brilliant actors, brilliant editing

What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

One of the best movies of the year! Incredible from the beginning to the end.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

A fiction written by the same Alistair MacLean as "The Guns of Navarone," but more credibly and closer to reality. The pleasure of seeing again the charming Robert Shaw, Edward Fox (not as great as in "The Day of the Jackal"), Barbara Bach(better here than in other productions), Franco Nero (not in one of his best roles). Richard Kiel is very efficient here (better than the two Bonds), and Harrison Ford is natural, but not exactly what can be called a great actor.

Robert Shaw, Harrison Ford, Barbara Bach, Edward Fox, Franco Nero, and Carl Weathers star in "Force 10 from Navarone" based on a novela by Alistair MacLean and a follow-up to "The Guns of Navarone."Mallory is now played by Shaw instead of Gregory Peck and Miller is now Fox instead of David Niven. It seems there was a traitor with them at Navarone, a man they believe to be dead. But it turns out he escaped. He was a German spy. The Intelligence service thinks he is in Yugoslavian with the Partisans, and Mallory is ordered to find him and kill him. Since only Miller and Mallory know him, they are sent along with a unit, Force 10, run by Colonel Barnsby (Ford) who doesn't want either man as he believes they will slow him down.Force 10's mission is to blow up a bridge. En route their plane is shot and everyone has to bail out. They wind up prisoners of German sympathizers. In order to be released, they tell a lot of lies that the commandant doesn't believe. But unbeknownst to them, they have a friend there.I thought this was pretty good and entertaining and boy, could they blow things up! Lots of special effects and good performances. Amazing seeing how young Harrison Ford was! Recommended. It's not a blockbuster but it is good.

I really like this film. It is fun to watch. It has an assortment of actors: ford, fox, shaw, Kiel, etc. . I really like Barbara Bach. She is still very attractive and her acting is fun to watch. It appears everybody is having fun in the film. The only question I have is why did Mallory switch from being an American, (peck) to being British, (shaw) ? It is a great film for a big bowl of popcorn! I only wish they would have made it a little sooner. I can understand why they didn't. Ford was unknown at the time of American graffiti. I wish they show an unedited version on TV. Luckily I have a VHS copy in my library. I was wondering if this is on DVD. I watch this movie usually on Saturday or Sunday to make it feel like going to the movies.

It actually took me a few minutes to realise that Gregory Peck and David Niven had morphed into Robert Shaw and Edward Fox for this real-time follow-up to the 1961 hit war- movie "The Guns Of Navarone". That was almost as bizarre as the producers handily dropping the "Navarone" name into the title trying to catch a wave from 17 years ago in a film which has nothing to do with the earlier location.Once you get past that and accept that Harrison Ford has to be the youngest US Army colonel ever conscripted this is an enjoyable old-fashioned war movie although it does seem as if it belongs to another era of movie-making completely. Thus we get the usual Alistair MacLean ingredients of reluctant male-bonding, another traitor in the midst, for no apparent reason at all, a beautiful woman in a central part and of course, a big destructive finish.Shame that the would-be blockbuster finish is so obviously based on model-work but I guess SFX at the times had still to leap to the C-Gen stage. The characterisation is pretty much as you'd expect with the Germans portrayed as stupid and heartless, their partisan collaborators as heartless and stupid, with all the brains, courage and teamwork coming from Mallory and his cell. I could however have done without the racial baiting of Carl Weathers' black maverick soldier, quite unnecessary and unforgivable in a film made in the late 70's.The acting is as solid and stolid as you'd expect, Shaw and Fox demonstrating a stiff upper lip and Ford trademarking American moxy as they all start off distrusting each other but of course wind up as bonded-by-fire buddies by the end.It's fair to say I think that MacLean's writing and movie direction of this style was looking very clichéd and anachronistic this far down the line. That said, I'm a pretty old-fashioned type of guy and even though I found the characters stereotyped and the plotting unoriginal, I still got some sort of enjoyment from watching it.