well) with a dignity and compassion all its own. finding hope and meaning - in self and in the world - beyond a world of difference, pain, rejection, and cruelty is its leifmotif. if you can find this beauty (appears never to have been released on DVD in the u.s., sadly), watch it, watch it again, listen with your heart, be astounded at its quiet and haunting beauty.

Elmer Bernstein's music for this outstanding motion picture is superb. The main character displays courage in the face of what life has given him (dwarfism and family despair). As for the girl he loves and adores in his early life, she too overcomes the horrors of a traumatic experience (seeing her father with another woman) during her early childhood. The supporting cast did just that (magnificent support to make the main characters believable). And for a change, even though there are so many sad moments in the life of Frankie, the conclusion is a happy one for those who persevere. Love doesn't conquer all, but it makes life beautiful.

Byrne's work, usually excellent, blends in subtly here, works its power through understatement, underplaying. His character's kindness lights and lifts Frankie to the stars, literally and figuratively, but Frankie's star shines brightest. "Frankie Starlight" begs description; the type of beautiful, warm story that just isn't made anymore, that isn't believable, even when it's a true story, as this one is. These movies just don't exist, we're told. I liked "My Left Foot" which received more critical attention and did better at the box office than "Frankie." But "Frankie" -- for no good reason, none I can state --left a warmer, happier impression; maybe because its heroics were less dramatic; it's a simpler story. A "Little, Big Man" without cowboys and Indians, and in this case a really little "little, big man" -- how do you sell such a film? What's that? He's not an American, either? Too bad. Got art-film house written all over it. Yada yada yada. Yet I want to see "Frankie" again -- and then read him, too. Learn a lot more. A fine film, generally low-key, sotto voce -- and so much more powerful because it is.

Corban Walker and Alan Pentony are both wonderful (would love to see more performances by both) and give the nuanced portrayals that give the title character life and depth that linger past the end of the movie. Gabriel Byrne also is particularly good as one of the two "fathers" that give Frankie all the love and acceptance of which they are capable; the flaws of these men show their compassion that much more clearly. The central figure of Frankie's mother remains elusive (purposefully) and one of her chief motivations is let drop mid-way through the film; but the resolutions of the film are perfect and the astronomy theme provides a setting for most of the actors to portray greater depth for their characters.